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Sat Practise Test 1 Answer Sheets

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Sat Practise Test 1 Answer Sheets

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Answer Sheets


1 A
O B
O C
O D
O E
O 6 A
O B
O C
O D
O E
O 11 A
O B
O C
O D
O E
O 16 A
O B
O C
O D
O E
O
SECTION 2 A
O B
O C
O D
O E
O 7 A
O B
O C
O D
O E
O 12 A
O B
O C
O D
O E
O 17 A
O B
O C
O D
O E
O



1 3
4
5
A
O
A
O
A
O
B
O



B
O
C
O

B
O

C
O
D
O

C
O
D
O
E
O

D
O
E
O
E
O
8
9
10
A
O
A
O
A
O
B
O



B
O
C
O

B
O

C
O
D
O

C
O
D
O
E
O

D
O
E
O
E
O
13
14
15
A
O
A
O
A
O
B
O



B
O
C
O

B
O

C
O
D
O

C
O
D
O
E
O

D
O
E
O
E
O
18
19
20
A
O
A
O
A
O
B
O

B
O
B
O
C
O

C
O

C
O
D
O

D
O
D
O
E
O

E
O
E
O




1 A
O B
O C
O D
O E
O 7 A
O B
O C
O D
O E
O 12 A
O B
O C
O D
O E
O 17 A
O B
O C
O D
O E
O

SECTION 2 A
O B
O C
O D
O E
O 8 A
O B
O C
O D
O E
O 13 A
O B
O C
O D
O E
O 18 A
O B
O C
O D
O E
O

3 A
O B
O C
O D
O E
O 9 A
O B
O C
O D
O E
O 14 A
O B
O C
O D
O E
O 19 A
O B
O C
O D
O E
O


2 4
5
6
A
O
A
O
A
O
B
O



B
O
C
O
B
O

C
O
D
O



D
O
E
O

C
O
E
O
D
O E
O
10
11
A
O
A
O
B
O C
O
B
O
D
O E
O

C
O D
O E
O
15
16
A
O
A
O
B
O C
O
B
O
D
O E
O

C
O D
O E
O
20
21
A
O
A
O
B
O
B
O
C
O

C
O
D
O
D
O
E
O
E
O




1 A
O B
O C
O D
O E
O 9 A
O B
O C
O D
O E
O 17 A
O B
O C
O D
O E
O 24 A
O B
O C
O D
O E
O

2 A
O B
O C
O D
O E
O 10 A
O B
O C
O D
O E
O 18 A
O B
O C
O D
O E
O 25 A
O B
O C
O D
O E
O

SECTION 3 A
O B
O C
O D
O E
O 11 A
O B
O C
O D
O E
O 19 A
O B
O C
O D
O E
O 26 A
O B
O C
O D
O E
O

4 A
O B
O C
O D
O E
O 12 A
O B
O C
O D
O E
O 20 A
O B
O C
O D
O E
O 27 A
O B
O C
O D
O E
O


3 5
6
7
A
O
A
O
A
O
B
O

B
O
B
O

C
O

C
O
D
O

D
O
C
O
E
O

E
O
D
O E
O 13
14
15
A
O
A
O
A
O
B
O

B
O
B
O

C
O

C
O
D
O

D
O
C
O
E
O

E
O
D
O E
O 21
22
23
A
O
A
O
A
O
B
O

B
O
B
O

C
O

C
O
D
O

D
O
C
O
E
O

E
O
D
O E
O 28
29
30
A
O
A
O
A
O
B
O
B
O

B
O
C
O

C
O

C
O
D
O
D
O

D
O
E
O
E
O

E
O

8 A
O B
O C
O D
O E
O 16 A
O B
O C
O D
O E
O




1 A
O B
O C
O D
O E
O 8 A
O B
O C
O D
O E
O 15 A
O B
O C
O D
O E
O 22 A
O B
O C
O D
O E
O

2 A
O B
O C
O D
O E
O 9 A
O B
O C
O D
O E
O 16 A
O B
O C
O D
O E
O 23 A
O B
O C
O D
O E
O
SECTION 3 A
O B
O C
O D
O E
O 10 A
O B
O C
O D
O E
O 17 A
O B
O C
O D
O E
O 24 A
O B
O C
O D
O E
O



