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How Does Priestley Present Social Class in An Inspector Calls?

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Exploration of Priestley's use of working class characters to highlight the disparity between the upper and lower classes, and the Inspector's role as a vehicle for Priestley's political views.

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How does Priestley present his ideas about social class in An Inspector Calls?


In the play An Inspector Calls, Priestley uses his lower class characters to highlight the

disparity between social classes and criticise the upper class, which is benefited by the

capitalist system.



Throughout the play, Priestley uses the Inspector as a voice for the working class. In the

Inspector’s final monologue, he says that “there are millions and millions and millions of Eva

Smiths and John Smiths. [...] We are members of one body.” Here, and throughout the rest

of the play, Priestley uses the Inspector as a vehicle for his own political views, as he

references socialism and highlights the needs for communities to come together instead of

forever being separated by money-hungry capitalist overlords. The repetition of the

numerical noun “millions” emphasises the vast amount of people who were, and still are,

living in poverty, showing that Eva Smith’s death was not just a one-off: this could have

happened, and likely still does happen, to many other working class people. Additionally,

the naming of “Eva Smiths and John Smiths” further illustrates the fact that many people

could have been in Eva’s position, highlighting the need for social reform to prevent any

more people living in poverty from becoming another statistic, just like Eva. Priestley is

clearly using the Inspector not just as a voice for the working class, but also as a vehicle for

his own political beliefs, as he stresses that if communities cannot come together to reform

the system, “they will be taught it in fire and blood and anguish”, once again highlighting the

need for social reform, changes in the governmental system of rule, and the revolution that

is, according to Priestley, imminent. The Inspector, however, also shows Priestley’s own

values about forgiveness, as the cyclical structure of the play (with Edna announcing the

arrival of the Inspector at the beginning of the first act, and a phone call announcing the
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