Dialogue
the characters use of vernacular language and colloquial slang
the lack of poetry or any set rhyme keeps the language natural and reflects the domestic
aspects of the modern tragedy
showcasing contradictions between Miller's work and early epic tragedies which heavily
focused on poetic- ornamental languages spoken by the nobility
the characters lines are influenced by their working-class background which adds to the extent
of the tragedy as although the characters are not likeable, they are relatable
they connect to tragic heroes and audiences alike therefore the dramatisation of the Loman
family's tragedy feels more like a reflection of viewers internal struggles simply exaggerated
the dialogues colloquialism is independent of the elevated quixotic language used in early epic
tragedies
the characters easy language is suited to their class and status adding an element of relatability
allowing us to see the characters as real people
we form the emotional connections that make the ultimate poignancy of the play evermore
impending
Colloquial language can be seen as a key element of character development as it is used to
create a relaxed atmosphere due to its naturalism
the colloquial tone demonstrates Willy's failure due to the social status that he belongs in.
it is apparent that if Willy succeeded in the American Dream he would speak like the higher
class, symbolic in his brother Ben who talks of diamonds which are "rough and hard to touch"
much like the American dream.
Willy speaks pessimistically and of basic products, believing that "some people accomplish
something" – yet he has not.
colloquial language is used particularly during emotionally heated scenes such as Biff's
admission of his failings in life where he does not know if he "ought to get married" or "ought to
get stuck into something"
the messy grammar, vocabulary and slang are prominent reflecting his broken thoughts and
uncertainty surrounding his life
demotic language used throughout the play makes Miller's characters dimensional as they
follow the exact speech patterns of New Yorkers in the late 40s filled with all the pauses,
stutters and breaks in language patterns that are believable to everyday life
the nature of the play holds focus on a family who has never been truthful about their wealth,
emotions or dreams – something common and familiar to us all
the less then educated Loman's use the subjunctive 'were' correctly also using 'Biff and I' and 'I
and Biff' correctly
they seem to aspire to speak in an educated matter and use this correct grammar
as the climax of the play draws near, we see this emotional intensity in everything they say to
each other through its deep purpose and meaning
the characters use of vernacular language and colloquial slang
the lack of poetry or any set rhyme keeps the language natural and reflects the domestic
aspects of the modern tragedy
showcasing contradictions between Miller's work and early epic tragedies which heavily
focused on poetic- ornamental languages spoken by the nobility
the characters lines are influenced by their working-class background which adds to the extent
of the tragedy as although the characters are not likeable, they are relatable
they connect to tragic heroes and audiences alike therefore the dramatisation of the Loman
family's tragedy feels more like a reflection of viewers internal struggles simply exaggerated
the dialogues colloquialism is independent of the elevated quixotic language used in early epic
tragedies
the characters easy language is suited to their class and status adding an element of relatability
allowing us to see the characters as real people
we form the emotional connections that make the ultimate poignancy of the play evermore
impending
Colloquial language can be seen as a key element of character development as it is used to
create a relaxed atmosphere due to its naturalism
the colloquial tone demonstrates Willy's failure due to the social status that he belongs in.
it is apparent that if Willy succeeded in the American Dream he would speak like the higher
class, symbolic in his brother Ben who talks of diamonds which are "rough and hard to touch"
much like the American dream.
Willy speaks pessimistically and of basic products, believing that "some people accomplish
something" – yet he has not.
colloquial language is used particularly during emotionally heated scenes such as Biff's
admission of his failings in life where he does not know if he "ought to get married" or "ought to
get stuck into something"
the messy grammar, vocabulary and slang are prominent reflecting his broken thoughts and
uncertainty surrounding his life
demotic language used throughout the play makes Miller's characters dimensional as they
follow the exact speech patterns of New Yorkers in the late 40s filled with all the pauses,
stutters and breaks in language patterns that are believable to everyday life
the nature of the play holds focus on a family who has never been truthful about their wealth,
emotions or dreams – something common and familiar to us all
the less then educated Loman's use the subjunctive 'were' correctly also using 'Biff and I' and 'I
and Biff' correctly
they seem to aspire to speak in an educated matter and use this correct grammar
as the climax of the play draws near, we see this emotional intensity in everything they say to
each other through its deep purpose and meaning
