Macs 100 Midterm 1 Questions And
Answers With Verified Solutions 100%
Correct Latest Update.
film from - ANSWER structure or shape of the cinematic medium; encompasses
aspects of literary design, visual design, cinematography, editing and sound
content - ANSWER what a work of art or cultural artifact is about. Expressed
through form and style
form - ANSWER how the content of a work is expressed, the shape that it takes
visual design - ANSWER one of the five formal axes of cinema, encompassing
aspects of sets and props, costume, makeup, lighting, blocking, and color
cinematography - ANSWER one of the five formal axes of cinema encompassing
aspects of film stock lens choice camera speed framing and camera movement
editing - ANSWER one of the five formal axes of film form; the cutting and pasting
together of individual shots in order to create a feeling or idea, or tell a story
sound design - ANSWER one of the five formal axes of cinema , encompassing all
auditory stimuli that accompany the visual part of film
literary design - ANSWER one of the five formal axes of cinema; encompasses all
aspects of a production that have been scripted including character setting dialog theme
and title
mise-en-scene - ANSWER formal axes of film having to do with visual design and
framing
shot - ANSWER basic building block of cinema; one uninterrupted run of film
through the camera. Shots are then combined via editing to create meaning or tell a story.
montage - ANSWER editing
stereotypes - ANSWER oversimplified images of a person
minority groups - ANSWER groups who may be underprivileged and marginal to
dominant culture because they are perceived as being fewer in number or less in power.
ideology - ANSWER systematic body of concepts that expresses values and beliefs,
especially about human lives and cultures. Ideology is conveyed though speech, sound,
image, and all cultural texts
dominant ideology - ANSWER pervasive and often unremarked-upon set of
assumptions and beliefs that structure any given group or culture. The dominant ideology of
Western culture is white patriarchal heterosexual capitalism.
white patriarchal capitalism - ANSWER dominant ideology of the western world;
suggests that heterosexual caucasian males and gaining wealth are the most important
things in the world
,open market economy - ANSWER state of business affairs in which companies are
free to compete without governmental regulation or interference.
communism - ANSWER economic system in which the government controls and
distributes material wealth equitably among all of society's members
socialism - ANSWER economic and ideological system which balances
governmental regulation of industry, equitable distribution of basic human resources and
free market enterprise
hegemony - ANSWER fluctuating state of dominant ideology; also, the ongoing
struggle to gain the consent of the people to a system that would govern them
hegemonic negotiation - ANSWER theory of how culture changes as opposing
ideas are encountered by the dominant ideology. The critical charge of an opposing idea is
often softened or negated as it is incorporated within the dominant ideology.
repressive state apparatuses - ANSWER social forces such as armies, wars, police
forces, and terrorism that exert social control through violence and/or the threat of violence
Jim Crow Laws - ANSWER racist laws that until the mid-twentieth century
segregated white people from black people in housing, jobs, and public accomodations
institutionalized discrimination - ANSWER when bias is embedded in social
structures such as schools, government, business, or the media
ideological state apparatuses - ANSWER social institutions that support an
ideology through education and example rather than through overt coercion
internalizing ideology - ANSWER making ideas and beliefs about things that
circulate in culture and society one's own ideas beliefs
internalized discrimination - ANSWER when negative concepts about a race gender
class or sexuality are felt by members of those groups to be true. Such a process may be
ego-destructive, that is, damaging to one's sense of self
ego-destructive - ANSWER type of discrimination wherein individuals internalize
negative self concept from culture and judge themselves less worthy than other members of
society
culture - ANSWER characteristic features, behaviors, and artifacts of a group of
people
high art - ANSWER aspects of culture that are thought to be tasteful and edifying
like ballet or opera
low art - ANSWER cultural artifacts generally thought to be trashy or a bad
influence on people like porn comic books and rock music
commodification - ANSWER process under capitalism whereby an idea or a thing is
turned into a marketable good
incorporation - ANSWER absorption or assimilation of a subcultural style or artifact
into the dominant culture
, cultural studies - ANSWER broad area of research and theory that attempts to
explain how culture works in relation to history, economics, diversity etc.