4 4
5
6
A
O
A
O
A
O
B
O
B
O
C
O

C
O
B
O
D
O
D
O

C
O
E
O
E
O
D
O E
O
11
12
13
A
O
A
O
A
O
B
O
B
O
C
O

C
O
B
O
D
O
D
O

C
O
E
O
E
O
D
O E
O
18
19
20
A
O
A
O
A
O
B
O
B
O
C
O

C
O
B
O
D
O
D
O

C
O
E
O
E
O
D
O E
O
25
26
27
A
O
A
O
A
O
B
O
B
O
B
O
C
O

C
O

C
O
D
O
D
O
D
O
E
O
E
O
E
O

7 A
O B
O C
O D
O E
O 14 A
O B
O C
O D
O E
O 21 A
O B
O C
O D
O E
O




1 A
O B
O C
O D
O E
O 7 A
O B
O C
O D
O E
O 12 A
O B
O C
O D
O E
O 17 A
O B
O C
O D
O E
O

SECTION 2 A
O B
O C
O D
O E
O 8 A
O B
O C
O D
O E
O 13 A
O B
O C
O D
O E
O 18 A
O B
O C
O D
O E
O

3 A
O B
O C
O D
O E
O 9 A
O B
O C
O D
O E
O 14 A
O B
O C
O D
O E
O 19 A
O B
O C
O D
O E
O


5 4
5
6
A
O
A
O
A
O
B
O



B
O
C
O
B
O

C
O
D
O



D
O
E
O

C
O

E
O
D
O E
O
10
11
A
O
A
O
B
O C
O
B
O
D
O E
O

C
O D
O E
O
15
16
A
O
A
O
B
O C
O
B
O
D
O E
O

C
O D
O E
O
20
21
A
O
A
O
B
O
B
O
C
O

C
O
D
O
D
O
E
O
E
O




Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton 1
SAT is a registered trademark of the College Entrance Examination Board, which
was not involved in the production of and does not endorse this product.

, Answer Sheets


SECTION 1 A
O B
O C
O D
O E
O 5 A
O B
O C
O D
O E
O 9 A
O B
O C
O D
O E
O 13 A
O B
O C
O D
O E
O

2 A
O B
O C
O D
O E
O 6 A
O B
O C
O D
O E
O 10 A
O B
O C
O D
O E
O 14 A
O B
O C
O D
O E
O


6 3
4
A
O
A
O
B
O C
O

B
O
D
O

C
O
E
O

D
O E
O
7
8
A
O
A
O
B
O C
O

B
O
D
O

C
O
E
O

D
O E
O
11
12
A
O
A
O
B
O C
O

B
O
D
O

C
O
E
O

D
O E
O
15
16
A
O
A
O
B
O

B
O
C
O

C
O
D
O

D
O
E
O

E
O




SECTION
For Questions 1–13:



1
7 Only answers entered in the ovals in each grid area will be scored.
You will not receive credit for anything written in the boxes above the ovals.
2 3 4 5




6 7 8 9 10




11 12 13




2 Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton
SAT is a registered trademark of the College Entrance Examination Board, which
was not involved in the production of and does not endorse this product.

