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Summary AQA A LEVEL English Literature A: Othello Complete Notes

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I remember when I was doing my A Levels there weren't a whole lot of resources particularly when it came to Othello. So I compiled the key areas that I focused on to achieve an A in my AQA A LEVEL ENGLISH LITERATURE A exams in 2024, saving you the trouble of having to look for model answers, or practice questions, and allowing you to achieve the top grades you deserve! This Othello Revision Pack includes: ○ AO1 NOTES: Themes & Shakespeare's Aims ○ AO2 NOTES: Structure, Form, Dramatic Techniques Table & Genre (Tragedy) ○ AO3 NOTES: Shakespeare, Historical Setting of Othello ○ AO4 NOTES: Detailed Literary Connections Table ○ AO5 NOTES: Critics curated for Themes/Characters ○ 3x GRADE A/A* MODEL ANSWERS

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Uploaded on
December 25, 2024
File latest updated on
January 13, 2025
Number of pages
26
Written in
2024/2025
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Summary

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OTHELLO
AO1
EXAM TECHNIQUE
Essay Structure: 50% extract + 50% wider play / PARA 1: Extract For + PARA 2: Extract Against ~
repeat for wider play
Emergency Techniques To Look For In Extract:
●​ Relationship between characters, change in a character’s behaviours/actions
●​ Drama: who enters/exits, Aside + who else is on stage hearing it, Dramatic Device: props
(handkerchief), dramatic impact on the audience / Context + Setting: Cyprus or
Venice/location (country, city, house, room), time of day (how much light)? Who speaks + is it
stately, informal, conspiratorial, friendly, insincere? Who is silent? Language: tragedy/comedy
●​ Structure: place of extract / Form: soliloquy/prose/blank verse (unrhymed iambic pentameter)
○​ NOTE: most of ‘Othello’ is in iambic pentameter so only analyse speaking in prose
●​ Language: length of turn (who dominates), semantics, types of utterance: exclamations +
questions + interruptions + shared lines, recurring motifs (disease, poison, sight), tone

POTENTIAL THEMES IN Q: Tragedy
●​ Shakespeare doesn’t celebrate female strength and agency in ‘Othello’ because he was
instead exploring the destructive impact patriarchal society ha on the individual woman
●​ At different times in the play both Emilia and Desdemona try to assert themselves in the face
of patriarchal power, and both women arguably die as a result of their belief that they can
have a voice and choose their own path in life
●​ Desdemona and Emilia’s friendship is defined against demands of loyalty/ rules made by men
●​ ‘The character of Bianca is little more than a plot device.’ To what extent do you agree?

EXAM CHECKLIST: Themes, Characterisation Structure, Dialogue, language, Dramatic Devices,
Audience’s Response, Alternative Interpretation + critics
[REMEMBER: The Cuckolded Soldier Does Lose Desdemona After All]

AO2: Structure/Form Sentence Starters
●​ The play’s pivotal climax in Othello’s switch in allegiance from Desdemona to Iago marks the
moment that helps us understand why…
●​ Iago’s dramatic irony is used to / serves to…
●​ 1mThe play’s exposition establishes………
●​ The denouement in Act 5 reveals/ concludes that…
●​ Acts 2-5 are set in Cyprus, loosely fulfilling the unity of place in classical tragedy, creating a
suffocating, claustrophobic mood which adds to….
●​ The play’s action is compressed, as typical for a tragedy, into a short time frame which
emphasises…
●​ Iago’s dramatic irony is used to / serves to…
●​ Protagonist / antagonist hero/ Machiavellian/ malcontent/ foil/ tragic victim/ tragic villain
●​ The stage direction “……………”

Shakespeare’s Aims
●​ His depiction of a protagonist of uncertain origin would be to stoke contemporary prejudice
●​ His depiction of interracial marriage (a provocative + controversial plotline) was set in a
different country so Shakespeare could explore their union with a bit more freedom
●​ His depiction of women (triumvirate) as just as smart, brave and foolish as men means that
it’s natural for them to Q their role in society + charge of sexual impropriety haunts them
●​ Foreign setting: comment on home-grown political/social issues to be made circumspectly
●​ Depicts social class is often military terms but play’s exploration of rank go beyond (purse)
●​ Shakespeare chose Italian setting to exploit contemporary interest in the country



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