The White Tiger - Summary
Novel by Aravind Adiga
,The First Night
- The narrator, Balram Halwai, writes a letter to Wen Jiabao, the Premier of China, after
hearing on the radio that Jiabao is visiting Bangalore to learn about Indian
entrepreneurship.
- Balram expresses his admiration for China’s history of resisting foreign rule and refers to
himself as a self-taught entrepreneur.
- He sarcastically comments about the Indian politicians who greet foreign dignitaries with
ceremonial gestures and speaks about how entrepreneurs like him are more important than
politicians.
- Balram reflects on the contrast between the Chinese’s lack of entrepreneurs and the Indian
entrepreneurial spirit, particularly in the technology sector.
- He criticizes the idea of success that foreign business books promote, claiming they are
outdated and that he represents the future of entrepreneurship.
- Balram reveals that he did not finish formal schooling, but considers himself a successful
entrepreneur despite this, claiming that entrepreneurs are made from "half-baked clay."
- He describes his office, a small 150-square-foot room with a chandelier and a fan that
creates a strobe light effect, symbolizing his unconventional and unpolished style.
- Balram introduces the phrase “What a fucking joke,” which he learned from his ex-
employer's ex-wife, Pinky Madam, and uses it to express his frustration with the state of
affairs in India.
- He humorously considers which god to pray to, as he lives in a country with millions of gods
and acknowledges the contradictions in the beliefs of different religions.
- Balram remembers a conversation with his ex-employer, Mr. Ashok, who questioned him
about various topics like the planets, India’s first prime minister, and the difference
between Hindus and Muslims. Mr. Ashok criticizes him for his lack of education and
understanding.
- After this conversation, Balram reflects on how he and many others like him are "half-
baked," because of their incomplete schooling and lack of opportunities.
- He shares a memory from his childhood, where his teacher gave him the name Balram
because he had no real name, symbolizing his humble and uncertain beginnings.
- Balram notes how he eventually became known as Munna and later took on the name
Balram, reflecting his evolving identity.
- He ends by hinting at the importance of his story and his journey from a poor background
to becoming a successful entrepreneur.
- The narrator shakes off his mother's hand from his face and watches her.
- A fire is consuming silk, and a pale foot jerks out of it, resisting the heat as it melts.
Kusum tries to push the foot back into the fire, but it resists.
- The narrator's heart races as he watches his mother fight the fire. He realizes that his
mother won’t let herself be destroyed.
- Below the platform where the fire burns, there’s a mound of black mud near the river,
littered with jasmine ribbons, rose petals, satin, and charred bones. A dog sniffs through it.
- The narrator watches as the black mud pulls at his mother’s foot. She resists, but the mud
keeps pulling her in.
- The narrator understands that this black mud, from the Ganga, is the true god of Benaras—
, where everything decomposes and is reborn. He believes nothing is liberated here.
- Overcome with realization, the narrator stops breathing and faints for the first time.
- He hasn’t been back to the Ganga since then, leaving it for the American tourists.
- The narrator describes his village, Laxmangarh, in Gaya district, mentioning its history,
including the Buddha’s connection to Bodh Gaya.
- He wonders if the Buddha passed through Laxmangarh, humorously suggesting that the
Buddha ran through it as quickly as possible.
- Laxmangarh has a branch of the Ganga, and the village is marked by a street with a sewage
split and a small market.
- The market has three similar shops selling food and other supplies. At the end of the
market is a temple with an image of Hanuman.
- The narrator criticizes the gods worshipped in the village and explains the difficulty in
achieving freedom in India.
- The narrator humorously describes the conditions in the village, noting defunct electricity
poles, broken water taps, and undernourished children.
- He describes the village’s filth, with hogs sniffing through sewage and roosters flying on
rooftops.
- The narrator’s house is marked by the presence of a large water buffalo, which is the most
important member of the household.
- The women of the family focus on feeding the buffalo, hoping it provides enough milk to
sell for extra money.
- The narrator describes the women’s activities, including preparing food for the buffalo,
winnowing rice, and killing ticks in each other’s hair.
- The women fight occasionally, throwing metal vessels or pulling each other’s hair, but
always make up afterward.
- The men and boys sleep in a separate corner of the house.
- The narrator describes waking up in the morning, moving away from sleeping relatives, and
being called by his father.
- He follows his father to untie the water buffalo and take it for a morning bath at the pond
beneath the Black Fort.
- The Black Fort, built by previous foreign rulers, is now abandoned except for a tribe of
monkeys.
- The pond around the fort is serene, with lotuses and lilies floating on the water, and the
buffalo chews on the lilies while creating ripples.
- The narrator reflects on his life in the village, occasionally missing it, before returning to
his current situation.
- The narrator reflects on a police poster describing a suspect who was last seen wearing
specific clothing.
- He denies certain details but acknowledges wearing the described clothes. He also clarifies
his father’s honorable character, despite being a rickshaw-puller.
- The narrator recalls visiting his father at the tea shop in the village, which serves as a
central hub.
- At the tea shop, rickshaw-pullers gather, waiting for buses, while the narrator’s father
stands rather than crouches like the others.
