NIT19/1991/I9N-ereaction artists first
against frivolous Rococo
sought to replace the
Style Neo-classical
,
sensuality as what they
Viviijjiiji"
viewed as
triviality and replace it with
something that was
I
and character
logical , solemn in tone ,
moralizing in
BACKGROUND
· mid 18th Century
· social , political and intellectual
change
. Pneoclassicism was adopted as the
official art style after the establishment
CHARACTERISTICS :
· industrial andFrench
revolution
neo-classicism to mirror classical
of the republic (Later modified to serve ·
art as
propaganda hard-edge · linear
painting defined by architectural frame
sought propagandistic
·
Napleans needs clarity cool serious molded and
M · theme stated with , use of colour ·
figures carefully placed
antiquity found in Greece and Rome
· shallow picture plane · balanced compositions · mathematical compositions (geometric
·
however imitation was selective
(only austere and
little brushstrokes dark
Idealised qualities (e Polyklaites
·
strong moral influence · show very o
background
·
JACQEE SIONIS DLATHID ,
·
·JEAN AMSTE DDIMINIQUE HERE S ,
↳ most influencial neo-classical movement painter Grande adalisque
>
-
sculptural and moral seriousness admired .
style
>
during a time of mounting
social unrest
Characteristics
increasingly unpopular
:
court and
aristocracy became
=
themes of patriotism , duty and heoric struggle for liberty calligraphic line Idealism
>
· ·
* ideals of the revolution · expressive contours · rounded volumes
& of Horati · academic work
·
main theme : Beauty
·
bright use of color · sentimental portraits
theme conflict
:
between patriotic and · Sculpturesque
sensual flowing lines
family love
·
·
rhythmically flowing contours
>
figures placed groups
that is emphasised Polished surfaces smoothy painted planes of body
-
·
by three
arches of the architecture
Madame Moltessier ,u
>
emotional female
figures contrast
masculine figures
red image emphasises passion
SCULPTURE
in
art
·
influenced by ancient
·
principles had less revolutionary impact ARCHITECTURE
Death of Marat sculptors avoided dramatic twists
-The and
poses and coloured marble surfaces
>
characterized
eyelids drooped and head
heavy by baro que and rococo
on shoulders · preferred crisp contours and noble
,
stillness
Idealised
paintedmarked face is by
(young & healthy
Venus Itallica
suffering but is *
-
also gentle and overcome with peace by :
Antonis Canova
the objects placed in the
In the composition are borrowed
from the subjects world and help
suggest the victims
simplicity grandeur
Wache
and vs . the assassing treachery .
Karl Friedrich
by
:
The face , body and
objects are dowsed in light very softly and highlight modelled after Greek Doric
Style
·
the expression of kindness on Marats face .
against frivolous Rococo
sought to replace the
Style Neo-classical
,
sensuality as what they
Viviijjiiji"
viewed as
triviality and replace it with
something that was
I
and character
logical , solemn in tone ,
moralizing in
BACKGROUND
· mid 18th Century
· social , political and intellectual
change
. Pneoclassicism was adopted as the
official art style after the establishment
CHARACTERISTICS :
· industrial andFrench
revolution
neo-classicism to mirror classical
of the republic (Later modified to serve ·
art as
propaganda hard-edge · linear
painting defined by architectural frame
sought propagandistic
·
Napleans needs clarity cool serious molded and
M · theme stated with , use of colour ·
figures carefully placed
antiquity found in Greece and Rome
· shallow picture plane · balanced compositions · mathematical compositions (geometric
·
however imitation was selective
(only austere and
little brushstrokes dark
Idealised qualities (e Polyklaites
·
strong moral influence · show very o
background
·
JACQEE SIONIS DLATHID ,
·
·JEAN AMSTE DDIMINIQUE HERE S ,
↳ most influencial neo-classical movement painter Grande adalisque
>
-
sculptural and moral seriousness admired .
style
>
during a time of mounting
social unrest
Characteristics
increasingly unpopular
:
court and
aristocracy became
=
themes of patriotism , duty and heoric struggle for liberty calligraphic line Idealism
>
· ·
* ideals of the revolution · expressive contours · rounded volumes
& of Horati · academic work
·
main theme : Beauty
·
bright use of color · sentimental portraits
theme conflict
:
between patriotic and · Sculpturesque
sensual flowing lines
family love
·
·
rhythmically flowing contours
>
figures placed groups
that is emphasised Polished surfaces smoothy painted planes of body
-
·
by three
arches of the architecture
Madame Moltessier ,u
>
emotional female
figures contrast
masculine figures
red image emphasises passion
SCULPTURE
in
art
·
influenced by ancient
·
principles had less revolutionary impact ARCHITECTURE
Death of Marat sculptors avoided dramatic twists
-The and
poses and coloured marble surfaces
>
characterized
eyelids drooped and head
heavy by baro que and rococo
on shoulders · preferred crisp contours and noble
,
stillness
Idealised
paintedmarked face is by
(young & healthy
Venus Itallica
suffering but is *
-
also gentle and overcome with peace by :
Antonis Canova
the objects placed in the
In the composition are borrowed
from the subjects world and help
suggest the victims
simplicity grandeur
Wache
and vs . the assassing treachery .
Karl Friedrich
by
:
The face , body and
objects are dowsed in light very softly and highlight modelled after Greek Doric
Style
·
the expression of kindness on Marats face .
