12.4
12.4.1
Vocabulary Study
Dematerialisation: The reduction or removal of the physical object in art, shifting the focus from
material to concept.
Transient: Something that is temporary or short-lived, often seen in artworks that are intentionally
impermanent.
Site/Space: The physical location or area where the artwork is created or displayed.
Non-site: Art that is made or interpreted outside of its original environment.
Site-specific: Art created specifically for a certain location, meant to interact with its surroundings.
Wastelands: Areas of land that are abandoned or not used, often reflecting neglect or decay.
Primordial: Relating to the earliest periods of time, evoking a sense of ancient or untouched nature.
Obtrusive: Something conspicuous or striking, standing out in its environment.
Lyrical: Artistic expression that is emotional and poetic, often emphasizing beauty or personal
feeling.
Picturesque: Visually appealing, often in a natural or scenic way.
Scarring: Visible marks left on the landscape, indicating damage or transformation.
Classical, Realism, Romanticism, Idealism: Different artistic movements, each with its own approach
to representing reality or idealized visions of the world.
Vortex: A swirling or chaotic movement, metaphorically representing powerful or dynamic change.
Materiality, Tactility, Substance, Matter: Focus on the physical properties and textures of materials
used in art.
Natural vs. Constructed: Contrasting what is organic or formed by nature versus what is built or
manufactured by humans.
Wild or Developed: The difference between untouched, raw land and areas that have been altered
or cultivated by people.
City vs. Urban or Rural: Differences in societal and environmental settings, from highly developed
urban centers to more remote rural landscapes.
Destroyed or Constructed: The tension between creation and destruction in landscapes, reflecting
human impact on nature.
,Events and Issues Related to Land
Social Events: Examples such as country fairs, gymkhanas, and storytelling illustrate ways in which
communities engage with land in cultural and social contexts.
Spiritual Events: Meditation, solitary walks, or baptisms emphasize personal or communal reflection
in connection to natural surroundings.
Economic Events: Farming, harvesting, and the impact of natural disasters like droughts, floods, and
fires provide insight into how humans depend on and interact with the land for economic survival.
Artist Research
International Artists:
Robert Smithson: Known for his pioneering land art, including the iconic "Spiral Jetty." His work
explores themes of entropy, time, and the cyclical processes of nature and decay.
Christo: Famous for wrapping large landscapes or architectural structures, Christo’s work transforms
public spaces, encouraging viewers to see familiar environments in new ways.
Richard Long: Long's walking-based art highlights the relationship between nature, movement, and
time, often documented through photographs, maps, or sculptures made from natural materials.
Andy Goldsworthy: Goldsworthy creates ephemeral, site-specific sculptures using natural materials
like leaves, stones, and ice, emphasizing the transient beauty of nature.
Jan Dibbits: Focuses on capturing the interplay of light, landscape, and time, creating minimalist and
often abstract representations of natural settings.
South African Artists:
Jo Ratcliffe: Ratcliffe's work engages with issues of landscape and environment, often focusing on
social and political concerns, such as land use and ecological degradation.
Marion Arnold: Her work incorporates environmental and feminist themes, addressing how
landscapes and women's experiences are shaped by power and history.
Moshekwa Langa: Langa explores themes of identity, memory, and displacement in his multimedia
works, often reflecting on his experiences with the landscape and societal change in post-apartheid
South Africa.
David Koloane: Koloane's work focuses on urban environments, particularly in Johannesburg,
highlighting social issues such as inequality, violence, and the dynamics of city life.
, 12.4.2
Understanding Terms (General and Specific Contexts)
1. Altered Reality
o Generally: A state where the perception of reality is changed, often through dreams,
technology, or imagination.
o Specifically: In art, this could mean using mixed media or digital manipulation to
present an environment that distorts or reimagines real-life landscapes.
2. Journey
o Generally: A process of traveling from one place to another.
o Specifically: A metaphorical journey could explore personal growth or the transition
from one emotional state to another, often depicted through symbolic imagery in
art.
3. Time
o Generally: The continuous progression of existence and events.
o Specifically: In art, time can be manipulated (e.g., time-lapse photography, slow-
motion sequences) to alter the perception of reality, emphasizing transformation.
4. Mapping
o Generally: The act of representing physical space visually or conceptually.
o Specifically: Mapping can also mean plotting an emotional or experiential journey,
where the locations or stops represent key moments in an individual's life or a
community’s history.
5. Sequence
o Generally: A particular order in which events or processes occur.
o Specifically: A sequence could refer to a narrative in art, where one event leads to
another, often creating a sense of movement or progression in a static medium like
painting.
6. Event
o Generally: A significant occurrence or happening.
o Specifically: In the context of land and art, an event could symbolize natural
phenomena (like a storm or flood) or human-made interventions (like construction
or protests).
