Maddie, Ella, Roshy and Mariya
Scene Summaries
Act 1, Scene 1: Elsinore. A platform before the castle.
- Summary - the guards and Horatio witness the ghost of the deceased King Hamlet,
foreshadowing unrest in Denmark.
- Purpose/ significance - Opening scene → establishes an eerie and suspenseful tone,
introduces the ghost as a harbinger of political and personal turmoil, and sets up the
central mystery of the play.
- Structure - Mostly blank verse with some prose (naturalistic dialogue among guards).
- Themes - supernatural, uncertainty, political instability, appearance and reality.
Act 1, Scene 2: A room of state in the castle.
- Summary - Claudius addresses the court, justifies his marriage to Gertrude and sends
ambassadors to Norway. Hamlet mourns his father’s death and expresses disdain for
his uncle’s rule.
- Purpose/ significance - introduces political tension, highlight’s Hamlet’s grief and
isolation and sets up his inner conflict
- Structure - Predominantly blank verse; Hamlet’s first soliloquy ("O, that this too too
solid flesh would melt").
- Themes - Corruption, deception, political power, family tension, and appearance vs.
reality.
Act 1, Scene 3: A room in Polonius' house.
- Summary - Laertes warns Ophelia about Hamlet’s ‘love’, Polonius gives Laertes
advice before his departure, and Polonius commands Ophelia to avoid Hamlet.
- Purpose/ significance - establishes the relationships and power dynamics between
Ophelia, Laertes and Polonius. Also discusses love, duty and reputation.
- Structure - A mix of prose (Polonius’s advice to Laertes) and blank verse.
- Themes - control, obedience, love vs duty and gender roles
Act 1, Scene 4: The platform.
- Summary - Hamlet, Horatio, and Marcellus see the ghost of King Hamlet, who
beckons Hamlet to follow him.
- Purpose/ significance - builds suspense, reinforces the supernatural element
- Structure - Blank verse.
- Themes - fate, uncertainty
Act 1, Scene 5: Another part of the platform.
- Summary - The ghost reveals that Claudius murdered him, urging Hamlet to seek
revenge, while Hamlet vows to remember and avenge his father.
- Purpose/ significance - provides the motivation that underlines Hamlet’s subsequent
actions and establishes the play’s revenge plot.
- Structure - Blank verse with Hamlet’s soliloquy ("O all you host of heaven!").
- Themes - Revenge, justice, corruption, and the weight of duty.
,Act 2, Scene 1: A room in POLONIUS' house.
- Summary - Polonius sends Reynaldo to spy of Laertes and later interprets Hamlet’s
strange behaviour as madness caused by Ophelia’s rejection.
- Purpose/ significance - introduces ideas of surveillance - appearance vs reality
- Structure - Prose.
- Themes - Deception, manipulation, appearance vs reality and surveillance.
Act 2, Scene 2: A room in the castle.
- Summary - Claudius and Gertrude summon Rosencrantz and Guildenstern to spy on
Hamlet, Polonius claims Hamlet’s madness stems from love, and Hamlet plans to test
Claudius by staging The Murder of Gonzago.
- Purpose/ significance - Shows Hamlet’s growing suspicion and intelligence, and
highlights corruption at court.
- Structure - Mostly blank verse; Hamlet’s second soliloquy ("What a piece of work is
man!").
- Themes - Deception, madness (real vs. feigned), and revenge.
Act 3, Scene 1: A room in the castle.
- Summary - Claudius and Polonius spy on Hamlet and Ophelia, witnessing Hamlet’s
famous “To be or not to be” soliloquy and his cruel rejection of Ophelia. (“Get thee to
a nunnery”)
- Purpose/ significance - Reveals Hamlet’s existential crisis furthering his depiction of
madness, his disillusionment with love, and Claudius’s fear of Hamlet.
- Structure - Blank verse, with Hamlet’s famous soliloquy ("To be or not to be").
- Themes - Madness, existentialism, deception, and heartbreak.
Act 3, Scene 2: A hall in the castle.
- Summary - Hamlet directs The Mousetrap, and Claudius’s guilty reaction confirms his
crime.
- Purpose/ significance - Proves Claudius’s guilt and shifts Hamlet from doubt to
action.
- Structure - Mostly blank verse with some prose during The Mousetrap.
- Themes - Guilt, revenge and manipulation.
Act 3, Scene 3: A room in the castle.
- Summary - Claudius attempts to pray for forgiveness, but Hamlet refrains from killing
him, believing he would go to heaven.
