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The Sat Practice Test 1

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The Sat Practice Test 1

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The Sat Practice Test 1


Reading Test
65 MINUTES, 52 QUESTIONS

Turn to Section 1 of your answer sheet to answer the questions in this section.


DIRECTIONS

Each passage or pair of passages below is followed by a number of questions. After reading
each passage or pair, choose the best answer to each question based on what is stated or
implied in the passage or passages and in any accompanying graphics (such as a table or
graph).



Questions 1-10 are based on the following Akira was waiting in the entry. He was in his early
.......................................................................................................................................................................................................




passage. twenties, slim and serious, wearing the black
25 military-style uniform of a student. As he
This passage is from Lydia Minatoya, The Strangeness of
Beauty. ©1999 by Lydia Minatoya. The setting is Japan in bowed—his hands hanging straight down, a
1920. Chie and her daughter Naomi are members of the black cap in one, a yellow oil-paper umbrella in the
House of Fuji, a noble family. other—Chie glanced beyond him. In the glistening
surface of the courtyard’s rain-drenched paving
Akira came directly, breaking all tradition. Was 30 stones, she saw his reflection like a dark double.
that it? Had he followed form—had he asked his “Madame,” said Akira, “forgive my disruption,
mother to speak to his father to approach a but I come with a matter of urgency.”
Line go-between—would Chie have been more receptive? His voice was soft, refined. He straightened and
5 He came on a winter’s eve. He pounded on the stole a deferential peek at her face.
door while a cold rain beat on the shuttered veranda, 35 In the dim light his eyes shone with sincerity.
so at first Chie thought him only the wind. The maid Chie felt herself starting to like him.
knew better. Chie heard her soft scuttling footsteps, “Come inside, get out of this nasty night. Surely
the creak of the door. Then the maid brought a your business can wait for a moment or two.”
10 calling card to the drawing room, for Chie. “I don’t want to trouble you. Normally I would
Chie was reluctant to go to her guest; perhaps she 40 approach you more properly but I’ve received word
was feeling too cozy. She and Naomi were reading at of a position. I’ve an opportunity to go to America, as
a low table set atop a charcoal brazier. A thick quilt dentist for Seattle’s Japanese community.”
spread over the sides of the table so their legs were “Congratulations,” Chie said with amusement.
15 tucked inside with the heat.
“That is an opportunity, I’m sure. But how am I
“Who is it at this hour, in this weather?” Chie 45 involved?”
questioned as she picked the name card off the Even noting Naomi’s breathless reaction to the
maid’s lacquer tray. name card, Chie had no idea. Akira’s message,
“Shinoda, Akira. Kobe Dental College,” she read. delivered like a formal speech, filled her with
20 Naomi recognized the name. Chie heard a soft maternal amusement. You know how children speak
intake of air. 50 so earnestly, so hurriedly, so endearingly about
“I think you should go,” said Naomi. things that have no importance in an adult’s mind?
That’s how she viewed him, as a child.

, It was how she viewed Naomi. Even though 1




...............................................................................................................................................................................................................................................................................................................
Naomi was eighteen and training endlessly in the arts
55 needed to make a good marriage, Chie had made no
Which choice best describes what happens in the
effort to find her a husband. passage?
Akira blushed. A) One character argues with another character
“Depending on your response, I may stay in who intrudes on her home.
Japan. I’ve come to ask for Naomi’s hand.” B) One character receives a surprising request from
60 Suddenly Chie felt the dampness of the night. another character.
“Does Naomi know anything of your . . .
ambitions?” C) One character reminisces about choices she has
“We have an understanding. Please don’t judge made over the years.
my candidacy by the unseemliness of this proposal. I D) One character criticizes another character for
65 ask directly because the use of a go-between takes pursuing an unexpected course of action.
much time. Either method comes down to the same
thing: a matter of parental approval. If you give your
consent, I become Naomi’s yoshi.* We’ll live in the 2
House of Fuji. Without your consent, I must go to Which choice best describes the developmental
70 America, to secure a new home for my bride.”
pattern of the passage?
Eager to make his point, he’d been looking her full
in the face. Abruptly, his voice turned gentle. “I see A) A careful analysis of a traditional practice
I’ve startled you. My humble apologies. I’ll take no B) A detailed depiction of a meaningful encounter
more of your evening. My address is on my card. If
C) A definitive response to a series of questions
75 you don’t wish to contact me, I’ll reapproach you in
two weeks’ time. Until then, good night.” D) A cheerful recounting of an amusing anecdote
He bowed and left. Taking her ease, with effortless
grace, like a cat making off with a fish.
“Mother?” Chie heard Naomi’s low voice and 3
80 turned from the door. “He has asked you?” As used in line 1 and line 65, “directly” most
The sight of Naomi’s clear eyes, her dark brows nearly means
gave Chie strength. Maybe his hopes were
A) frankly.
preposterous.
“Where did you meet such a fellow? Imagine! He B) confidently.
85 thinks he can marry the Fuji heir and take her to C) without mediation.
America all in the snap of his fingers!”
Chie waited for Naomi’s ripe laughter. D) with precision.
Naomi was silent. She stood a full half minute
looking straight into Chie’s eyes. Finally, she spoke.
90 “I met him at my literary meeting.”
4
Naomi turned to go back into the house, then Which reaction does Akira most fear from Chie?
stopped. A) She will consider his proposal inappropriate.
“Mother.”
“Yes?” B) She will mistake his earnestness for immaturity.
95 “I mean to have him.” C) She will consider his unscheduled visit an
* a man who marries a woman of higher status and takes her imposition.
family’s name D) She will underestimate the sincerity of his
emotions.

