SSM final - exams 1&2 (Zachary
Sheldon) Questions With Correct
answers
film - CORRECT ANSWER✔✔-traditional motion pictures that are
| | | | | | | |
screened and watched in movie theaters | | | | |
applied media aesthetics - CORRECT ANSWER✔✔-a process in which we
| | | | | | | | |
examine a number of media elements, such as lighting and sound, how
| | | | | | | | | | | | |
they interact, and our perceptual reactions to them.
| | | | | | |
applied aesthetics - CORRECT ANSWER✔✔-emphasizes that art is not an
| | | | | | | | |
isolated object hidden away in a museum and that aesthetic
| | | | | | | | | | |
experiences are very much a part of everyday life.
| | | | | | | |
deciding element that elevates an ordinary life experience to the realm
| | | | | | | | | | |
of art? - CORRECT ANSWER✔✔-you (the artist)
| | | | | |
we perceive our world as - CORRECT ANSWER✔✔-changing contextual
| | | | | | | | |
relationships
,when we look at an event - CORRECT ANSWER✔✔-we are constantly
| | | | | | | | | | |
engaged in judging one aspect of it against another aspect or event
| | | | | | | | | | |
our perceptual mechanisms are designed to - CORRECT ANSWER✔✔-
| | | | | | | |
simplify and stabilize our surroundings
| | | |
selective seeing - CORRECT ANSWER✔✔-tendency to see only such
| | | | | | | | |
events details as we are interested in and/or that seem to confrirm our
| | | | | | | | | | | | |
perceptual expectations and prejudices | | |
selective perception - CORRECT ANSWER✔✔-automatic reduction of
| | | | | | |
unnecessary details during the perception process (automatic)
| | | | | |
context - CORRECT ANSWER✔✔-dictates and guides our perceptions
| | | | | | |
bottom-up context - CORRECT ANSWER✔✔-The context is imposed by
| | | | | | | | |
the event itself and you may have little control over it. (weather)
| | | | | | | | | | |
top-down context - CORRECT ANSWER✔✔-based on the intentionality
| | | | | | | |
of your actions
| |
associative context - CORRECT ANSWER✔✔-consciously establishes and
| | | | | |
|applies a code that dictates, at least to some extent, how you should
| | | | | | | | | | | | |
feel about and interpret what you see (based on experience and
| | | | | | | | | | |
,knowledge of how the world works or ought to work, and even through
| | | | | | | | | | | | |
our prejudices)
|
aesthetic context - CORRECT ANSWER✔✔-(based on immediate non
| | | | | | | |
rational emotional reaction)
| |
the medium is the message - CORRECT ANSWER✔✔-the medium
| | | | | | | | |
occupies an important position not only in distributing the message but
| | | | | | | | | | |
also in shaping it
| | |
encoding - CORRECT ANSWER✔✔-translating an idea into a message for
| | | | | | | | |
a specific communication medium (production )
| | | | | |
decoding - CORRECT ANSWER✔✔-receiving a message and interpreting
| | | | | | | |
its meaning
|
Abstraction - CORRECT ANSWER✔✔-a simplified representation of
| | | | | | |
something more complex. Abstractions allow you to hide details to help
| | | | | | | | | | |
you manage complexity, focus on relevant concepts, and reason about
| | | | | | | | | |
problems at a higher level. | | | |
deductive abstraction - CORRECT ANSWER✔✔-We move from
| | | | | | |
photographic realism to essential qualities of the event. | | | | | | |
, inductive abstraction - CORRECT ANSWER✔✔-we move from essential
| | | | | | | |
qualities to photographic realism
| | |
light - CORRECT ANSWER✔✔-form of radiant energy consisting of
| | | | | | | | |
energy particles that behave commonly as electromagnetic waves
| | | | | | |
we only see light - CORRECT ANSWER✔✔-at its source and when its
| | | | | | | | | | | |
reflected
lighting - CORRECT ANSWER✔✔-the deliberate control of light and
| | | | | | | | |
shadows
purpose of lighting - CORRECT ANSWER✔✔-to manipulate and
| | | | | | | |
articulate our perception of the environment and establish an aesthetic
| | | | | | | | | |
context for our experiences, a framework that tells us how we should
| | | | | | | | | | | |
feel about a certain event (helps/makes us see an event a certain way)
| | | | | | | | | | | |
lighting reveals objects - CORRECT ANSWER✔✔-looks, location, textures
| | | | | | |
attached shadow - CORRECT ANSWER✔✔-inevitably fixed to its object
| | | | | | | |
we assume that light comes from - CORRECT ANSWER✔✔-above
| | | | | | | |
Sheldon) Questions With Correct
answers
film - CORRECT ANSWER✔✔-traditional motion pictures that are
| | | | | | | |
screened and watched in movie theaters | | | | |
applied media aesthetics - CORRECT ANSWER✔✔-a process in which we
| | | | | | | | |
examine a number of media elements, such as lighting and sound, how
| | | | | | | | | | | | |
they interact, and our perceptual reactions to them.
