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Summary What is the Renaissance

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What is the Renaissance

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What is the Renaissance?

The Renaissance is a period of rebirth in Europe beginning in the early 15th century. It is

characterized by a rediscovery of Greek and Roman classical ideals. Science, art, literature,

religion, philosophy, and medicine all saw study and advancements influenced by classical

learning. Classicism, as Marilyn Stokstad writes, is inspired by the Greeks and Romans through

their art, literature, and history, and is the effort to produce art, literature, or architecture in these

ancient styles. There are three general concepts that characterize classic ideals: humanism-an

ideal based on the human form; rationalism-reason over emotion; and idealism-portraying nature

in the universal ideal rather than actual detail. Though all of these are important aspects of the

classical ideals seen in Renaissance art (Stokstad 128), humanism is the one that will be focused

on in each section of this website.

The word "renaissance" literally means "rebirth." Coming out of the Dark Ages, Europe

would develop new technology, new philosophy, and new theories. In addition, Europeans

learned of new continents. The middle class was rising in wealth and status, and some prominent

families, such as the Medici, became economic rulers of their Italian city-states through banking

and commerce. Noble lineage was slowly being replaced by economic power backed by

mercenary armies instead of the feudal allegiance of medieval knights. Patronage of the arts was

a tool of the merchant class to show their newly acquired status (Stokstad 620). Many areas other

than art hosted breakthroughs, discoveries, and innovative new ideas that would change Europe

over the course of the Renaissance. Information on some of those areas can be viewed at Beyond

Art. The Renaissance was divided into two main geographical areas; Italian and Northern. Italian

Renaissance The Italian Renaissance (1400-1600) centers on the Italian city-states, especially

Venice and Florence, and was influenced by wealthy middle class families like the Medici. Art

, flourished with new methods and techniques. The Italian Renaissance produced some of the most

famous painters and sculptors we recognize today, Leonardo da Vinci, Michelangelo, Botticelli,

Raphael, Titan, Pignoni, and Puligo are some famous names, to mention a few.

Northern Renaissance Independently of the Italians, the countries of Northern Europe,

most notably Germany, the Netherlands, France, England, and Poland experienced their own

cultural rebirth by revisiting the classical traditions, but even more importantly, nature. The

Northern Renaissance (c. 1400-1600) is notable for the use of oil paint and the first true

landscapes. The Northern Renaissance produced artists such as Jan Van Eyck, Bosch, Holbein,

DOrer, and Aertsen. Artists of the German Renaissance used techniques such as prints,

woodcuts, and engravings as outlets of artistic expression as well (Carol Strickland and John

Boswell 42).

These two paintings are similar in terms of subject and pose, as well as their excellent

portrayals of humanism in Renaissance portraits. The identities of both the women portrayed

above are unknown to us, but each has a distinct personality that is characteristic of the

Renaissance and of humanism. The young woman in Domenico Puligo' s painting is clearly deep

in thought, contemplating some unknown issue while da Vinci's Mona Lisa stares straight at the

viewer with a secretive smile that that has intrigued historians and art lovers for centuries. The

focus of most art, literature, politics, religion, and science during the Renaissance shifted from

God to man. Along with the rediscovery of Greek and Roman classical ideals through classic art

and literature was the rediscovery of man as an important figure beside whom all else was

measured. This focus on man and his abilities through classical influence became known as

humanism. Humanism of the Renaissance, born out of the Italian city-states in the late 14th

century, influenced men to look at Rome and Greece not as golden ages long past, but as

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