Art 1301 Exam Guide-Complete Questions Solved
100% Correct| Verified Solutions-Newest
Update 2025
Types of Drawing media - ✔✔
Dry Media - ✔✔includes charcoal, graphite, chalks and pastels. Each of these
mediums gives the artist a wide range of mark making capabilities and effects, from thin
lines to large areas of color and tone. The artist can manipulate a drawing to achieve
desired effects in many ways, including exerting different pressures on the medium
against the drawing's surface, or by erasure, blotting or rubbing.
- ✔✔This process of drawing can instantly transfer the sense of character to an
image. From energetic to subtle, these qualities are apparent in the simplest works: the
immediate and unalloyed spirit of the artist's idea. You can see this in the self-portraits
of two German artists; Kathe Kollwitz and Ernst Ludwig Kirchner. Wounded during the
first world war, his Self-Portrait Under the Influence of Morphine from about 1916
presents us with a nightmarish vision of himself wrapped in the fog of opiate drugs. His
hollow eyes and the graphic dysfunction of his marks attest to the power of his drawing.
Graphite - ✔✔media includes pencils, powder or compressed sticks. Each one creates
a range of values depending on the hardness or softness inherent in the material. Hard
graphite tones range from light to dark gray, while softer graphite allows a range from
light gray to nearly black. French sculptor Gaston Lachaise's Standing Nude with Drapery
is a pencil drawing that fixes the energy and sense of movement of the figure to the
paper in just a few strokes. And Steven Talasnik's contemporary large-scale drawings in
graphite, with their swirling, organic forms and architectural structures are testament to
the power of pencil (and eraser) on paper.
,Charcoal, - ✔✔perhaps the oldest form of drawing media, is made by simply charring
wooden sticks or small branches, called vine charcoal, but is also available in a
mechanically compressed form.
- ✔✔Vine charcoal comes in three densities: soft, medium and hard, each one
handling a little different than the other. Soft charcoals give a more velvety feel to a
drawing. The artist doesn't have to apply as much pressure to the stick in order to get a
solid mark. Hard vine charcoal offers more control but generally doesn't give the darkest
tones. Compressed charcoals give deeper blacks than vine charcoal, but are more
difficult to manipulate once they are applied to paper.
- ✔✔Charcoal drawings can range in value from light grays to rich, velvety blacks. A
charcoal drawing by American artist Georgia O'Keeffe is a good example.
Pastels - ✔✔are essentially colored chalks usually compressed into stick form for
better handling. They are characterized by soft, subtle changes in tone or color. Pastel
pigments allow for a resonant quality that is more difficult to obtain with graphite or
charcoal. Picasso's Portrait of the Artist's Mother from 1896 emphasizes these qualities.
- ✔✔More recent developments in dry media are oil pastels, pigment mixed with an
organic oil binder that deliver a heavier mark and lend themselves to more graphic and
vibrant results. The drawings of Beverly Buchanan reflect this. Her work celebrates rural
life of the south centered in the forms of old houses and shacks. The buildings stir
memories and provide a sense of place, and are usually surrounded by people, flowers
and bright landscapes. She also creates sculptures of the shacks, giving them an identity
beyond their physical presence.
Wet Media - ✔✔
Ink - ✔✔Wet drawing media traditionally refers to ink but really includes any
substance that can be put into solution and applied to a drawing's surface. Because wet
, media is manipulated much like paint - through thinning and the use of a brush - it blurs
the line between drawing and painting. Ink can be applied with a stick for linear effects
and by brush to cover large areas with tone. It can also be diluted with water to create
values of gray. The Return of the Prodigal Son by Rembrandt shows an expressive use of
brown ink in both the line qualities and the larger brushed areas that create the illusion
of light and shade.
Felt tip - ✔✔pens are considered a form of wet media. The ink is saturated into felt
strips inside the pen then released onto the paper or other support through the tip. The
ink quickly dries, leaving a permanent mark. The colored marker drawings of Donnabelle
Casis have a flowing, organic character to them. The abstract quality of the subject
matter infers body parts and viscera.
- ✔✔Other liquids can be added to drawing media to enhance effects - or create new
ones. Artist Jim Dine has splashed soda onto charcoal drawings to make the surface
bubble with effervescence. The result is a visual texture unlike anything he could create
with charcoal alone, although his work is known for its strong manipulation. Dine's
drawings often use both dry and liquid media. His subject matter includes animals,
plants, figures and tools, many times crowded together in dense, darkly romantic
images.
- ✔✔Traditional Chinese painting uses water-based inks and pigments. In fact, it is
one of the oldest continuous artistic traditions in the world. Painted on supports of
paper or silk, the subject matter includes landscapes, animals, figures and calligraphy, an
art form that uses letters and script in fluid, lyrical gestures.
- ✔✔Traditional Chinese painting uses water-based inks and pigments. In fact, it is
one of the oldest continuous artistic traditions in the world. Painted on supports of
paper or silk, the subject matter includes landscapes, animals, figures and calligraphy, an
art form that uses letters and script in fluid, lyrical gestures.
