Revision Notes
Comprehensive study reference covering structure, thematic analysis, contextual
influences, and core textual evidence.
1. Act-by-Act Summary
● Act 1: The Witches prophesy that Macbeth will be Thane of Cawdor and King,
and Banquo's sons will be kings. Duncan names Macbeth Thane of Cawdor.
Lady Macbeth persuades a hesitant Macbeth to murder Duncan.
● Act 2: Macbeth murders Duncan. Lady Macbeth plants the bloody daggers on
the guards. Macduff discovers the body. Duncan's sons, Malcolm and
Donalbain, flee, making them look guilty. Macbeth is crowned King.
● Act 3: Paranoia sets in. Macbeth hires murderers to kill Banquo and Fleance
(who escapes). Banquo's ghost haunts Macbeth at the banquet, showing his
deteriorating mental state.
● Act 4: Macbeth visits the Witches again. They give him three apparitions:
beware Macduff, none of woman born shall harm him, and he won't be
defeated until Birnam Wood moves to Dunsinane. Macbeth orders the
slaughter of Macduff's family.
● Act 5: Lady Macbeth sleepwalks, consumed by guilt ("Out, damned spot!"), and
eventually dies (implied suicide). Malcolm's army uses Birnam Wood branches
as camouflage. Macduff reveals he was born via Caesarean section ("untimely
ripped"). Macduff kills Macbeth. Malcolm becomes rightful King.
2. Key Themes (AO1/AO2)
● Ambition: The tragic flaw (hamartia) of Macbeth. It subverts the natural order.
Shakespeare warns that unchecked ambition leads to destruction.
● Kingship vs. Tyranny: Duncan represents the ideal, divinely appointed king
(Divine Right of Kings). Macbeth represents a tyrant who rules by fear and
blood.
, ● Appearance vs. Reality: "Fair is foul, and foul is fair." Deception is everywhere.
Characters hide their true intentions (e.g., Lady Macbeth tells Macbeth to "look
like the innocent flower, but be the serpent under't").
● Guilt and Conscience: Blood is a recurring motif for guilt. Macbeth's guilt
manifests as hallucinations (the dagger, Banquo's ghost). Lady Macbeth's guilt
manifests as sleepwalking and washing her hands.
● Fate vs. Free Will: Are Macbeth's actions predetermined by the Witches'
prophecies, or does he exercise free will? The Witches act as catalysts, but
Macbeth makes the choices.
● Gender and Masculinity: Lady Macbeth subverts typical Jacobean gender roles
("unsex me here"). She equates masculinity with violence and cruelty,
manipulating Macbeth by questioning his manhood.
3. Character Analysis
● Macbeth: Starts as a "brave Macbeth" and "valiant cousin". Becomes a "dead
butcher". Tragic hero driven by "vaulting ambition".
● Lady Macbeth: Manipulative, ambitious, and defying gender norms initially.
Ultimately breaks down under the weight of guilt, showing the psychological
toll of her unnatural actions.
● Banquo: Macbeth's foil. He hears the same prophecies but does not act on
them, remaining loyal and honorable. King James I claimed descent from
Banquo.
● Macduff: The avenging hero. Loyal to Scotland. His reaction to his family's
death shows a healthy version of masculinity (he must "feel it as a man").
● The Witches: Represent the supernatural, chaos, and evil. They speak in
trochaic tetrameter (sets them apart from other characters who speak in
iambic pentameter).
4. Historical Context (AO3 - Crucial for AQA)
● King James I: The play was written specifically for him (1606). He was
fascinated by witchcraft (wrote Daemonologie) and survived the Gunpowder
Plot (1605).