100% tevredenheidsgarantie Direct beschikbaar na je betaling Lees online óf als PDF Geen vaste maandelijkse kosten 4.2 TrustPilot
logo-home
Samenvatting

Talent Development & Creativity Summary of Kupers (Week 4): Children’s Creativity: A Theoretical Framework and Systematic Review

Beoordeling
-
Verkocht
1
Pagina's
7
Geüpload op
19-10-2021
Geschreven in
2020/2021

Summary of: Kupers, E., Lehmann-Wermser, A., McPherson, G., & van Geert, P. (2019). Children's creativity: a theoretical framework and systematic review. Review of Educational Research, 89(1), 93-124.










Oeps! We kunnen je document nu niet laden. Probeer het nog eens of neem contact op met support.

Documentinformatie

Geüpload op
19 oktober 2021
Aantal pagina's
7
Geschreven in
2020/2021
Type
Samenvatting

Voorbeeld van de inhoud

TDC – Lecture 4 Kupers 01 1


Childrens Creativity: A theoretical Framework
Within education, children’s creativity is recognized as an essential 21st century skill.
Imaging & creating new, unique solutions to complex problems is a distinctive human trait.
Today’s increasingly complex problems in communities and schools demands people to
develop sophisticated creative solutions.
 importance of creativity in education is now widely recognized because of this
Role of creativity in educational policies is ambiguous
 Education experts & policymakers emphasize role of education in fostering
creativity(National Advisory Committee on Creative & Cultural Education, 1999)
 Other educational experts argue this increased standardization of educational policy of
basic skills & standardized testing has diminished creativity (Hall & Thompson, 2005;
Robinson, 2011)

Key question: what is creativity?
 Individual characteristic/ability (like intelligence)
 Output/product (original painting, elegant solution)
 Process of generating & trying out & evaluating new ideas
 Answer to this question has consequences on how it is measured & vice versa;
mainstream creativity research influences popular opinion on creativity
Aim:
1. Integrating main theoretical approaches of children’s creativity through development
of a framework based on Complex Dynamic Systems model(creativity can be defined
by 2 mechanisms: emergence & constraint)
2. Empirical integration of recent literature (through 3-dimensional taxonomy)
 where are the gaps in literature, which themes are relevant?

Complex Dynamic Systems Perspective (CDS)
Main Principles
 Fundamental question: Where does novelty/creation come from?
In creativity research you can focus on every day forms of creativity & truly innovative
outputs of creativity by individuals that push society forward.
 How to approach creativity?
Theory of complex dynamic systems
1. Learning is socially situated/ exists in interactions
o Interactions between student and direct social environment (teacher) &
physical environment (learning by doing/ enactment)
o In large body of educational research the environment is seen as outside
factor. In CDS it’s considered that student & environment shape or influence
each other/ co-create  learning and teaching is in constant interaction with
environment
 This idea is shared with social-constructivist theories (Kave & Wenger,
1991; Vygotsky, 1978) & situated or embodied cognition (Foglia &
Wilson, 2013; Smith, 2005)
2. Interactions between child & environment = self-organizing
o No external force that pushes learning into one direction or another; learning
and teaching emerge through socially embedded interaction

, TDC – Lecture 4 Kupers 01 2

o Link between developmental psych & creativity: emergence
 defined as … Emergent entities (properties/substances) arise out of
more fundamental entities and yet are “novel” or ‘irreducible’ with
respect to them (O’connor & Wong, 2015)
 Emergence are core characteristic of all complex systems. Mechanism
that connects higher order & lower order variables (higher order
variables emerge from interaction between lower level variables over
time).
o Self-organization & emergence imply that it’s meaningful to distinguish
between different levels of organization in teaching and learning. Different
levels take place on different timescales
 Example lower order component; interactions here and now between
student and teacher as student solves mathematical problem; timescale
= minutes
 Example higher order component: student’s mastery of mathematics/
student motivation for mathematics’, repeated measures over months
 Interaction can also work other way around; high level variables put
constraints on lower level v.
 low level of motivation for maths influences the range of
teacher-student interaction during math class
3. As a consequence of self-organization, complex systems display variability over time
o Intraindividual variability (variability across time within individual) is an
intrinsic property of learning and development
 Occurs through continuous transaction between child and environment.
Creates flexibility in system because multiple behavioral states are
explored. Giving rise to novel and higher states of functioning
 this creates fluctuating levels of variability over time which
indicates current state of system
 temporary increase in variability indicates phase transition in
different domains (e.g. cognitive development).
 Example: when children solve series of matrix tasks, there’s
often a peak in mistakes made before they discover new
strategy

Theories of Creativity on Four Levels
Four P’s of Creativity (framework to classify different creativity approaches, Rhodes,
1961). Still influential to this day to classify empirical research.
 Defines creativity research in different lines/strands
Conclusion: different schools of creativity research developed in isolation, rarely informing
each other. Meta-theoretical model is needed to understand how the different strands relate
and interact.  complex dynamic system model will be used to interpret 4 levels
1. Creativity on Level of the Person: In early days, creativity often studied as a
personality characteristic. Research mainly focused on relation to other personality
traits, mainly intelligence (IQ, from here).
o Creativity as part of IQ: research on intellectual giftedness. Gardner (1995,
2011) states that IQ is more than capacity for logic reason & literacy. Even
though educational system gives these most attention.
€2,99
Krijg toegang tot het volledige document:

100% tevredenheidsgarantie
Direct beschikbaar na je betaling
Lees online óf als PDF
Geen vaste maandelijkse kosten

Maak kennis met de verkoper
Seller avatar
EllaBergmann
2,0
(1)

Ook beschikbaar in voordeelbundel

Thumbnail
Voordeelbundel
Talent Development & Creativity Summary Articles and Book
-
1 18 2021
€ 53,82 Meer info

Maak kennis met de verkoper

Seller avatar
EllaBergmann Rijksuniversiteit Groningen
Bekijk profiel
Volgen Je moet ingelogd zijn om studenten of vakken te kunnen volgen
Verkocht
10
Lid sinds
4 jaar
Aantal volgers
6
Documenten
49
Laatst verkocht
1 jaar geleden

2,0

1 beoordelingen

5
0
4
0
3
0
2
1
1
0

Recent door jou bekeken

Waarom studenten kiezen voor Stuvia

Gemaakt door medestudenten, geverifieerd door reviews

Kwaliteit die je kunt vertrouwen: geschreven door studenten die slaagden en beoordeeld door anderen die dit document gebruikten.

Niet tevreden? Kies een ander document

Geen zorgen! Je kunt voor hetzelfde geld direct een ander document kiezen dat beter past bij wat je zoekt.

Betaal zoals je wilt, start meteen met leren

Geen abonnement, geen verplichtingen. Betaal zoals je gewend bent via iDeal of creditcard en download je PDF-document meteen.

Student with book image

“Gekocht, gedownload en geslaagd. Zo makkelijk kan het dus zijn.”

Alisha Student

Veelgestelde vragen