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Terms in this set (268)
Ionian
Dorian
What are the seven Phrygian
modes? Lydian
Mixolydian
Aeolian
Ionian Structure (Major Scale) WWHWWWH
Dorian Structure WHWWWHW From a second tone of a major scale
HWWWHWW From the 3rd Tone of major scale
Phrygian Structure
(melancholy, reflects the music of Spain)
WWWHWWH From the 4th tone of a major scale
Lydian Structure
(HAPPY often used in jazz and rock)
WWHWWHW From the 5th tone of a major scale
Mixolydian Structure
(Bluesy)
From the 6th tone of a major scale WHWWHWW
Aeolian Structure
Natural Minor Scale
HWWHWWW From the 7th tone of a major scale
Locrian Structure
(strange sound rarely used)
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I DONT PLAY LOUD Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian,
MUSIC AFTER LUNCH Locrian
What is known as the aeolian mode
natural minor scale
Harmonic minor raised seventh
jazz minor raised six and seven
jazz minor on the way up, harmonic minor on the way
melodic minor
down
MAJOR TRIAD I,V or vii dim
PROGRESSIONS: ii chords
commonly lead to (3
choices)
IV chord often leads to (4 I,ii,V, vii dim
choices)
A V chord commonly I, vi
leads to (2 choices)
A vi chord often leads to I,ii,iii, IV, V
(5 choices)
A vii dim chord leads to (1 I
choice)
Authentic Cadence The Strongest Cadence (V-1, I-V)
Two types of authentic PAC (root position)
cadences IAC (inverted)
IV-I
iv-i
Plagal cadence
iv-I
IV-i
V chord that resolves to something other than I,
deceptive cadence
(usually vi)
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Deceptive Cadence is Interrupted cadence
also called
1. Arch
Four types of melodic 2. Wave
contours 3. Inverted arch
4. Pivotal
Binary Form Two contrasting sections
Three part Forms ABA, ternary, tertiary
Arch Form ABCBA
What are the names of Exposition, Development, recapitulation
each part of tertiary form
Rondo Form ABACA
imitative counterpoint, two or more musical lines use
Fugue
same theme
1. Sonata allegro
Four Movements of a 2. Slow movement
Symphony 3. Minuet
4. Combination of sonata and rondo
composition written for a solo instrument backed by
Concerto
an orchestra
Brief musical composition based on a particular
technical aspect of music (building scales) designed
Etude
to help instruct the performer through musical
exercise
freeform pieces, try to convey the impression of being
Fantasia completely improvised- most often written for solo or
small ensemble
ONE MELODY WITH HARMONY THAT MOVES
HOMOPHONIC
RHYTHMICALLY THE SAME AS THE MELODY
polyphonic many voices with own melodies
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