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Examen

MUS 17 EXAM QUESTIONS AND CORRECT ANSWERS ALREADY PASSED

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MUS 17 EXAM QUESTIONS AND CORRECT ANSWERS ALREADY PASSED What were the dozens used for? - Answers Served as lyrics in songs to trade insults Jelly Roll Morton "Dirty Dozens" - Answers Jelly Roll Morton is generally considered to be the first major figure in jazz; an influential bandleader, composer and arranger Bo Diddley "Say Man" - Answers Bo Diddley was one of the most influential figures in early rock and roll, especially in establishing the new rhythms that marked the style What were toasts? - Answers Toasts are stock tales, generally recounted in rhyme. Most are bawdy, violent, highly stylized and funny Comedy - Answers Both the dozens and toasts were mainstays of the repertory of African American comedians, especially in the first half of the 20th century. Dolemite "Signifying Monkey" - Answers Dolemite was a performative alter ego of comedian Rudy Ray Moore, especially when performing material based on toasts Pigmeat Markham "Here Comes the Judge" - Answers Markham began performing on the vaudeville circuit in the early 20th century and continued well into the TV era. What were Radio Disc Jockeys good at? - Answers Talking over the top of the music they were playing (50s-70s) Parliament "P Funk (Wants to Get Funked Up)" - Answers George Clinton frequently used radio DJ personae and DJ-like catchphrases in his songs for Funkadelic, Parliament and as a solo artist Black Arts Movement - Answers Alongside the Civil Rights movement, many African American artists became more generally politically active, and also became much more direct about addressing issues of race in their work Last Poets "When the Revolution Comes" - Answers The Last Poets were a radical performance poetry group that emerged from a writers workshop in Harlem What two forms of music led to the rise of hip hop? - Answers Disco Reggae Reggae - Answers Many important early figures in hip hop were Jamaican There were two main structural influences: 1. DJs who talked over music, and 2. the dub practice of reusing instrumental backing tracks of already existing songs Soundsystem - Answers The primary means of disseminate music in Jamaica in the 1970s was the soundsystem This term is more of a social structure/complex than a technological one It refers to the whole structure of putting on a dance or a party: the speakers, the records, the DJ, the selector, the promoter, the dancers "Talkover" - Answers As in the US radio DJs in Jamaica developed flamboyant on-air personalities while talking over the music Dr Alimantando "Best Dressed Chicken in Town" - Answers Dr Alimantando was one of the pre-eminent Jamaican DJ performers Disco - Answers Disco, like hip hop was more of a social practice and context than musical style per se. Chic "Good Times" - Answers Chic was a project of the duo of guitarist Nile Rodgers and bassist Bernard Edwards Their concept was to take the energy of the "breakdown" sections in songs popular in discos, and to build more complex traditional pop songs on top of that New York in the 1970s - Answers A series of social and economic pressures converged to make the city hit rock bottom in the 1970s The South Bronx - Answers Of the 5 boroughs the Bronx was hit worst. By the mid 1970s many buildings were vacant, abandoned and burned out Bronx Gangs - Answers A thriving gang sub-culture filled the vacuum left by the collapse of many regular social services. Parties - Answers The origins of hip hop are generally located in the street and club parties in Brooklyn, Queens and then Bronx in the 1970s Influential early DJs - Answers DJ Hollywood in Harlem, Grandmaster Flowers in Brooklyn, and DJ Kool Herc, Grandwizard Theodore, Grandmaster Flash and Afrika Bambaataa in the Bronx DJ Kool Herc - Answers pioneered the practice of playing two copies of the same record and mixing between them to extend the break Grandmaster Flash - Answers took Herc's basic technique and refined it by adding a headphone cue mix to his set up. This allowed him to make the cuts cleaner and more in tempo Grandwizard Theodore - Answers The other main Djing innovation from this time was scratching, supposedly invented by accident Early MCs - Answers Early MC performers were closer to what we'd call hypemen today Graffiti - Answers While graffiti writers were perhaps not explicitly part of the party scene, the art form developed in parallel and many of the same people were involved Early rap and the music business - Answers Because it was an informal practice linked to live social occasions, most of the early DJs and MCs had no commercial musical aspirations Sugarhill Gang "Rapper's Delight" - Answers The first rap single and a huge hit, worldwide Funky 4 + 1 "Rappin and Rocking the House" - Answers The first "real" rap single, released by Enjoy! Records The group were mainstays of the Bronx party scene Spoonie Gee "Spoonin' Rap" - Answers Spoonie Gee began rapping as a member of the Treacherous Three. He was also the nephew of Enjoy's owner Bobby Robinson and when offered a chance to record made this solo effort over the Patty Duke break. He was later featured on crew cuts of Treacherous Three Treacherous Three "New Rap Language" - Answers The Treacherous Three were probably the most accomplished early MC crew: Kool Moe Dee, L.A. Sunshine and Spoonie Gee The Sequence w/ Spoonie Gee "Monster Jam" - Answers An early attempt to integrate rapping

