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Judgments

Tempest AO5 play adaptation notes and past paper question history

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Provides summary of past acts in past papers for all the examined years and past questions for past years. Also includes play history and detailed notes on play adaptations to use in AO5 for component 1 of English Literature A level OCR. A* level analysis and material. Includes detailed notes on 12 play adaptations from

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Uploaded on
May 26, 2025
Number of pages
4
Written in
2024/2025
Type
Judgments

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AO1 AO2 AO3 AO4 AO5 Total

Passage 25% 75% 100%

Whole Text 50% 50% 100%



Past acts in Past Papers:
2023: Act 4 Scene 1
2022: Act 1 Scene 2
2021: Act 1 Scene 1
2020: Act 4 Scene 1
2019: Act 2 Scene 1
2018: Act 5 Scene 1
2017: Act 1 Scene 2

Past questions in Past Papers:
2023: Theatrical illusion and the power of performance
2022: Fascination with the effects of cruelty and ruthlessness
2021: Storm both destroys and renews
2020: Play’s magic highlights weakness of it’s characters
2019: Encourages us to admire idealistic values such as those as Gonzalo
2018: Prospero is right to give up his magic
2017: Caliban is a troubling mix of brutality and sensitivity
2016: Nature of fatherhood & Caliban is nothing more than a deformed slave


PERFORMANCE HISTORY:

2024 Jamie Lloyd Notes:
Set and clothing:
- Very minimalistic set, limited to gray hills and slopes, as well as darkened lighting
- Caliban wears a black latex suit, revealing most of his body - does not wear any
shoes
- Ariel - wears all black accompanied with black face paint, portrayed as very scary
and ominous
Other elements:
- Caliban is dehumanised significantly more, acting like a dog at some point and
crawling across the stage
- Prospero is center stage for the entire first act and the majority of the play, to
represent her power
- Prospero is played by a woman, and such, there are better relations with Miranda,
depicted as more caring and protective
- Ariel and Prospero have a much more gentle relationship, and they are sad to be
parted - Ariel is normally suspended by a harness when talking to those that they do
not like, adding levels to interpretation of power
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