BACKGROUND
-
Monets
IMMDTINNISM
19th
century after
/10/17795/9 , / /j /" I
"
AVANT GARDE
,
sunrise impression
concentrated on subjects immediate new and
cutting edge rejecting
appearance past (antiquity etc . )
Ideas of the
·
explored formal qualities of
INFLUENCES EDOUIRID MMAINE I different media .
Edouard Manet-vigorous Sketchy Folies-Bergere
·
>
-
A Bar at the
brushstroke visible on canvas
needthings
technology-light weight Ano
reflection
seeing a
<
·
new
they as are >
gaze is direct ,
but unreadable EID CAIR IDEGA S ,
easels paint anymore a
,
tubes and the
cera focusonhumanfuremoderne
·
Japanism -
due to trade with the east
distance andcloseness
~
· literature and music of the time (reflects
modernity)
MODERNITY Olympian
> Arrival of
like
-
(Monet)< looks a real women as compared
Normandy Train
to see
to a Venus (features =
not idealised)
starting images
sentient
and
of
technology (trains looking directly atthe
and lampposts > postritute -
sense of
vulgarity
> industrialisation flatness of the body and emphasises ↳ The tub
the unexpected (i e hands .
>
voyeurism
-
a sense of
BEINDIR CLANIDE IM BINETI intruding on a private
moment
>
- Ronen Cathedral (Series) for male
Lucheon of the
>
satisfactory
boating party during different times of
day viewers as she isnot
g) sentient and does not
< sense of mass to
figure capturing the fleeting of
day
light form
lacking sense of fightback or return
focus onthesuburba b three-dimensionality
viewers gaze (as opposed
counter weight as well
counter
>
different light reshapes the to Manet's olympial
as glancing and forms of the cathedral . sense of nakedness rather
glancing
>
wildly colorful and Water Lilies o
than
nudity
very lively
> Illusion of space Intese colour and colour
harmony
looking across the pond and
.
more around space
infinity of depth , no sense of
permanence
-
Monets
IMMDTINNISM
19th
century after
/10/17795/9 , / /j /" I
"
AVANT GARDE
,
sunrise impression
concentrated on subjects immediate new and
cutting edge rejecting
appearance past (antiquity etc . )
Ideas of the
·
explored formal qualities of
INFLUENCES EDOUIRID MMAINE I different media .
Edouard Manet-vigorous Sketchy Folies-Bergere
·
>
-
A Bar at the
brushstroke visible on canvas
needthings
technology-light weight Ano
reflection
seeing a
<
·
new
they as are >
gaze is direct ,
but unreadable EID CAIR IDEGA S ,
easels paint anymore a
,
tubes and the
cera focusonhumanfuremoderne
·
Japanism -
due to trade with the east
distance andcloseness
~
· literature and music of the time (reflects
modernity)
MODERNITY Olympian
> Arrival of
like
-
(Monet)< looks a real women as compared
Normandy Train
to see
to a Venus (features =
not idealised)
starting images
sentient
and
of
technology (trains looking directly atthe
and lampposts > postritute -
sense of
vulgarity
> industrialisation flatness of the body and emphasises ↳ The tub
the unexpected (i e hands .
>
voyeurism
-
a sense of
BEINDIR CLANIDE IM BINETI intruding on a private
moment
>
- Ronen Cathedral (Series) for male
Lucheon of the
>
satisfactory
boating party during different times of
day viewers as she isnot
g) sentient and does not
< sense of mass to
figure capturing the fleeting of
day
light form
lacking sense of fightback or return
focus onthesuburba b three-dimensionality
viewers gaze (as opposed
counter weight as well
counter
>
different light reshapes the to Manet's olympial
as glancing and forms of the cathedral . sense of nakedness rather
glancing
>
wildly colorful and Water Lilies o
than
nudity
very lively
> Illusion of space Intese colour and colour
harmony
looking across the pond and
.
more around space
infinity of depth , no sense of
permanence