cultural artifact - ANSWER any text produced and the decoded by a reader
text - ANSWER any cultural artifact that can be decoded by a reader
image studies - ANSWER aspect of cultural studies; research that explores the
ways and means people and things are represented in media systems
representation - ANSWER process of presenting an image of something in order to
communicate ideas or tell a story
representational systems - ANSWER mediated systems we use to communicate
with one another, such as language, art, literature, movies, TV, and the Internet
encoding - ANSWER process by which the producers of a cultural artifact place bot
conscious and unconscious meanings into a text
decoding - ANSWER process by which a reader makes sense of a text; dependent
upon the reader's own social and historical positioning as well as on how the text has been
encoded by its producers
auteur studies - ANSWER examining the work of a particular film artist. According
to auteur theory, a director often encodes consistent stylistic and thematic meanings into all
of his or her films.
propaganda - ANSWER cultural artifact that overtly attempts to sway opinion; may
distort or ignore reality as it makes an emotional appeal to spectators
dominant readings - ANSWER the decoding of a text-as it was intended by its
producers to be decoded
oppositional readings - ANSWER process by which a reader decodes a text in ways
not intended by those who encoded it
negotiated readings - ANSWER when a reader decodes a text partly according to
the ways that it was encoded and partly in ways that it was not
representations - ANSWER process of presenting an image of something in order
to communicate ideas or tell a story
hollywood film - ANSWER motion pictures made and or distributed widely by the
major Hollywood companies
independent films - ANSWER films made and exhibited without the financing or
distribution arms of the major Hollywood companies. The term may also include foreign
films, documentaries, and avant-garde films
avant-garde (experimental films) - ANSWER type of independent and artisanal film
practice that uses cinema to create a mood, tone, or concept rather than tell a story
documentaries - ANSWER type of nonfiction film practice that uses real life as its
basis. instead of using scripts, sets and actors documentary films focus on real-life people
and events
Answers With Verified Solutions 100%
Correct Latest Update.
film from - ANSWER structure or shape of the cinematic medium; encompasses
aspects of literary design, visual design, cinematography, editing and sound
content - ANSWER what a work of art or cultural artifact is about. Expressed
through form and style
form - ANSWER how the content of a work is expressed, the shape that it takes
visual design - ANSWER one of the five formal axes of cinema, encompassing
aspects of sets and props, costume, makeup, lighting, blocking, and color
cinematography - ANSWER one of the five formal axes of cinema encompassing
aspects of film stock lens choice camera speed framing and camera movement
editing - ANSWER one of the five formal axes of film form; the cutting and pasting
together of individual shots in order to create a feeling or idea, or tell a story
sound design - ANSWER one of the five formal axes of cinema , encompassing all
auditory stimuli that accompany the visual part of film
literary design - ANSWER one of the five formal axes of cinema; encompasses all
aspects of a production that have been scripted including character setting dialog theme
and title
mise-en-scene - ANSWER formal axes of film having to do with visual design and
framing
shot - ANSWER basic building block of cinema; one uninterrupted run of film
through the camera. Shots are then combined via editing to create meaning or tell a story.
montage - ANSWER editing
stereotypes - ANSWER oversimplified images of a person
minority groups - ANSWER groups who may be underprivileged and marginal to
dominant culture because they are perceived as being fewer in number or less in power.
ideology - ANSWER systematic body of concepts that expresses values and beliefs,
especially about human lives and cultures. Ideology is conveyed though speech, sound,
image, and all cultural texts
dominant ideology - ANSWER pervasive and often unremarked-upon set of
assumptions and beliefs that structure any given group or culture. The dominant ideology of
Western culture is white patriarchal heterosexual capitalism.
white patriarchal capitalism - ANSWER dominant ideology of the western world;
suggests that heterosexual caucasian males and gaining wealth are the most important
things in the world
,open market economy - ANSWER state of business affairs in which companies are
free to compete without governmental regulation or interference.