,5 9




...............................................................................................................................................................................................................................................................................................................
Which choice provides the best evidence for the Why does Akira say his meeting with Chie is
answer to the previous question? “a matter of urgency” (line 32)?
A) Line 33 (“His voice . . . refined”) A) He fears that his own parents will disapprove of
B) Lines 49-51 (“You . . . mind”) Naomi.
C) Lines 63-64 (“Please . . . proposal”) B) He worries that Naomi will reject him and marry
someone else.
D) Lines 71-72 (“Eager . . . face”)
C) He has been offered an attractive job in another
country.
6 D) He knows that Chie is unaware of his feelings for
Naomi.
In the passage, Akira addresses Chie with
A) affection but not genuine love.
B) objectivity but not complete impartiality. 10
C) amusement but not mocking disparagement. Which choice provides the best evidence for the
answer to the previous question?
D) respect but not utter deference.
A) Line 39 (“I don’t . . . you”)
B) Lines 39-42 (“Normally . . . community”)
7
C) Lines 58-59 (“Depending . . . Japan”)
The main purpose of the first paragraph is to D) Lines 72-73 (“I see . . . you”)
A) describe a culture.
B) criticize a tradition.
C) question a suggestion.
D) analyze a reaction.


8
As used in line 2, “form” most nearly means
A) appearance.
B) custom.
C) structure.
D) nature.

, Questions 11-21 are based on the following spend with how much recipients will appreciate the




...............................................................................................................................................................................................................................................................................................................
passage and supplementary material. gift (the more expensive the gift, the stronger a
gift-recipient’s feelings of appreciation). Although a
This passage is adapted from Francis J. Flynn and Gabrielle 45 link between gift price and feelings of appreciation
S. Adams, "Money Can't Buy Love: Asymmetric Beliefs about might seem intuitive to gift-givers, such an
Gift Price and Feelings of Appreciation." ©2008 by Elsevier assumption may be unfounded. Indeed, we propose
Inc.
that gift-recipients will be less inclined to base their
Every day, millions of shoppers hit the stores in feelings of appreciation on the magnitude of a gift
full force—both online and on foot—searching 50 than givers assume.
frantically for the perfect gift. Last year, Americans Why do gift-givers assume that gift price is closely
Line spent over $30 billion at retail stores in the month of linked to gift-recipients’ feelings of appreciation?
5 December alone. Aside from purchasing holiday Perhaps givers believe that bigger (i.e., more
gifts, most people regularly buy presents for other expensive) gifts convey stronger signals of
occasions throughout the year, including weddings, 55 thoughtfulness and consideration. According to
birthdays, anniversaries, graduations, and baby Camerer (1988) and others, gift-giving represents a
showers. This frequent experience of gift-giving can symbolic ritual, whereby gift-givers attempt to signal
10 engender ambivalent feelings in gift-givers. Many their positive attitudes toward the intended recipient
relish the opportunity to buy presents because and their willingness to invest resources in a future
gift-giving offers a powerful means to build stronger 60 relationship. In this sense, gift-givers may be
bonds with one’s closest peers. At the same time, motivated to spend more money on a gift in order to
many dread the thought of buying gifts; they worry send a “stronger signal” to their intended recipient.
15 that their purchases will disappoint rather than As for gift-recipients, they may not construe smaller
delight the intended recipients. and larger gifts as representing smaller and larger
Anthropologists describe gift-giving as a positive 65 signals of thoughtfulness and consideration.
social process, serving various political, religious, and The notion of gift-givers and gift-recipients being
psychological functions. Economists, however, offer unable to account for the other party’s perspective
20 a less favorable view. According to Waldfogel (1993), seems puzzling because people slip in and out of
gift-giving represents an objective waste of resources. these roles every day, and, in some cases, multiple
People buy gifts that recipients would not choose to 70 times in the course of the same day. Yet, despite the
buy on their own, or at least not spend as much extensive experience that people have as both givers
money to purchase (a phenomenon referred to as and receivers, they often struggle to transfer
25 ‘‘the deadweight loss of Christmas”). To wit, givers information gained from one role (e.g., as a giver)
are likely to spend $100 to purchase a gift that and apply it in another, complementary role (e.g., as
receivers would spend only $80 to buy themselves. 75 a receiver). In theoretical terms, people fail to utilize
This ‘‘deadweight loss” suggests that gift-givers are information about their own preferences and
not very good at predicting what gifts others will experiences in order to produce more efficient
30 appreciate. That in itself is not surprising to social outcomes in their exchange relations. In practical
psychologists. Research has found that people often terms, people spend hundreds of dollars each year on
struggle to take account of others’ perspectives— 80 gifts, but somehow never learn to calibrate their gift
their insights are subject to egocentrism, social expenditures according to personal insight.
projection, and multiple attribution errors.
35 What is surprising is that gift-givers have
considerable experience acting as both gift-givers and
gift-recipients, but nevertheless tend to overspend
each time they set out to purchase a meaningful gift.
In the present research, we propose a unique
40 psychological explanation for this overspending
problem—i.e., that gift-givers equate how much they

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