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Summary Duchess of Malfi critics - A04

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Duchess of Malfi critics - A04

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DUCHESS OF MALFI CRITICS:

Clifford Leech:

 We cannot say that Webster condemns unequal marriages...he shows what the world thinks
of them

Nanci Roider:

 A cautionary tale which shows what can happen when women marry without being granted
the 'proper' consent

David Cecil:

 Webster portrays evil as far more powerful than good
 All its apparent beauties are a snare and a delusion – Webster’s view of the world

Muriel Bradbrook:

 With his many roles, Bosola is never permitted the luxury of being a self.

Frank Whigham:

 His imprisonment of her (the Duchess) re-isolates her, and so restores her status as
untouchable, in a private realm that only he can enter – about Ferdinand

Edmund Gosse:

 The characterisation of the Duchess…is one calculated to inspire pity.

Stephen Sims:

 Increasingly unworthy of her as the play proceeds – about Antonio

William Archer:

 Almost monomaniac – about C/F’s opposition to DOM remarrying.

C.V.Boyer:

 The play continues…to bring about the tragic doom of the three villains who have sought to
advance themselves by her destruction.

J.W.Lever:

 Bosola typifies the plight of the intellectual

Kenneth Tynan:

 One ducal and incestuous, the other ecclesiastical and more normally lecherous – F’s
incestuous desires normalise the actions of C which is hypocritical as Julia is frowned upon
for it.

B.A.Young:

 Submerged virtue behind the malcontent villain – about Bosola
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