communism - ANSWER economic system in which the government controls and
distributes material wealth equitably among all of society's members
socialism - ANSWER economic and ideological system which balances
governmental regulation of industry, equitable distribution of basic human resources and
free market enterprise
hegemony - ANSWER fluctuating state of dominant ideology; also, the ongoing
struggle to gain the consent of the people to a system that would govern them
hegemonic negotiation - ANSWER theory of how culture changes as opposing
ideas are encountered by the dominant ideology. The critical charge of an opposing idea is
often softened or negated as it is incorporated within the dominant ideology.
repressive state apparatuses - ANSWER social forces such as armies, wars, police
forces, and terrorism that exert social control through violence and/or the threat of violence
Jim Crow Laws - ANSWER racist laws that until the mid-twentieth century
segregated white people from black people in housing, jobs, and public accomodations
institutionalized discrimination - ANSWER when bias is embedded in social
structures such as schools, government, business, or the media
ideological state apparatuses - ANSWER social institutions that support an
ideology through education and example rather than through overt coercion
internalizing ideology - ANSWER making ideas and beliefs about things that
circulate in culture and society one's own ideas beliefs
internalized discrimination - ANSWER when negative concepts about a race gender
class or sexuality are felt by members of those groups to be true. Such a process may be
ego-destructive, that is, damaging to one's sense of self
ego-destructive - ANSWER type of discrimination wherein individuals internalize
negative self concept from culture and judge themselves less worthy than other members of
society
culture - ANSWER characteristic features, behaviors, and artifacts of a group of
people
high art - ANSWER aspects of culture that are thought to be tasteful and edifying
like ballet or opera
low art - ANSWER cultural artifacts generally thought to be trashy or a bad
influence on people like porn comic books and rock music
commodification - ANSWER process under capitalism whereby an idea or a thing is
turned into a marketable good
incorporation - ANSWER absorption or assimilation of a subcultural style or artifact
into the dominant culture
, cultural studies - ANSWER broad area of research and theory that attempts to
explain how culture works in relation to history, economics, diversity etc.
cultural artifact - ANSWER any text produced and the decoded by a reader
text - ANSWER any cultural artifact that can be decoded by a reader
image studies - ANSWER aspect of cultural studies; research that explores the
ways and means people and things are represented in media systems
representation - ANSWER process of presenting an image of something in order to
communicate ideas or tell a story
representational systems - ANSWER mediated systems we use to communicate
with one another, such as language, art, literature, movies, TV, and the Internet
encoding - ANSWER process by which the producers of a cultural artifact place bot
conscious and unconscious meanings into a text
decoding - ANSWER process by which a reader makes sense of a text; dependent
upon the reader's own social and historical positioning as well as on how the text has been
encoded by its producers
auteur studies - ANSWER examining the work of a particular film artist. According
to auteur theory, a director often encodes consistent stylistic and thematic meanings into all
of his or her films.
propaganda - ANSWER cultural artifact that overtly attempts to sway opinion; may
distort or ignore reality as it makes an emotional appeal to spectators
dominant readings - ANSWER the decoding of a text-as it was intended by its
producers to be decoded
oppositional readings - ANSWER process by which a reader decodes a text in ways
not intended by those who encoded it
negotiated readings - ANSWER when a reader decodes a text partly according to
the ways that it was encoded and partly in ways that it was not
representations - ANSWER process of presenting an image of something in order
to communicate ideas or tell a story
hollywood film - ANSWER motion pictures made and or distributed widely by the
major Hollywood companies
independent films - ANSWER films made and exhibited without the financing or
distribution arms of the major Hollywood companies. The term may also include foreign
films, documentaries, and avant-garde films
avant-garde (experimental films) - ANSWER type of independent and artisanal film
practice that uses cinema to create a mood, tone, or concept rather than tell a story
documentaries - ANSWER type of nonfiction film practice that uses real life as its
basis. instead of using scripts, sets and actors documentary films focus on real-life people
and events
