MANNTDISM ORIGINS
, j1" ·
·
early
16th
century
characteristics present
transition
in Italian art Crenaissance
-
boldness and abrupt spatial
MANNERISM IN ROME
·
Foreshortening common practice
used
to
give power to
key figures in painting
EARLY MANNERISM
-
share common features with artists and expressive
florentine mannerism :
·
Imaginate
,
·
having individual signature restless movement brilliant
·
characterised by ,
with more classical forms
-
Complex compositions
andclashingcolour seases
INTRODUCTION
·
sharmonious colour and irrational
>
3D figures renaissance figures
portray elegent
in unnaturally
descended from
directly
· late
twisted poses characterized distortion of elements such as
painter Raphael -
by
space and proportion
Took classical and idealised forms from
IPAINTOIRIMG
O
renaissance and
IADDIO DIA
used them in unconventional
ways to
heighten tension ,
IP/AIRMMIA CINING
power , emotion and
elegance .
figures painted contorted with
foreshortening
,
deposition
·
Pontormo's unrealistic
·
Space is
Madonna With the long neck ·
arrangement of figure creates swirling
traditional and
mythological subject matter
movement (weightlessness
o
elongated figures in
exaggerated
·
display skills of artist and demands knowledge of viewer
· ·
heightens emotion in the atmosphere
poses Jesus being brought down the cross
·
·
sensuos virgin Mary elongated bodies
·
languid gestures reflect ideals of
· unnatural compression of space
feminine beauty at the time .
· inconsistencies in depiction of space between figures
· balance and
clarity IBIRDINIIND
LATE MANNERISM John theBaptist :
Saint
· contorted (serpentine) figure
MANNERISM Pontormo and
moved from expressive
SPANISH away style of
·
knee and shoulder extended
Rosso opposite
differences begun to fade outwards
·
regional move consideredbeautiful due to
-
artists around
working with nobility ·
pose
Its livliness and spiraling movement
ELL GIRECO ·
depicts saint nearly nude .
The burial of countorgaz similar to : Michelangelo's
heaven and surrounded
-
portrays a
being lifted to
counts soul
by dense population of and political figures
angels Saints Last
Judgementnude
a
,
Characteristics :
· saints and sinners in
·
elongated figures allow contours to be erroded by shadow
·
shows complex movement
· Sharp anddo a ·
referencing mythology
Gunnarguab twisting bodies create
·
creates etherl ea movement
is
regoussubject
mat
of gestures)
-
elongation of hands heightens expressiveness
, j1" ·
·
early
16th
century
characteristics present
transition
in Italian art Crenaissance
-
boldness and abrupt spatial
MANNERISM IN ROME
·
Foreshortening common practice
used
to
give power to
key figures in painting
EARLY MANNERISM
-
share common features with artists and expressive
florentine mannerism :
·
Imaginate
,
·
having individual signature restless movement brilliant
·
characterised by ,
with more classical forms
-
Complex compositions
andclashingcolour seases
INTRODUCTION
·
sharmonious colour and irrational
>
3D figures renaissance figures
portray elegent
in unnaturally
descended from
directly
· late
twisted poses characterized distortion of elements such as
painter Raphael -
by
space and proportion
Took classical and idealised forms from
IPAINTOIRIMG
O
renaissance and
IADDIO DIA
used them in unconventional
ways to
heighten tension ,
IP/AIRMMIA CINING
power , emotion and
elegance .
figures painted contorted with
foreshortening
,
deposition
·
Pontormo's unrealistic
·
Space is
Madonna With the long neck ·
arrangement of figure creates swirling
traditional and
mythological subject matter
movement (weightlessness
o
elongated figures in
exaggerated
·
display skills of artist and demands knowledge of viewer
· ·
heightens emotion in the atmosphere
poses Jesus being brought down the cross
·
·
sensuos virgin Mary elongated bodies
·
languid gestures reflect ideals of
· unnatural compression of space
feminine beauty at the time .
· inconsistencies in depiction of space between figures
· balance and
clarity IBIRDINIIND
LATE MANNERISM John theBaptist :
Saint
· contorted (serpentine) figure
MANNERISM Pontormo and
moved from expressive
SPANISH away style of
·
knee and shoulder extended
Rosso opposite
differences begun to fade outwards
·
regional move consideredbeautiful due to
-
artists around
working with nobility ·
pose
Its livliness and spiraling movement
ELL GIRECO ·
depicts saint nearly nude .
The burial of countorgaz similar to : Michelangelo's
heaven and surrounded
-
portrays a
being lifted to
counts soul
by dense population of and political figures
angels Saints Last
Judgementnude
a
,
Characteristics :
· saints and sinners in
·
elongated figures allow contours to be erroded by shadow
·
shows complex movement
· Sharp anddo a ·
referencing mythology
Gunnarguab twisting bodies create
·
creates etherl ea movement
is
regoussubject
mat
of gestures)
-
elongation of hands heightens expressiveness