12.4.1
Vocabulary Study
Dematerialisation: The reduction or removal of the physical object in art, shifting the focus from
material to concept.
Transient: Something that is temporary or short-lived, often seen in artworks that are intentionally
impermanent.
Site/Space: The physical location or area where the artwork is created or displayed.
Non-site: Art that is made or interpreted outside of its original environment.
Site-specific: Art created specifically for a certain location, meant to interact with its surroundings.
Wastelands: Areas of land that are abandoned or not used, often reflecting neglect or decay.
Primordial: Relating to the earliest periods of time, evoking a sense of ancient or untouched nature.
Obtrusive: Something conspicuous or striking, standing out in its environment.
Lyrical: Artistic expression that is emotional and poetic, often emphasizing beauty or personal
feeling.
Picturesque: Visually appealing, often in a natural or scenic way.
Scarring: Visible marks left on the landscape, indicating damage or transformation.
Classical, Realism, Romanticism, Idealism: Different artistic movements, each with its own approach
to representing reality or idealized visions of the world.
Vortex: A swirling or chaotic movement, metaphorically representing powerful or dynamic change.
Materiality, Tactility, Substance, Matter: Focus on the physical properties and textures of materials
used in art.
Natural vs. Constructed: Contrasting what is organic or formed by nature versus what is built or
manufactured by humans.
Wild or Developed: The difference between untouched, raw land and areas that have been altered
or cultivated by people.
City vs. Urban or Rural: Differences in societal and environmental settings, from highly developed
urban centers to more remote rural landscapes.
Destroyed or Constructed: The tension between creation and destruction in landscapes, reflecting
human impact on nature.
,Events and Issues Related to Land
Social Events: Examples such as country fairs, gymkhanas, and storytelling illustrate ways in which
communities engage with land in cultural and social contexts.
Spiritual Events: Meditation, solitary walks, or baptisms emphasize personal or communal reflection
in connection to natural surroundings.
Economic Events: Farming, harvesting, and the impact of natural disasters like droughts, floods, and
fires provide insight into how humans depend on and interact with the land for economic survival.
Artist Research
International Artists:
Robert Smithson: Known for his pioneering land art, including the iconic "Spiral Jetty." His work
explores themes of entropy, time, and the cyclical processes of nature and decay.
Christo: Famous for wrapping large landscapes or architectural structures, Christo’s work transforms
public spaces, encouraging viewers to see familiar environments in new ways.
Richard Long: Long's walking-based art highlights the relationship between nature, movement, and
time, often documented through photographs, maps, or sculptures made from natural materials.
Andy Goldsworthy: Goldsworthy creates ephemeral, site-specific sculptures using natural materials
like leaves, stones, and ice, emphasizing the transient beauty of nature.
Jan Dibbits: Focuses on capturing the interplay of light, landscape, and time, creating minimalist and
often abstract representations of natural settings.
South African Artists:
Jo Ratcliffe: Ratcliffe's work engages with issues of landscape and environment, often focusing on
social and political concerns, such as land use and ecological degradation.
Marion Arnold: Her work incorporates environmental and feminist themes, addressing how
landscapes and women's experiences are shaped by power and history.
Moshekwa Langa: Langa explores themes of identity, memory, and displacement in his multimedia
works, often reflecting on his experiences with the landscape and societal change in post-apartheid
South Africa.
David Koloane: Koloane's work focuses on urban environments, particularly in Johannesburg,
highlighting social issues such as inequality, violence, and the dynamics of city life.
, 12.4.2
Understanding Terms (General and Specific Contexts)
1. Altered Reality
o Generally: A state where the perception of reality is changed, often through dreams,
technology, or imagination.
o Specifically: In art, this could mean using mixed media or digital manipulation to
present an environment that distorts or reimagines real-life landscapes.
2. Journey
o Generally: A process of traveling from one place to another.
o Specifically: A metaphorical journey could explore personal growth or the transition
from one emotional state to another, often depicted through symbolic imagery in
art.
3. Time
o Generally: The continuous progression of existence and events.
o Specifically: In art, time can be manipulated (e.g., time-lapse photography, slow-
motion sequences) to alter the perception of reality, emphasizing transformation.
4. Mapping
o Generally: The act of representing physical space visually or conceptually.
o Specifically: Mapping can also mean plotting an emotional or experiential journey,
where the locations or stops represent key moments in an individual's life or a
community’s history.
5. Sequence
o Generally: A particular order in which events or processes occur.
o Specifically: A sequence could refer to a narrative in art, where one event leads to
another, often creating a sense of movement or progression in a static medium like
painting.
6. Event
o Generally: A significant occurrence or happening.
o Specifically: In the context of land and art, an event could symbolize natural
phenomena (like a storm or flood) or human-made interventions (like construction
or protests).
