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Examen

Edexcel A Level English Language Paper 1 (9EN0/01) 2026 Past Paper & Mark Scheme PDF

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2026 Edexcel A Level English Language Paper 1 (9EN0/01) - the question paper and the mark scheme merged into one PDF, built for realistic exam practice and accurate self-marking. FAST FACTS - Exam board: Edexcel (Pearson) - Course: A Level English Language - Paper: 1 (9EN0/01) - Exam series: 2026 - You receive: 1 PDF containing the question paper, then the mark scheme WHAT THIS IS - AND WHAT IT IS NOT This is a complete 2026 past paper with its published mark scheme, so you can test yourself against the real standard. It is practice material, not a textbook, a topic summary or a set of model answers written by a third party. WHO IT HELPS - A Level English Language students who want a realistic mock before the exam - Retakers and self-study candidates who need reliable marking criteria - Teachers and tutors who want a ready-made paper and marking guide for class or homework WHY THE MARK SCHEME MATTERS A mark scheme shows what earns credit and how marks are divided between points. When you compare your answers with it, you can see which points you included, which you missed, and how precise your wording needs to be. THE 20-MINUTE REVIEW ROUTINE (AFTER YOU FINISH THE PAPER) 1. Mark every question with the mark scheme and write your score beside each one. 2. Highlight the questions with the biggest mark losses. 3. For each highlight, write one sentence: what you should have done. 4. List the three topics that cost you the most marks. 5. Book those topics into your revision timetable and retest them later. QUICK ANSWERS What does the PDF contain? The 2026 Edexcel A Level English Language Paper 1 (9EN0/01) question paper followed by its mark scheme. Is the paper the real Edexcel (Pearson) exam? Yes, it is the exam material for the 2026 series, kept as published and combined into one file. Do I need anything else to mark it? No. The mark scheme is in the same document, right after the paper. Can I write on it? Yes. Print it or annotate it on a tablet, whichever suits the way you revise. How many times can I use it? As often as you like for your own revision. Redo the questions you got wrong after a few days to see your progress. SUMMARY Get the 2026 Edexcel A Level English Language Paper 1 (9EN0/01) question paper and mark scheme in one clean PDF. Attempt it under timed conditions, mark it strictly, and use the results to decide exactly what to revise next.

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Please check the examination details below before entering your candidate information
Candidate surname Other names


Centre Number Candidate Number




Pearson Edexcel Level 3 GCE
Monday 11 May 2026
Morning (Time: 2 hours 15 minutes) Paper
reference 9EN0/01 Mark Scheme (Results)
English Language  


Advanced
PAPER 1: Language Variation
Summer 2026
You must have: Total Marks
Source Booklet (enclosed)



Instructions Pearson Edexcel Level 3
•• Use black ink or ball-point pen.
Fill in the boxes at the top of this page with your name, English Language
centre number and candidate number.
•• Answer the question in Section A and the question in Section B.
Answer the questions in the spaces provided Advanced Level (9EN0)
– there may be more space than you need.

Information
Paper 1: Language Variation
•• The total mark for this paper is 60.
The marks for each question are shown in brackets
– use this as a guide as to how much time to spend on each question.

Advice
•• Read each question carefully before you start to answer it.
Try to answer both questions.
• Check your answers if you have time at the end.

Turn over


P79731APearson Education Ltd.
P:1/1/1/1/1/1/1/
*P79731A0124*

, SECTION A
Edexcel and BTEC Qualifications
Individual Variation




DO NOT WRITE IN THIS AREA DO NOT WRITE IN THIS AREA DO NOT WRITE IN THIS AREA
DO NOT WRITE IN THIS AREA DO NOT WRITE IN THIS AREA DO NOT WRITE IN THIS AREA
Read Texts A and B on pages 4–5 of the source booklet before Edexcel and BTEC qualifications are awarded by Pearson, the UK’s
answering Question 1 in the space provided. largest awarding body. We provide a wide range of qualifications
1 Analyse and compare how the writer in Text A and speaker in Text B use language to including academic, vocational, occupational and specific
convey personal and social identity. programmes for employers. For further information visit our
You should refer to any relevant language frameworks and levels, as well as social, qualifications websites at or .
cultural and other contextual factors. Alternatively, you can get in touch with us using the details on our
(30) contact us page at

