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Summary Poems of the Decade Out of the Bag

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AQA A Level English Literature Poems of the Decade analysis notes. I got 3 A*s at A-Level, 11A*/9/8 at GCSE, and I am currently studying History at the University of Cambridge. My A-Level notes really helped me to do well in my exams and I hope you will find them useful too! Each page of notes picks out the key quotations, and analyses them in depth looking at form, structure and language. The table format also helped me when making detailed comparisons which other poems. Please check my page for other useful notes! :)

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Out of the Bag - Seamus Heaney
Stanza Quotation Theme Analysis Device
/Line
MISSING FIRST 3 STANZAS
3/2-3 ‘like a hypnotist/ Control over life and death.
Unwinding us’ Umbilical cord
4/1 ‘their lining’ Slight personification of
instruments
4/1 ‘tie the cloth’ Material
4/2 ‘apron’ Like a butcher or a mother
4/3 ‘Darken the door’ Ominous elements to the poem.
Almost seems like having a child
brings bad luck. Marking the doors
with blood in the Bible
4/3 ‘leave’ Stanza break enacts how he leaves
5/1 ‘plump’ Could refer to the
mother/baby/bag
5/1 ‘ark’ Like a Noah’s ark symbol of
fertility. Narrator still thinks the
baby comes from the bag
5/2 ‘Until the next time They know that he will come back.
came’ Like the vision of exhausted
women repeatedly giving birth in
The Deliverer
5/2 ‘next time came 2 tenses of ‘to come’ shows
and in he’d come’ passage of time
5/3 ‘fur-lined collar’ Luxurious. Dead animals like in The
Gun.
5/3 ‘spaniel-coloured’ Umbilical cord of hyphen
6/1 ‘stooping up’ Giant figure
6/1-2 ‘a whiff/ Of Olfactory imagery. A play upon the
disinfectant’ phrase ‘a whiff of cologne’.
Dehumanises the doctor but also
makes him seem upper class.
Cleansing imagery in poem
6/2 ‘Dutch interior Dutch interior - painting by Miró
gleam’
6/3 ‘forceps’ Memento mori. The harshness
contrasts with ‘fur’ and ‘satin’.
Suggests violence
7/1 ‘that was next’ Ritualistic
7/2 ‘plumping hot’ Plosive sounds show bubbling
water
7/2-3 ‘soft,/ Sud- Sensual
luscious’

, 7/3 ‘rain-butt’ Rural
7/2 ‘saved’ Shift in ‘saved’ to ‘savoured’.
8/1 ‘savoured’ Elevation of doctor
7/2 ‘hard and fast’ Clinical
8/1 ‘squired’ Social status
8/1 ‘silk-lined into the Penetration imagery. The sexual
camel coat’ imagery is subtle because Ireland is
a Catholic conservative country
and sex cannot be openly spoken
about. Alternatively, the narrator is
still too young to properly
understand what sex is.
8/1 ‘camel’ Exotic mythical east.
8/2 ‘he once turned his ‘Once’ implies that it is an
eyes upon me’ important, one-off moment. Brings
to mind Basilisks, Gorgons
8/3 ‘Hyperborean, An imaginary place in Ancient
beyond-the-north- Greece called Hyborea? A
wind blue’ beautiful place, ‘beyond the
north’. Travelling to exotic places.
9/1 ‘peepholes’ Forbidden and out of reach.
Childhood imagery of spying.
Brings to mind the locked room in
Bluebeard’s castle or the
‘workshop of filthy creation’ and
‘midnight labours’ in Frankenstein.
9/3 ‘Milk and ice, Macabre. The clinical ‘white’
10/1 swabbed porcelain, imagery contrasts with the human
the white and chill warmth of ‘blood’
of tiles’
9/3 ‘Milk’ Mother’s milk
11/3 ‘A toe, a foot and Discombobulated body parts.
shin, an arm, a Opposite of Pentheus. Like a
cock’ butcher
11/3 ‘a cock’ Almost paraprosdokian. Contrasts
with the childhood narrative.
Climax of the stanza
12/1 ‘rosebud’ Subverts the stereotypical
romantic image of a rose.
Represents fertility as it is a flower,
but also shows a lack of fertility as
it has been cut. Potential growth is
stunted. Could represent the
narrator on the cusp of puberty?
13/1 ‘Poeta doctus’ Learned educated doctor. Use of
Latin suggests that the narrator has
matured and is now educated.

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