Novel by Aravind Adiga
,The First Night
- The narrator, Balram Halwai, writes a letter to Wen Jiabao, the Premier of China, after
hearing on the radio that Jiabao is visiting Bangalore to learn about Indian
entrepreneurship.
- Balram expresses his admiration for China’s history of resisting foreign rule and refers to
himself as a self-taught entrepreneur.
- He sarcastically comments about the Indian politicians who greet foreign dignitaries with
ceremonial gestures and speaks about how entrepreneurs like him are more important than
politicians.
- Balram reflects on the contrast between the Chinese’s lack of entrepreneurs and the Indian
entrepreneurial spirit, particularly in the technology sector.
- He criticizes the idea of success that foreign business books promote, claiming they are
outdated and that he represents the future of entrepreneurship.
- Balram reveals that he did not finish formal schooling, but considers himself a successful
entrepreneur despite this, claiming that entrepreneurs are made from "half-baked clay."
- He describes his office, a small 150-square-foot room with a chandelier and a fan that
creates a strobe light effect, symbolizing his unconventional and unpolished style.
- Balram introduces the phrase “What a fucking joke,” which he learned from his ex-
employer's ex-wife, Pinky Madam, and uses it to express his frustration with the state of
affairs in India.
- He humorously considers which god to pray to, as he lives in a country with millions of gods
and acknowledges the contradictions in the beliefs of different religions.
- Balram remembers a conversation with his ex-employer, Mr. Ashok, who questioned him
about various topics like the planets, India’s first prime minister, and the difference
between Hindus and Muslims. Mr. Ashok criticizes him for his lack of education and
understanding.
- After this conversation, Balram reflects on how he and many others like him are "half-
baked," because of their incomplete schooling and lack of opportunities.
- He shares a memory from his childhood, where his teacher gave him the name Balram
because he had no real name, symbolizing his humble and uncertain beginnings.
- Balram notes how he eventually became known as Munna and later took on the name
Balram, reflecting his evolving identity.
- He ends by hinting at the importance of his story and his journey from a poor background
to becoming a successful entrepreneur.
- The narrator shakes off his mother's hand from his face and watches her.
- A fire is consuming silk, and a pale foot jerks out of it, resisting the heat as it melts.
Kusum tries to push the foot back into the fire, but it resists.
- The narrator's heart races as he watches his mother fight the fire. He realizes that his
mother won’t let herself be destroyed.
- Below the platform where the fire burns, there’s a mound of black mud near the river,
littered with jasmine ribbons, rose petals, satin, and charred bones. A dog sniffs through it.
- The narrator watches as the black mud pulls at his mother’s foot. She resists, but the mud
keeps pulling her in.
- The narrator understands that this black mud, from the Ganga, is the true god of Benaras—
, where everything decomposes and is reborn. He believes nothing is liberated here.
- Overcome with realization, the narrator stops breathing and faints for the first time.
- He hasn’t been back to the Ganga since then, leaving it for the American tourists.
- The narrator describes his village, Laxmangarh, in Gaya district, mentioning its history,
including the Buddha’s connection to Bodh Gaya.
- He wonders if the Buddha passed through Laxmangarh, humorously suggesting that the
Buddha ran through it as quickly as possible.
- Laxmangarh has a branch of the Ganga, and the village is marked by a street with a sewage
split and a small market.
- The market has three similar shops selling food and other supplies. At the end of the
market is a temple with an image of Hanuman.
- The narrator criticizes the gods worshipped in the village and explains the difficulty in
achieving freedom in India.
- The narrator humorously describes the conditions in the village, noting defunct electricity
poles, broken water taps, and undernourished children.
- He describes the village’s filth, with hogs sniffing through sewage and roosters flying on
rooftops.
- The narrator’s house is marked by the presence of a large water buffalo, which is the most
important member of the household.
- The women of the family focus on feeding the buffalo, hoping it provides enough milk to
sell for extra money.
- The narrator describes the women’s activities, including preparing food for the buffalo,
winnowing rice, and killing ticks in each other’s hair.
- The women fight occasionally, throwing metal vessels or pulling each other’s hair, but
always make up afterward.
- The men and boys sleep in a separate corner of the house.
- The narrator describes waking up in the morning, moving away from sleeping relatives, and
being called by his father.
- He follows his father to untie the water buffalo and take it for a morning bath at the pond
beneath the Black Fort.
- The Black Fort, built by previous foreign rulers, is now abandoned except for a tribe of
monkeys.
- The pond around the fort is serene, with lotuses and lilies floating on the water, and the
buffalo chews on the lilies while creating ripples.
- The narrator reflects on his life in the village, occasionally missing it, before returning to
his current situation.
- The narrator reflects on a police poster describing a suspect who was last seen wearing
specific clothing.
- He denies certain details but acknowledges wearing the described clothes. He also clarifies
his father’s honorable character, despite being a rickshaw-puller.
- The narrator recalls visiting his father at the tea shop in the village, which serves as a
central hub.
- At the tea shop, rickshaw-pullers gather, waiting for buses, while the narrator’s father
stands rather than crouches like the others.