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Pearson: helping people progress, everywhere
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Pearson aspires to be the world’s leading learning company. Our aim is to help
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learning, for all kinds of people, wherever they are in the world. We’ve been
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involved in education for over 150 years, and by working across 70 countries, in
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100 languages, we have built an international reputation for our commitment to
high standards and raising achievement through innovation in education. Find
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Question Paper Log Number P79731A
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All the material in this publication is
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2
*P79731A0224* 

, General Marking Guidance
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• All candidates must receive the same treatment. Examiners must mark the
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DO NOT WRITE IN THIS AREA DO NOT WRITE IN THIS AREA DO NOT WRITE IN THIS AREA
DO NOT WRITE IN THIS AREA DO NOT WRITE IN THIS AREA DO NOT WRITE IN THIS AREA




first candidate in exactly the same way as they mark the last.
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• Mark schemes should be applied positively. Candidates must be rewarded
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for what they have shown they can do rather than penalised for omissions.
• Examiners should mark according to the mark scheme not according to their
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perception of where the grade boundaries may lie.
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used appropriately.
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• All the marks on the mark scheme are designed to be awarded. Examiners
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mark scheme. Examiners should also be prepared to award zero marks if the
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candidate’s response is not worthy of credit according to the mark scheme.
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• Where some judgement is required, mark schemes will provide the principles

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by which marks will be awarded and exemplification may be limited.
• When examiners are in doubt regarding the application of the mark scheme
to a candidate’s response, the team leader must be consulted.
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with an alternative response.
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3
 *P79731A0324* Turn over

, ................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Indicative Content




s
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DO NOT WRITE IN THIS AREA DO NOT WRITE IN THIS AREA DO NOT WRITE IN THIS AREA
DO NOT WRITE IN THIS AREA DO NOT WRITE IN THIS AREA DO NOT WRITE IN THIS AREA
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Text A
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de
personal and professional lives yet has been absent in her fictional creativity.
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She details her musical influences from childhood through to adulthood. The
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writer sometimes adopts a journalistic style reflecting her former occupational
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identity as a music and food journalist.
Lexis/Semantics
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• semantic field of culture reflects both the personal and social identities of the
................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . author, e.g. ‘films’, ‘television’, ‘musicians’, ‘songs’, ‘fiction’
• semantic fields from a wide range of music, e.g. ‘glissandos’, ‘Bach’, ‘Scott
................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Joplin’, ‘Led Zeppelin’




ra
................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . • jargon/field specific lexis/technical lexis associated with fiction, e.g.
‘protagonists’, ‘short story’, ‘novel’, ‘simile’
................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

• stative verbs connoting passionate interest in music e.g. ‘love’, ‘adored’,
................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
‘admired’

................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
• metaphor connoting playful and creative use of language reflective of a
published writer, e.g. ‘time-stamping’



tg
................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .



................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .



................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .



................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .



................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
•



•


•
specialist nouns convey the transition into food journalism, e.g. ‘cilantro’ and
‘garlic aioli’.
Syntax
negative verb phrases convey a critical reflective style, e.g. ‘didn’t know’, ‘not
knowing’, ‘didn’t realise’, ‘didn’t include’
possessive noun phrases link to childhood and occupation, e.g. ‘my most
essential form of popular culture’, ‘my first novel’, ‘my parents’ collection’,
................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
‘my own work’
• fronted adverbial phrases providing a personal contextual reference, e.g.
s
................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

‘And just like that…’, ‘Despite my own lack…’
................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
• isolated simple declarative sentence, ‘And just like that, I never wrote about
................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . music again’
be

................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .



................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .



................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ............................................................................................................................................ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .




4
*P79731A0424* 

Información del documento

Nivel de Estudio
Tema
Subido en
12 de octubre de 2026
Número de páginas
32
Escrito en
2026/2027
Tipo
Examen
Contiene
Preguntas y respuestas
$18.49

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