, Practice Test


1
Section 1
20 Questions j Time—25 Minutes
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12234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456
Directions: Read each of the passages carefully, then answer the questions that come after them. 7
34567890123456789012345678901212345678901234567890123456789012123456
1234567890123456789012345678901212345678901234567890123456789012123456 7
1 The answer to each question may be stated overtly or only implied. You will not have to use 7
12234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456
outside knowledge to answer the questions—all the material you will need will be in the passage 7
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1234567890123456789012345678901212345678901234567890123456789012123456 77
34567890123456789012345678901212345678901234567890123456789012123456
itself. In some cases, you will be asked to read two related passages and answer questions about
1234567890123456789012345678901212345678901234567890123456789012123456
their relationship to one another. Mark the letter of your choice on your answer sheet.
1234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456 77
1234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456
Musical notes, like all sounds, are a result of 1. In this passage, musical notes are used
1234567890123456789012345678901212345678901234567890123456789012123456 7
1 the sound waves created by movement, like the primarily to 7
1234567890123456789012345678901212345678901234567890123456789012123456 77
2 34567890123456789012345678901212345678901234567890123456789012123456
1234567890123456789012345678901212345678901234567890123456789012123456
1 rush of air through a trumpet. Musical notes (A) illustrate the difference between 7
1234567890123456789012345678901212345678901234567890123456789012123456
are very regular sound waves. The qualities of 7
12234567890123456789012345678901212345678901234567890123456789012123456
34567890123456789012345678901212345678901234567890123456789012123456
human-produced and nonhuman- 7
7
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these waves—how much they displace mol-
1234567890123456789012345678901212345678901234567890123456789012123456 produced sound. 7
1 ecules, and how often they do so—give the note 7
12234567890123456789012345678901212345678901234567890123456789012123456 (B) demonstrate the difference between 7
1234567890123456789012345678901212345678901234567890123456789012123456
its particular sound. How much a sound wave 7
34567890123456789012345678901212345678901234567890123456789012123456
1234567890123456789012345678901212345678901234567890123456789012123456 musical sound and all other sound. 7
1234567890123456789012345678901212345678901234567890123456789012123456
displaces molecules affects the volume of the 7
1 note. How frequently a sound wave reaches (C) provide an example of sound 7
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1234567890123456789012345678901212345678901234567890123456789012123456 properties common to all sound. 7
2 34567890123456789012345678901212345678901234567890123456789012123456
1234567890123456789012345678901212345678901234567890123456789012123456
your ear determines whether the note is high- 7
1234567890123456789012345678901212345678901234567890123456789012123456 (D) convey the difference between 7
1234567890123456789012345678901212345678901234567890123456789012123456
or low-pitched. When scientists describe how 7
1234567890123456789012345678901212345678901234567890123456789012123456 musical pitch and frequency pitch. 7
1 high or low a sound is, they use a numerical 7
2 34567890123456789012345678901212345678901234567890123456789012123456
1234567890123456789012345678901212345678901234567890123456789012123456 (E) explain the connection between 7
1234567890123456789012345678901212345678901234567890123456789012123456
measurement of its frequency, such as “440 7
1234567890123456789012345678901212345678901234567890123456789012123456 number and letter names for sounds. 7
1234567890123456789012345678901212345678901234567890123456789012123456 77
vibrations per second,” rather than the letters
1 musicians use.
12234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456 7
1 34567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456 77
2 34567890123456789012345678901212345678901234567890123456789012123456
1
12234567890123456789012345678901212345678901234567890123456789012123456 7
1 34567890123456789012345678901212345678901234567890123456789012123456 7
12234567890123456789012345678901212345678901234567890123456789012123456 7
1 34567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456 7
12345678901234567890123456789012123456789012345678901234567890121234567
Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton 3
SAT is a registered trademark of the College Entrance Examination Board, which
was not involved in the production of and does not endorse this product.

