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Exam (elaborations)

Solutions for Tonal Harmony, 9th Edition Kostka (All Chapters included)

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Complete Solutions Manual for Tonal Harmony, 9th Edition by Stefan Kostka and Byron Almén ; ISBN13: 9781264094752. (Full Chapters included Chapter 1 to 28)....Chapter 1: Elements of Pitch Chapter 2: Elements of Rhythm Chapter 3: Introduction to Triads and Seventh Chords Chapter 4: Diatonic Chords in Major and Minor Keys Chapter 5: Principles of Voice Leading Chapter 6: Root Position Part Writing Chapter 7: Harmonic Progression and the Sequence Chapter 8: Triads in First Inversion Chapter 9: Triads in Second Inversion Chapter 10: Cadences, Phrases, Periods, and Sentences Chapter 11: Two-Part Tonal Counterpoint Chapter 12: Nonchord Tones 1 Chapter 13: Nonchord Tones 2 Chapter 14: The V7 Chord Chapter 15: Other Diatonic Seventh Chords Chapter 16: Secondary Functions 1 Chapter 17: Secondary Functions 2 Chapter 18: Modulations Using Diatonic Common Chords Chapter 19: Some Other Modulatory Techniques Chapter 20: Larger Forms Chapter 21: Mode Mixture and the Neapolitan Chapter 22: Augmented Sixth Chords Chapter 23: Enharmonic Spellings and Enharmonic Modulations Chapter 24: Further Elements of the Harmonic Vocabulary Chapter 25: Tonal Harmony in the Late Nineteenth Century Chapter 26: Materials and Techniques Chapter 27: Post-Tonal Theory Chapter 28: New Directions

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Uploaded on
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Number of pages
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Written in
2023/2024
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Tonal Harmony
9th Edition by Stefan Kostka


Complete Chapter Solutions Manual
are included (Ch 1 to 28)




** Immediate Download
** Swift Response
** All Chapters included
** Exercises and Quizzes

, CHAPTER 1

Elements of Pitch

Most of the material in this chapter will already be familiar to the typical college music major. Nothing should be
taken for granted, however, and scales should get special attention. Students should be strongly encouraged to
practice all of the scales on their instruments and to relate the patterns they have learned through such practice to
problems in the theory class. It is essential that vocalists practice scales on the piano in order to begin internalizing
patterns that many of the instrumentalists will know already. (All scales may be played two-handed, using a
54322345 fingering.) In addition, class scale-singing drills using letter names or chromatic fixed-do solfege can be
very productive.
The last third of the chapter, dealing with scale degree names and intervals, will be less familiar to many students.
They should understand that mastery of this basic material is essential for all further study and that fluency requires
the ability to spell and construct intervals very quickly. Various kinds of speed drills are easy to devise, and the class
time spent on them will be well invested.
In-class drills should be a frequent activity as students work their way through Chapters 1-4. Speed and accuracy
should be the goal, but at least some of the drills must be designed so that students who are having more trouble are
given the time to come up with correct answers. A struggling student who has just begun to ponder a question learns
little by hearing a colleague call out the answer.



Answers to Selected Exercises
Exercise 1-1
A. 1. A1 2. F2 3. D3 4. A4 5. E5 6. G6 7. C8

B.




1

, Chapter 1



Exercise 1-2
A.




B. 1. D 2. Fm 3. Db 4. Bb 5. B 6. A 7. Cb

C.




D. 1. 5 flats 2. 1 sharp 3. B 4. 3 flats 5. Bb
6. A 7. 7 sharps 8. Cb 9. 1 flat 10. 4 sharps
11. D 12. Eb 13. 6 flats 14. Fm

E. 1. 4# G#
2. D ¶
3. Bb 2b
4. 6b §
5. A B
6. F# ∞

2
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