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MUS 17 EXAM QUESTIONS AND CORRECT ANSWERS ALREADY PASSED

What were the dozens used for? - Answers Served as lyrics in songs to trade insults

Jelly Roll Morton "Dirty Dozens" - Answers Jelly Roll Morton is generally considered to be the first major
figure in jazz; an

influential bandleader, composer and arranger

Bo Diddley "Say Man" - Answers Bo Diddley was one of the most influential figures in early rock and roll,
especially in establishing the new rhythms that marked

the style

What were toasts? - Answers Toasts are stock tales, generally recounted in rhyme. Most are bawdy,
violent, highly stylized and funny

Comedy - Answers Both the dozens and toasts were mainstays of the repertory of African American
comedians, especially in the first half of the 20th century.

Dolemite "Signifying Monkey" - Answers Dolemite was a performative alter ego of comedian Rudy Ray
Moore, especially when performing material based on toasts

Pigmeat Markham "Here Comes the Judge" - Answers Markham began performing on the vaudeville
circuit in the early 20th century and continued well into the TV era.

What were Radio Disc Jockeys good at? - Answers Talking over the top of the music they were playing
(50s-70s)

Parliament "P Funk (Wants to Get Funked Up)" - Answers George Clinton frequently used radio DJ
personae and DJ-like catchphrases in his songs for Funkadelic, Parliament and as a

solo artist

Black Arts Movement - Answers Alongside the Civil Rights movement, many African American artists
became more generally politically active, and also became much more direct about addressing issues of
race in their work

Last Poets "When the Revolution Comes" - Answers The Last Poets were a radical performance poetry
group that emerged from a writers workshop in Harlem

What two forms of music led to the rise of hip hop? - Answers Disco

Reggae

Reggae - Answers Many important early figures in hip hop were Jamaican

There were two main structural influences:

,1. DJs who talked over music, and

2. the dub practice of reusing instrumental backing tracks of

already existing songs

Soundsystem - Answers The primary means of disseminate music in Jamaica in the 1970s was the
soundsystem

This term is more of a social structure/complex than a

technological one

It refers to the whole structure of putting on a dance or a party: the speakers, the records, the DJ, the
selector, the promoter, the dancers

"Talkover" - Answers As in the US radio DJs in Jamaica developed flamboyant on-air

personalities while talking over the music

Dr Alimantando "Best Dressed Chicken in Town" - Answers Dr Alimantando was one of the pre-eminent
Jamaican DJ

performers

Disco - Answers Disco, like hip hop was more of a social practice and context than musical style per se.

Chic "Good Times" - Answers Chic was a project of the duo of guitarist Nile Rodgers and bassist Bernard
Edwards

Their concept was to take the energy of the "breakdown" sections in songs popular in discos, and to
build more complex

traditional pop songs on top of that

New York in the 1970s - Answers A series of social and economic pressures converged to make

the city hit rock bottom in the 1970s

The South Bronx - Answers Of the 5 boroughs the Bronx was hit worst.

By the mid 1970s many buildings were vacant, abandoned and

burned out

Bronx Gangs - Answers A thriving gang sub-culture filled the vacuum left by the collapse of many regular
social services.

, Parties - Answers The origins of hip hop are generally located in the street and club parties in Brooklyn,
Queens and then Bronx in the 1970s

Influential early DJs - Answers DJ Hollywood in Harlem,

Grandmaster Flowers in Brooklyn, and DJ Kool Herc, Grandwizard

Theodore, Grandmaster Flash and Afrika Bambaataa in the Bronx

DJ Kool Herc - Answers pioneered the practice

of playing two copies of the same record and mixing between them to extend the break

Grandmaster Flash - Answers took Herc's basic technique and refined it by adding a

headphone cue mix to his set up. This allowed him to make the cuts cleaner and more in tempo

Grandwizard Theodore - Answers The other main Djing innovation from this time was scratching,
supposedly invented by accident

Early MCs - Answers Early MC performers were closer to what we'd call hypemen today

Graffiti - Answers While graffiti writers were perhaps not explicitly part of the party scene, the art form
developed in parallel and many of the same people were involved

Early rap and the music business - Answers Because it was an informal practice linked to live social
occasions, most of the early DJs and MCs had no commercial musical

aspirations

Sugarhill Gang "Rapper's Delight" - Answers The first rap single and a huge hit, worldwide

Funky 4 + 1 "Rappin and Rocking the House" - Answers The first "real" rap single, released by Enjoy!
Records

The group were mainstays of the Bronx party scene

Spoonie Gee "Spoonin' Rap" - Answers Spoonie Gee began rapping as a member of the Treacherous
Three.

He was also the nephew of Enjoy's owner Bobby Robinson and when

offered a chance to record made this solo effort over the Patty Duke break. He was later featured on
crew cuts of Treacherous Three

Treacherous Three "New Rap Language" - Answers The Treacherous Three were probably the most
accomplished early MC crew: Kool Moe Dee, L.A. Sunshine and Spoonie Gee

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