100% Correct| Verified Solutions-Newest
Update 2025
Types of Drawing media - ✔✔
Dry Media - ✔✔includes charcoal, graphite, chalks and pastels. Each of these
mediums gives the artist a wide range of mark making capabilities and effects, from thin
lines to large areas of color and tone. The artist can manipulate a drawing to achieve
desired effects in many ways, including exerting different pressures on the medium
against the drawing's surface, or by erasure, blotting or rubbing.
- ✔✔This process of drawing can instantly transfer the sense of character to an
image. From energetic to subtle, these qualities are apparent in the simplest works: the
immediate and unalloyed spirit of the artist's idea. You can see this in the self-portraits
of two German artists; Kathe Kollwitz and Ernst Ludwig Kirchner. Wounded during the
first world war, his Self-Portrait Under the Influence of Morphine from about 1916
presents us with a nightmarish vision of himself wrapped in the fog of opiate drugs. His
hollow eyes and the graphic dysfunction of his marks attest to the power of his drawing.
Graphite - ✔✔media includes pencils, powder or compressed sticks. Each one creates
a range of values depending on the hardness or softness inherent in the material. Hard
graphite tones range from light to dark gray, while softer graphite allows a range from
light gray to nearly black. French sculptor Gaston Lachaise's Standing Nude with Drapery
is a pencil drawing that fixes the energy and sense of movement of the figure to the
paper in just a few strokes. And Steven Talasnik's contemporary large-scale drawings in
graphite, with their swirling, organic forms and architectural structures are testament to
the power of pencil (and eraser) on paper.
,Charcoal, - ✔✔perhaps the oldest form of drawing media, is made by simply charring
wooden sticks or small branches, called vine charcoal, but is also available in a
mechanically compressed form.
- ✔✔Vine charcoal comes in three densities: soft, medium and hard, each one
handling a little different than the other. Soft charcoals give a more velvety feel to a
drawing. The artist doesn't have to apply as much pressure to the stick in order to get a
solid mark. Hard vine charcoal offers more control but generally doesn't give the darkest
tones. Compressed charcoals give deeper blacks than vine charcoal, but are more
difficult to manipulate once they are applied to paper.
- ✔✔Charcoal drawings can range in value from light grays to rich, velvety blacks. A
charcoal drawing by American artist Georgia O'Keeffe is a good example.
Pastels - ✔✔are essentially colored chalks usually compressed into stick form for
better handling. They are characterized by soft, subtle changes in tone or color. Pastel
pigments allow for a resonant quality that is more difficult to obtain with graphite or
charcoal. Picasso's Portrait of the Artist's Mother from 1896 emphasizes these qualities.
- ✔✔More recent developments in dry media are oil pastels, pigment mixed with an
organic oil binder that deliver a heavier mark and lend themselves to more graphic and
vibrant results. The drawings of Beverly Buchanan reflect this. Her work celebrates rural
life of the south centered in the forms of old houses and shacks. The buildings stir
memories and provide a sense of place, and are usually surrounded by people, flowers
and bright landscapes. She also creates sculptures of the shacks, giving them an identity
beyond their physical presence.
Wet Media - ✔✔
Ink - ✔✔Wet drawing media traditionally refers to ink but really includes any
substance that can be put into solution and applied to a drawing's surface. Because wet
, media is manipulated much like paint - through thinning and the use of a brush - it blurs
the line between drawing and painting. Ink can be applied with a stick for linear effects
and by brush to cover large areas with tone. It can also be diluted with water to create
values of gray. The Return of the Prodigal Son by Rembrandt shows an expressive use of
brown ink in both the line qualities and the larger brushed areas that create the illusion
of light and shade.
Felt tip - ✔✔pens are considered a form of wet media. The ink is saturated into felt
strips inside the pen then released onto the paper or other support through the tip. The
ink quickly dries, leaving a permanent mark. The colored marker drawings of Donnabelle
Casis have a flowing, organic character to them. The abstract quality of the subject
matter infers body parts and viscera.
- ✔✔Other liquids can be added to drawing media to enhance effects - or create new
ones. Artist Jim Dine has splashed soda onto charcoal drawings to make the surface
bubble with effervescence. The result is a visual texture unlike anything he could create
with charcoal alone, although his work is known for its strong manipulation. Dine's
drawings often use both dry and liquid media. His subject matter includes animals,
plants, figures and tools, many times crowded together in dense, darkly romantic
images.
- ✔✔Traditional Chinese painting uses water-based inks and pigments. In fact, it is
one of the oldest continuous artistic traditions in the world. Painted on supports of
paper or silk, the subject matter includes landscapes, animals, figures and calligraphy, an
art form that uses letters and script in fluid, lyrical gestures.
- ✔✔Traditional Chinese painting uses water-based inks and pigments. In fact, it is
one of the oldest continuous artistic traditions in the world. Painted on supports of
paper or silk, the subject matter includes landscapes, animals, figures and calligraphy, an
art form that uses letters and script in fluid, lyrical gestures.