| | | | | | |
applied aesthetics - CORRECT ANSWER✔✔-emphasizes that art is not an
| | | | | | | | |
isolated object hidden away in a museum and that aesthetic
| | | | | | | | | | |
experiences are very much a part of everyday life.
| | | | | | | |
deciding element that elevates an ordinary life experience to the realm
| | | | | | | | | | |
of art? - CORRECT ANSWER✔✔-you (the artist)
| | | | | |
we perceive our world as - CORRECT ANSWER✔✔-changing contextual
| | | | | | | | |
relationships
,when we look at an event - CORRECT ANSWER✔✔-we are constantly
| | | | | | | | | | |
engaged in judging one aspect of it against another aspect or event
| | | | | | | | | | |
our perceptual mechanisms are designed to - CORRECT ANSWER✔✔-
| | | | | | | |
simplify and stabilize our surroundings
| | | |
selective seeing - CORRECT ANSWER✔✔-tendency to see only such
| | | | | | | | |
events details as we are interested in and/or that seem to confrirm our
| | | | | | | | | | | | |
perceptual expectations and prejudices | | |
selective perception - CORRECT ANSWER✔✔-automatic reduction of
| | | | | | |
unnecessary details during the perception process (automatic)
| | | | | |
context - CORRECT ANSWER✔✔-dictates and guides our perceptions
| | | | | | |
bottom-up context - CORRECT ANSWER✔✔-The context is imposed by
| | | | | | | | |
the event itself and you may have little control over it. (weather)
| | | | | | | | | | |
top-down context - CORRECT ANSWER✔✔-based on the intentionality
| | | | | | | |
of your actions
| |
associative context - CORRECT ANSWER✔✔-consciously establishes and
| | | | | |
|applies a code that dictates, at least to some extent, how you should
| | | | | | | | | | | | |
feel about and interpret what you see (based on experience and
| | | | | | | | | | |
,knowledge of how the world works or ought to work, and even through
| | | | | | | | | | | | |
our prejudices)
|
aesthetic context - CORRECT ANSWER✔✔-(based on immediate non
| | | | | | | |
rational emotional reaction)
| |
the medium is the message - CORRECT ANSWER✔✔-the medium
| | | | | | | | |
occupies an important position not only in distributing the message but
| | | | | | | | | | |
also in shaping it
| | |
encoding - CORRECT ANSWER✔✔-translating an idea into a message for
| | | | | | | | |
a specific communication medium (production )
| | | | | |
decoding - CORRECT ANSWER✔✔-receiving a message and interpreting
| | | | | | | |
its meaning
|
Abstraction - CORRECT ANSWER✔✔-a simplified representation of
| | | | | | |
something more complex. Abstractions allow you to hide details to help
| | | | | | | | | | |
you manage complexity, focus on relevant concepts, and reason about
| | | | | | | | | |
problems at a higher level. | | | |
deductive abstraction - CORRECT ANSWER✔✔-We move from
| | | | | | |
photographic realism to essential qualities of the event. | | | | | | |
, inductive abstraction - CORRECT ANSWER✔✔-we move from essential
| | | | | | | |
qualities to photographic realism
| | |
light - CORRECT ANSWER✔✔-form of radiant energy consisting of
| | | | | | | | |
energy particles that behave commonly as electromagnetic waves
| | | | | | |
we only see light - CORRECT ANSWER✔✔-at its source and when its
| | | | | | | | | | | |
reflected
lighting - CORRECT ANSWER✔✔-the deliberate control of light and
| | | | | | | | |
shadows
purpose of lighting - CORRECT ANSWER✔✔-to manipulate and
| | | | | | | |
articulate our perception of the environment and establish an aesthetic
| | | | | | | | | |
context for our experiences, a framework that tells us how we should
| | | | | | | | | | | |
feel about a certain event (helps/makes us see an event a certain way)
| | | | | | | | | | | |
lighting reveals objects - CORRECT ANSWER✔✔-looks, location, textures
| | | | | | |
attached shadow - CORRECT ANSWER✔✔-inevitably fixed to its object
| | | | | | | |
we assume that light comes from - CORRECT ANSWER✔✔-above
| | | | | | | |
