Music Theory Final- Tonal Harmony ch
14-20
Change bof bKey b- bcorrect banswers✔✔piece bchanges bfrom bone bkey bin bthe bfirst
bmovement bto banother bin ba bsecond bmovement
Modulation b- bcorrect banswers✔✔piece bchanges bfrom bone bkey bto banother bwithin
bthe bindividual bmovement
tonicization b- bcorrect banswers✔✔when ba bchord bbecomes ba bTEMPORARY btonal
bcenter b(tonic) bbut bdoes bnot bstay bthat bway bfor blong- bfor bexample- bsecondary
bfunction. byou bmay btonicize bany bmajor bor bminor bchord b- bNO bdiminished bor
baugmented bchords, bbecause bthere bare bno bdim bor baug bkeys!
enharmonically bequivalent bkeys b- bcorrect banswers✔✔keys bthat bsound bthe bsame,
bbut bare bspelled bdifferently- bex: bC# band bDb
parallel bkeys b- bcorrect banswers✔✔when ba bmajor bkey band bminor bkey bhave bthe
bsame btonic btone- bfor bexample bCmajor bis bparallel bto bc bminor bbecause bthey bshare
ba bcommon btonic- bC! bsince bthey bshare btonic, bwhen ba bcomposer bswitches bfrom
bone bto banother, bthis bis bnot bcalled bmodulation, bbut bCHANGE bOF bMODE bor
bMODE bMIXTURE
relative bkeys b- bcorrect banswers✔✔keys bthat bshare bthe bsame bkey bsignature- bfor
bexample: bC-Am, bG-Em, bD- bBm, bA-F#m, betc.... bThe bterm bmodulation bis
bappropriate bhere, bbecause byou bARE bchanging bthe btonic bto ba bdifferent bnote, beven
bthough bthey bhave bthe bsame bkey bsignature. bThis btype bof bmodulation bis bextremely
bcommon
Closely brelated bkeys b- bcorrect banswers✔✔if bthere bis ba bdifference bof bno bmore
bthan bone bsharp bor bflat bin btheir bkey bsignatures- bthis bdefinition bapplies bto bboth
14-20
Change bof bKey b- bcorrect banswers✔✔piece bchanges bfrom bone bkey bin bthe bfirst
bmovement bto banother bin ba bsecond bmovement
Modulation b- bcorrect banswers✔✔piece bchanges bfrom bone bkey bto banother bwithin
bthe bindividual bmovement
tonicization b- bcorrect banswers✔✔when ba bchord bbecomes ba bTEMPORARY btonal
bcenter b(tonic) bbut bdoes bnot bstay bthat bway bfor blong- bfor bexample- bsecondary
bfunction. byou bmay btonicize bany bmajor bor bminor bchord b- bNO bdiminished bor
baugmented bchords, bbecause bthere bare bno bdim bor baug bkeys!
enharmonically bequivalent bkeys b- bcorrect banswers✔✔keys bthat bsound bthe bsame,
bbut bare bspelled bdifferently- bex: bC# band bDb
parallel bkeys b- bcorrect banswers✔✔when ba bmajor bkey band bminor bkey bhave bthe
bsame btonic btone- bfor bexample bCmajor bis bparallel bto bc bminor bbecause bthey bshare
ba bcommon btonic- bC! bsince bthey bshare btonic, bwhen ba bcomposer bswitches bfrom
bone bto banother, bthis bis bnot bcalled bmodulation, bbut bCHANGE bOF bMODE bor
bMODE bMIXTURE
relative bkeys b- bcorrect banswers✔✔keys bthat bshare bthe bsame bkey bsignature- bfor
bexample: bC-Am, bG-Em, bD- bBm, bA-F#m, betc.... bThe bterm bmodulation bis
bappropriate bhere, bbecause byou bARE bchanging bthe btonic bto ba bdifferent bnote, beven
bthough bthey bhave bthe bsame bkey bsignature. bThis btype bof bmodulation bis bextremely
bcommon
Closely brelated bkeys b- bcorrect banswers✔✔if bthere bis ba bdifference bof bno bmore
bthan bone bsharp bor bflat bin btheir bkey bsignatures- bthis bdefinition bapplies bto bboth
