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Samenvatting - Art History (UA_1078FOWARC_2526)

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Dit is een volledige samenvatting gebaseerd op de lessen Art History. Inclusief is er een toevoeging op het einde van te kennen begrippen en werken van die kunstenaars die je moet kennen voor het examen. (Daarom zijn er veel pagina's)

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Publié le
27 janvier 2026
Nombre de pages
105
Écrit en
2025/2026
Type
Resume

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Art History - UA_1078FOWARC_2526
Universiteit Antwerpen

Ulrike Mïller




Overzicht:
Het bevat alle lessen (in het Engels)
En op het einde is er een overzicht met te kennen begrippen en de werken van de kunstenaars




1

,Les 1: introduction
➔​ Willem van Haecht, the gallery of cornelis van der Geest, 1628, antwerp, rubens house
Kabinet picture; pictures in pictures, art within art, representation of art. And tell us more about
art history

Cornelis geest zijn kabinet; what do we see, painting, sculptures, people that look at them or
make them. Or discussing, handling…
If you look closely u will see art from different periods => kunst kamers/art cabinets
Vb van eyck, rubens, apollo sculpture, people; discussing => social spaces; known as social
spaces
Also scientific study

-> tell alot about how people started to value art from the past
Process that started in the renaissance

➢​ References and reminiscences:
The rise of historical awareness during the Renaissance

-​ Curiosity and science (Cabinet of Curiosities, Kunstkamer, Rariteitenkabinet) also the
period where the canon; model artist.
-​ Art and curious objects from past and present
-​ Recognition and appreciation of Old Masters as a basis of contemporary art production
-​ Collecting as breeding ground for art history


1.​ Structure of the course
Lectures, guest lectures, self study, syllabus

Timeline: renaissance, barok, the dutch golden age, rococo, neocl, …

2.​ Mutual expectations:

3.​ Learning material:
Boek Ernst H. Gombrich

4.​ Learning outcomes

5.​ Assesment
Computer examen, meerkeuze en openvragen
-> inhaal examen is op papier




6.​ What is art?


2

,Question with many answars
Does it have to be beautiful, certain people? …
Important to consider the context -> its flexible and changes in diff periods

“There is no such thing as art. There are only artiste’” boek: ernst gombrich, the story of art,
2023, p21
-> means that there is no one overarching concept/definition of art, there are artists.

“ art may mean very different things in different times and places… art with a capital A has no
existence”
-> no one definition for art

Does art have to be beautiful? Going to museum to see beautiful things
Idea of beauty also varies in context/place




Some could say this is art and this
not cuz its ugly…

Depends on context




➢​ Conception of art depends on historical and cultural context
Italian Renaissance art theory:
Go deeper on the meaning of art; first concept, also important to understand the
following lectures. = concept of disegno

▪ Disegno (it. drawing, design) as a foundational concept. Means drawing or a
designing, it also means a design concept, an idea of an art for example. Related to
renaissance art

-> Disegno refers not only the physical act of drawing but also to the intellectual
capacity to invent a creative design.

▪ Careful study of human anatomy and physiognomy
▪ Use of drawing media to evoke light and shadow and model a three-dimensional figure




3

, (Michelangelo Buonarroti ,Studies for the Libyan Sibyl, ca. 1510-11) this is the study for a real
painting. Really a study of the human body, u can see the muscles… trying to capture it
perfectly. Also light and shadow. -> highly perfectionist. A nude figure, but end result is clothed

This is the final result of the study. U can clearly see the foot study.


Italian renaissance art theory:

During the renaissance, the ability to invent or create, put the artist on a
footing with god, the ultimate creator, and was a means of raising the
status of painting from craft to art.


Concept of disengo in italian, not only to draw realistic, naturalistic figure, nut also to really
design the painting. -> the idea to make the image as a whole, make it coherent, not only
realistic presented.

➔​ Jan and Hubert Van Eyck, Ghent Altarpiece, 1432-35

-​ Technical perfection (oil paint)
-​ Attention to detail is enormous
-​ Truth to nature in colors, application of central
and aerial perspective
-​ Realism invented with symbolic meaning

Mimesis = imitation of nature; imitative representation of
real world
-> this is also an important concept
U can always find symbolic references. Mimesis of
nature


➔​ Kazimir Malevich, black squeare 1915
-​ Technically not complex
-​ No use of expensive materials
-​ ‘My child could make that!
-> considered economical art, technical not at all complex; no
expensive material, its just a square. Still its a climax in art
history; and singilaing beginning a new area

And yet, the painting is considered a climax in Western art,
synthesizing centuries of art history, and signaling the beginning
of a new era.


4
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