, 12345678901234567890123456789012123456789012345678901234567890121234567
1234567890123456789012345678901212345678901234567890123456789012123456 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456
2. All of the following are true statements 3. The passage cites Walker’s interaction 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
12 34567890123456789012345678901212345678901234567890123456789012123456
about pitch, according to the passage, with Langston Hughes as 7
1234567890123456789012345678901212345678901234567890123456789012123456 7
12
2
34567890123456789012345678901212345678901234567890123456789012123456
EXCEPT:
34567890123456789012345678901212345678901234567890123456789012123456
7
7
1 (A) instrumental in her early work being
12 34567890123456789012345678901212345678901234567890123456789012123456 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
(A) Nonmusical sounds cannot be published.
12 34567890123456789012345678901212345678901234567890123456789012123456
(B) influential in her decision to study at 7
12
2
34567890123456789012345678901212345678901234567890123456789012123456
referred to in terms of pitch.
34567890123456789012345678901212345678901234567890123456789012123456
7
7
1
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(B) Pitch is solely determined by the Northwestern University. 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
frequency of the sound wave. (C) not as important at the time it
12 34567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456
(C) Pitch is closely related to the happened as it is now, due to 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
vibration of molecules. Hughes’ fame.
12 34567890123456789012345678901212345678901234567890123456789012123456 7
12
2
34567890123456789012345678901212345678901234567890123456789012123456
(D) Pitch cannot be accurately described (D) a great encouragement for Walker’s
34567890123456789012345678901212345678901234567890123456789012123456
7
7
1 with letter names. confidence as a poet.
12 34567890123456789012345678901212345678901234567890123456789012123456 7
12 34567890123456789012345678901212345678901234567890123456789012123456
(E) Humans’ perception of pitch is not (E) important to her choice to study at 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
12 34567890123456789012345678901212345678901234567890123456789012123456
affected by the intensity of the New Orleans University. 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
12 34567890123456789012345678901212345678901234567890123456789012123456
sound wave. 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
12 34567890123456789012345678901212345678901234567890123456789012123456
4. The passage suggests that Walker’s 7
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Line Margaret Walker, who would become 7
2 34567890123456789012345678901212345678901234567890123456789012123456
1234567890123456789012345678901212345678901234567890123456789012123456
decision to become a poet 7
1 one of the most important twentieth- 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
century African-American poets, was (A) occurred before she entered college.
12 34567890123456789012345678901212345678901234567890123456789012123456
(B) was primarily a result of her interac- 7
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born in Birmingham, Alabama, in 1915. 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
(5) Her parents, a minister and a music tion with Hughes.
12 34567890123456789012345678901212345678901234567890123456789012123456
(C) was not surprising, given her 7
12 34567890123456789012345678901212345678901234567890123456789012123456
teacher, encouraged her to read poetry 7
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upbringing. 7
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and philosophy even as a child. Walker 7
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(D) occurred after her transfer to 7
1234567890123456789012345678901212345678901234567890123456789012123456 77
completed her high school education at
1 Northwestern University.
12 34567890123456789012345678901212345678901234567890123456789012123456
Gilbert Academy in New Orleans and 7
12 34567890123456789012345678901212345678901234567890123456789012123456
went on to attend New Orleans Univer- (E) was sudden and immediately 7
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(10)
7
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sity for two years. It was then that the successful. 7
12
2
34567890123456789012345678901212345678901234567890123456789012123456 7
34567890123456789012345678901212345678901234567890123456789012123456 7
1234567890123456789012345678901212345678901234567890123456789012123456
important Harlem Renaissance poet
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1 Langston Hughes recognized her talent 7
12 34567890123456789012345678901212345678901234567890123456789012123456 7
Questions 5–10 are based on the following
12 34567890123456789012345678901212345678901234567890123456789012123456
and persuaded her to continue her 7
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passage. 7
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(15) education in the North. She transferred 7
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Line F. Scott Fitzgerald was a prominent 7
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to Northwestern University in Illinois, 7
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American writer of the twentieth century. 7
2 34567890123456789012345678901212345678901234567890123456789012123456
1234567890123456789012345678901212345678901234567890123456789012123456
where she received a degree in English in
This passage comes from one of his short 7
7
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1234567890123456789012345678901212345678901234567890123456789012123456
1935. Her poem, “For My People,”
stories and tells the story of a young John 7
1234567890123456789012345678901212345678901234567890123456789012123456 7
1 which would remain one of her most
12 34567890123456789012345678901212345678901234567890123456789012123456
(5) Unger leaving home for boarding school. 7
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(20) important works, was also her first 7
12 34567890123456789012345678901212345678901234567890123456789012123456
John T. Unger came from a family 7
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publication, appearing in Poetry maga- 7
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that had been well known in Hades—a 7
2 34567890123456789012345678901212345678901234567890123456789012123456
small town on the Mississippi River—for 7
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zine in 1937.
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several generations. John’s father had
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(10) held the amateur golf championship 7
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through many a heated contest; Mrs.
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Unger was known “from hot-box to
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7
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hot-bed,” as the local phrase went, for 7
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4 Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton
SAT is a registered trademark of the College Entrance Examination Board, which
was not involved in the production of and does not endorse this product.

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