[Type the company name]
ENG2602 Assignment 2
(SOCIAL PERSUASION &
FICTION ANSWERS) 2025 -
DUE 1 July 2025
NO PLAGIARISM
[Year]
, Exam (elaborations)
ENG2602 Assignment 2 (SOCIAL
PERSUASION & FICTION ANSWERS) 2025 -
DUE 1 July 2025
Course
Genres in Literature and Language: Theory Style and Poetics (ENG2602)
Institution
University Of South Africa (Unisa)
Book
Literature and Language Teaching
ENG2602 Assignment 2 (SOCIAL PERSUASION & FICTION ANSWERS) 2025 -
DUE 1 July 2025..................
Critical Analysis of the Persuasive Strategies in “One step forward two steps backward…
LGBTQI Rights in Africa”
The text “One step forward two steps backward… LGBTQI Rights in Africa” is a social
advocacy article published by Sonke Gender Justice, aimed at raising awareness about the
contradictory legal treatment of LGBTQI+ individuals across Africa. The target audience
includes African citizens, policymakers, and international human rights advocates who are
concerned with gender justice and human rights. The persuasive purpose of the text is to expose
the ongoing criminalisation and persecution of LGBTQI+ individuals in Africa, while urging
readers to reflect on the historical and political roots of such discrimination and to support
progressive legal reform.
The producer of the text, Sonke Gender Justice, is a prominent South African non-governmental
organisation committed to advancing gender equality and human rights. As a well-established
human rights advocate, Sonke’s authority enhances the credibility of the arguments presented.
The text employs a range of persuasive techniques, including appeals to logos (logic), pathos
(emotion), and ethos (credibility), combined with strategic linguistic devices such as irony,
juxtaposition, emotive diction, and statistical evidence to influence the audience’s perception of
LGBTQI+ rights on the continent.
The writer opens the text with a conversational and slightly ironic tone through the phrase, “So,
this happened…”, which immediately signals an informal yet provocative style. This tone serves
to draw in the reader, creating an initial sense of familiarity and shared concern. The use of this
expression is both sarcastic and disarming, preparing the audience for a serious discussion while
maintaining an accessible and engaging narrative voice. It exemplifies the linguistic device of
irony, subtly highlighting the absurdity of the legal contradiction in Namibia, where same-sex
unions performed abroad are recognised even though same-sex marriage is illegal domestically.
ENG2602 Assignment 2
(SOCIAL PERSUASION &
FICTION ANSWERS) 2025 -
DUE 1 July 2025
NO PLAGIARISM
[Year]
, Exam (elaborations)
ENG2602 Assignment 2 (SOCIAL
PERSUASION & FICTION ANSWERS) 2025 -
DUE 1 July 2025
Course
Genres in Literature and Language: Theory Style and Poetics (ENG2602)
Institution
University Of South Africa (Unisa)
Book
Literature and Language Teaching
ENG2602 Assignment 2 (SOCIAL PERSUASION & FICTION ANSWERS) 2025 -
DUE 1 July 2025..................
Critical Analysis of the Persuasive Strategies in “One step forward two steps backward…
LGBTQI Rights in Africa”
The text “One step forward two steps backward… LGBTQI Rights in Africa” is a social
advocacy article published by Sonke Gender Justice, aimed at raising awareness about the
contradictory legal treatment of LGBTQI+ individuals across Africa. The target audience
includes African citizens, policymakers, and international human rights advocates who are
concerned with gender justice and human rights. The persuasive purpose of the text is to expose
the ongoing criminalisation and persecution of LGBTQI+ individuals in Africa, while urging
readers to reflect on the historical and political roots of such discrimination and to support
progressive legal reform.
The producer of the text, Sonke Gender Justice, is a prominent South African non-governmental
organisation committed to advancing gender equality and human rights. As a well-established
human rights advocate, Sonke’s authority enhances the credibility of the arguments presented.
The text employs a range of persuasive techniques, including appeals to logos (logic), pathos
(emotion), and ethos (credibility), combined with strategic linguistic devices such as irony,
juxtaposition, emotive diction, and statistical evidence to influence the audience’s perception of
LGBTQI+ rights on the continent.
The writer opens the text with a conversational and slightly ironic tone through the phrase, “So,
this happened…”, which immediately signals an informal yet provocative style. This tone serves
to draw in the reader, creating an initial sense of familiarity and shared concern. The use of this
expression is both sarcastic and disarming, preparing the audience for a serious discussion while
maintaining an accessible and engaging narrative voice. It exemplifies the linguistic device of
irony, subtly highlighting the absurdity of the legal contradiction in Namibia, where same-sex
unions performed abroad are recognised even though same-sex marriage is illegal domestically.
