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Rossetti's Poetry context - English A-Level OCR

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This detailed grid of context for Christina Rossetti's poetry/literature informs us of the events and influences of her life onto her own work. Taken into account if her poems such as: Maude Clare, No Thank you John, Goblin Market and so forth whilst applying context to create a deeper understanding. The context itself (ao3) ranges from Rossetti's religious mania and rejection of marriage proposals to other artistic influences such as the Bronte sisters or Dante Rossetti in the Pre-Raphaelite movement/brotherhood.

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Research Area Guide Questions for Christina Rossetti
Women and Writers • Rossetti wrote poems i.e. ‘Goblin Market’
1862 and non-fiction i.e. ‘Seek and Find’
1879 based on short stories of the bible.
• Elizabeth Barrett Browning a Victorian
poet- claimed "Christ's religion is
essentially poetry – poetry glorified". She
explored the religious aspect in many of
her poems and explored nationalism,
revolution, slavery, and industrialisation
critically.
The Bronte sisters-
• Charlotte Bronte [oldest] wrote poetry as
a child and grew to write ‘Jane Eyre’
inspired by her bad experiences in Lowood
School [age 14]- she put off marriage to
focus on her literature until later in life
and portrayed her women the same.
[strong and capable of getting through
hardships] [pen name- Currer Bell]
• Emily Bronte [2nd oldest] Novelist and Poet
too- wrote ‘Wuthering Heights’ showing
women under patriarchal influence
remaining active and fierce to their own
stories [pen name- Ellis Bell]
• Anne Bronte [youngest]- Novelist and
Poet—wrote ‘Agnes grey’ focusing more
on the atrocities females had to face in
Victorian society [pen name- Acton Bell]
Womens matters & The Womens Movement The Society for Promoting the Employment of
Women (SPEW) 1859:
• When SPEW was founded, there were few
acceptable occupations for middle-class
women other than a governess or a lady's
companion. SPEW made it acceptable for
women to be typists, hairdressers,
printers, and bookkeepers.
• Its name changed in 2014, becoming
‘Futures for Women’. It still operates
today
The Married women property act (TMWPA) 1870:
• Before the act, married women were
property of their husbands. She could not
legally own property, sign her own will or
sign any contracts
• TMWPA was the first act of the Parliament
of the United Kingdom that substantially
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