Week 1
1. Introduction to Campaigns
1.0. Introduction
● Di erent campaigns have di erent goals.
● Campaigns are composed by di erent building blocks.
● Companies are advised by di erent stakeholders (e.g. consultants, other companies,
internal feedback, etc.)
● Campaigns are supported by di erent elements (e.g. experience, theory, gut feelings,
etc.)
1.1. History
● Campaign templates on communication issues are still used nowadays.
● Designed in the 19th century !"#$%&$'()"*+'($"+,"-+./&("-/.'%"0%-*%')(#"12#'()"
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○ Explained by:
■ Explosion of print media (e.g. pamphlets, photos in newspapers,
illustrated books, informational books, sensational drawings in
newspapers)
■ Rise of nationalism
■ Industrialization"!"&/5+72$'+(':/."$3/"*&'($'()"*&+0/##"4"-%./"'$"03/%*/&"
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■ Birth of political parties"!"'('$'%$/#"*+7'$'0%7"0%-*%')('()"%.#9"
■ Birth of socialism
■ Emancipation of masses"!"-%##/#"#$%&$/.";/0+-'()"/-%(0'*%$/."4"
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●Media is no longer just for the elite, but for ordinary people who
increasingly could a ord it.
● Rise of popular press.
○ Outcome = Rise of modern media landscape + Multi-channel campaigns.
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, ○ Case Study: Golden Gate Park =
■ Multi-channel campaign designed by Randolph Hearst
● Ex: Pamphlets, photos & sensational drawings in newspaper,
illustrated & informational book.
■ More than 20 000 people visited opening day.
■ = Di erent channels help to meet di erent targets and achieve di erent
e ects.
● <=$3"0/($2&6"!">>?: Large campaigns planning for war + through a variety of mass
communication channels to appeal for people’s attention.
○ Newspapers
○ Magazines
○ Radio
■ Messages are mostly aggressive + patriotic.
■ Seek to attract mass attention to a topic.
● Multimedia Campaigns trace back since antiquity (e.g. Greeks & Romans)
○ Greek Rhetorica for persuasion (e.g. political, military, commercial, etc).
○ Romans perfected it.
○ First models & theories about communication campaigns.
○ Ex: Campaign to improve the reputation of Athens (in preparation for the
upcoming war against Persia) + increase pride
■ Channel =
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● Art
● Architecture
● Reminders of big wars won in the past.
● Theater (comedies, tragedies, fables, mime, etc. celebrating
heroes of the past)
■ ?('$'%776E"*/+*7/"$3+2)3$"B%&"B%#"%"(+5/7"0+(0/*$"FGH")+$"*&/*%&/."4"
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1.2. Successful campaigns
2
, ● 1. Involves research performed by successful communication managers.
● 2. Reaches speci c + measurable goals w/ a certain audience.
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■ Target audience (i.e. which people are being tried to reach)
■ Media (i.e. di erent media more relevant to speci c consumers).
■ Goals
○ 3 types of goals:
■ 1. Inform = provide info
● Ex: New COVID-19 measures, new building rules, etc.
■ 2. Elicit emotional response = positive or negative emotions are
induced by messages
● Ex: Fear of global warming or smoking, raising sympathy for
donations etc.
■ 3. Behavioural change = provoke a change in behaviour.
● Ex: Commercial (e.g. purchases), political (e.g. voting, donations),
health (e.g. vaccinations, smoking).
● 3. Speci cally designed to create an e ect (not by accident).
○ How? Using theories (these are established working principles of
communication).
● 4. Explains who the target audience is (& how big)
○ Available (or potential) audience
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○ Does the campaign reach the target audience?
○ Who do you target in your campaign?
■ Same campaign, di erent approaches needed.
■ Ex: Campaign against drilling on North Pole.
● Unions = Campaign directed at workers calling for union.
● Consumers = Campaign calling for consumers to boycott and
protest.
● Organizations = Campaign calling for companies to stop
environmentally harmful practices.
● Legislators = Campaign for legislators (e.g. lobby campaign)
using big media outlets.
● Activists = Campaign for politically active citizens, activits,
NGOs, etc. to sign a petition or donate.
● 5. Makes clear which media are used + why
○ Di erent channels have di erent characteristics + for di erent purposes.
■ Elicit di erent responses (e.g. social pressure, emotional, etc.).
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