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Ace your A-Level English Literature exam with these comprehensive and analytical notes on Dracula (OCR specification). Perfect for revision, essay planning, and boosting your confidence with the Gothic genre. Tailored for OCR - covers key themes, context, characters, and critical interpretations with examiner insight Concise but Detailed - every point is exam-relevant, no waffle Top-Grade Ready - designed to help you hit AO1–AO5 with ease Includes: • Character breakdowns • Theme analysis (gender, sexuality, fear, modernity, etc.) • Key Gothic conventions • Critical perspectives (e.g. feminist, psychoanalytic, Marxist) • Quotations with analysis • Context (Victorian anxieties, science vs superstition, etc.) Written by an A* student - now helping you get the grade.

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GOTHIC PLAN


DRACULA

Stoker’s upholding of late Victorian values and patriarchal demonising of women/sexuality

AO1

 “Both thrilling and repulsive” – Harker’s sexual desire for the women and an underlying fear of it
 “High aquiline noses… dark piercing eyes… white teeth that shone like pearls against the ruby of their
voluptuous lips” – exaggerated beauty of female vampires
 “Dreamy fear… made me uneasy, some longing and at the same time deadly fear”
 “Half smothered child” – antithesis of maternal female stereotypes
 “I felt in my heart a wicked, burning desire that they would kiss me with those red lips” – H’s sexual desire
but underlying fear
 “If only women could have 3 spouses” – Lucy
 “Angelic beauty” – about L
 “He had even brushed Lucy’s hair, so that it lay on the pillow in its usual sunny ripples” – Van H
 “Her breathing grew stertorous” – Lucy
 “The painted teeth, the bloodstained, voluptuous mouth” – Lucy’s presentation
 “Mercy-bearing stake”  phallic symbol used to show masculine strength when murdering female
sexuality of Lucy
 “I must be careful not to patronise her” – Dr Seward
 “Some old Oriental band of brigands”
 “Good women tell all their lives… such things that angels can read” – Van H

AO3

 Lombroso Criminal Woman 1893
o Criminality could be identified in physical features
 The Fallen Woman
o In C18th and C19th fiction, this characterisation was related to the loss of a woman’s innocence
and chastity
o Victorian moralists warned against the consequences of losing one’s virtue
o Restricted women’s sexuality to reproduction in marriage
 Orientalism
o The view that whatever is non-Western is inferior and evil  threat to Western bourgeoise
society that must be defeated
 Patmore’s Angel in the House 1854
o Female identity as ‘pure, virtuous, asexual, passive and demure’
o Should stay in their domestic sphere
 Ruskin’s Sesame and Lilies 1865
o ‘Women must be incorruptibly good’
 Acton 1857
o Women were uninterested in sex
o ‘A modest woman seldom desires any sexual gratification for herself’
 Biblical Ref – Recording Angels
o Protestants believe angels record all your life for angels/God to read on Judgement Day  a
means of proving one’s faith to gain mercy
 Anne Radcliffe’s On the Supernatural in Poetry 1826 – supernatural explained
o Representation of prejudices within Western society

AO5

 “Sex is the monster Stoker fears the most” – Hindle




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