appropriation - Answers borrowing of a dance form from one group by another
transmission - Answers passing of a dance from body to body or through mass media
migration - Answers moving of a dance from one geographical location to another
whitening - Answers allows white middle and upper-class people to have the experience of embodying
dance forms typically associated with communities of color as means of pleasure and without the
implications of hierarchical associations
upward mobility - Answers dance is refined, polished and desexualized
ethnography - Answers method of dance research and approach to dance studies
empathetic kinesthetic perception outsider status - Answers kinesthetic perception; combines
mimesis(copying) with empathy(feeling like another)
invisibilization - Answers the tendency to recognize European aesthetics and make invisible Africanists
aesthetics in U.S. dance
Embracing the Conflict - Answers prefers conflict and dissonance to efficient problem solving and
resolution
Polycentrism/polyrhythm - Answers movement emanates from multiple parts of the body, movement
contains multiple rhythms
High Affect Juxtaposition - Answers no transition between moods or feelings
Ephebism - Answers youthful vitality, attack
Hip Hop - Answers originated from the Bronx house parties in the mid 1970's 1)B-boying/Breaking
2)Music-MCing and Rap 3) Art-Graffiti
Blackface Minstrelsy - Answers Most popular form of entertainment in the mid 19th century (1830-
1930s); based on racism and used as justification for slavery; example of racist appropriation (white
borrowing from black)
Buck, Wing,&Jig - Answers 19th century African American social dances whose remnants can be seen in
African American dances today
Cakewalk - Answers imitation of an imitation of an imitation, promenade couple dance involving high
skipping & kicking in mockery of white high society
Tap - Answers hybrid from African and Irish cultures
In Dahomey - Answers (1903) first all black musical on Broadway