- Purpose/ significance - Highlights Hamlet’s hesitation and Claudius’s struggle with
guilt.
- Structure - Blank verse; Claudius’s soliloquy ("O, my offense is rank").
- Themes - Revenge, sin, morality and indecision.
Act 3, Scene 4: The Queen's closet.
- Summary - Hamlet confronts Gertrude, kills Polonius by mistake, and sees the ghost
again, reaffirming his mission.
, - Purpose/ significance - Increases the stakes by making Hamlet an active killer and
exposing Gertrude’s conscience.
- Structure - Blank verse with Hamlet’s soliloquy ("Now could I drink hot blood").
- Themes - Madness, family, fate, and morality.
Act 4, Scene 1: A room in the castle.
- Summary - Gertrude informs Claudius of Polonius’s death, and Claudius plans to send
Hamlet to England.
- Purpose/ significance - Shows Claudius’s political maneuvering and heightens
tension. Develops plot.
- Structure - Prose (dialogue between Gertrude and Claudius).
- Themes - Power, deception, and consequences.
Act 4, Scene 2: Another room in the castle. (short scene)
- Summary - Rosencrantz and Guildenstern try to find out where Hamlet hid Polonius’s
body, but Hamlet mocks them.
- Purpose/ significance - Reinforces Hamlet’s distrust and intelligence.
- Structure - Prose.
- Themes - Deception, manipulation, and loyalty.
Act 4, Scene 3: Another room in the castle.
- Summary - Claudius sends Hamlet to England, secretly ordering his execution.
- Purpose/ significance - reveals Claudius’s increasing desperation and cruelty.
- Structure - Prose.
- Themes - Power, betrayal, and fate.
Act 4, Scene 4: A plain in Denmark.
- Summary - Hamlet reflects on his inaction after hearing about Fortinbras’s
determination.
- Purpose/ significance - Pushes Hamlet toward decisive action.
- Structure - Blank verse with Hamlet’s soliloquy ("How all occasions do inform
against me")
- Themes - Action vs. inaction, fate, and honour.
Act 4, Scene 5: Elsinore. A room in the castle.
- Summary - Ophelia, driven mad by her father’s death, sings erratic songs, while
Laertes returns, demanding revenge.
- Purpose/ significance - Highlights the play’s tragic consequences and the parallel
between Laertes and Hamlet.
- Structure - A mix of blank verse and prose (Ophelia’s mad scenes).
- Themes - Madness, grief, and revenge.
Act 4, Scene 6: Another room in the castle.
- Summary - Hamlet’s letter reveals he escaped his execution and is returning to
Denmark.
- Purpose/ significance - sets up the final confrontation
- Structure - Prose.
- Themes - Fate, deception, decision
, Act 4, Scene 7: Another room in the castle.
- Summary - Claudius manipulates Laertes into plotting Hamlet’s murder, and Gertrude
reports Ophelia’s drowning.
- Purpose/ significance - Intensifies the revenge theme and foreshadows tragedy.
- Structure - Blank Verse.
- Themes - manipulation, revenge and fate
Act 5, Scene 1: A churchyard.
- Summary - Hamlet contemplates death in the graveyard, encounters Ophelia’s funeral,
and fights Laertes in her grave.
- Purpose/ significance - Reinforces themes of mortality and the futility of revenge.
- Structure - A mix of prose (Gravediggers) and blank verse (Hamlet’s reflections on
death).
- Themes - death, fate, existentialism
Act 5, Scene 2: A hall in the castle.
- Summary - Hamlet confronts Claudius in a rigged duel, resulting in the deaths of
Claudius, Gertrude, Laertes, and Hamlet, as Fortinbras arrives to claim Denmark.
- Purpose/ significance - Brings the revenge cycle to a tragic conclusion, demonstrating
the futility of vengeance.
- Structure - Blank verse; Hamlet’s final soliloquy before the duel.
- Themes - Revenge, fate, corruption, and mortality.
Themes
Overview
Theme → critic for intro
Point 1
Point 2
Point 3
- Revenge → Francis Bacon - "Revenge is a kind of wild justice"
- Revenge as duty and burden
- Cycle of vengeance - Laertes, Fortinbras, Hamlet
- Revenge vs. justice
- Madness → AC Bradley - Hamlet is a “tragedy of thought”
- Madness as a tool
- Reflection of the state of denmark
- Grief and despair
- Women →
- Women sexualised by the men
- Lack of agency
- Obtaining power in death
- Corruption and disease