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Summary Resume - Strategy & Innovation Management (EBM066A05)

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Summaries of Articles and Lectures, , 44 pages - Pisano, G. (2015) You Need an Innovation Strategy. Harvard Business Review, 46 (June): 44-54. - Zollo, M., Minoja, M., & Coda, V. (2018) Toward an Integrated Theory of Strategy. Strategic Management Journal, 39(6): . - Gong, Y., Kim, T-Y., Lee, D-R., and Zhu, J. (2013) A Multilevel Model of Team Goal Orientation, Information Exchange, and Creativity. Academy of Management Journal, 56 (3): 827–851. - Herrmann, D. and Felfe, J. (2014) Effects of Leadership Style, Creativity Technique and Personal Initiative on Employee Creativity. British Journal of Management, 25: 209–227 - Perry-Smith, J. E. and Mannucci, P. V. (2017) From Creativity to Innovation: The Social Network Drivers of the Four Phases of the Idea Journey. Academy of Management Review, 42 (1): 53–79. - Foss, N.J. (1997) On the Rationales of Corporate Headquarters. Industrial and Corporate Change, 6(2): 313-338. - Chung, W. and Alcácer, J. (2002) Knowledge Seeking and Location Choice of Foreign Direct Investment in the United States. Management Science, 48(12): . - Klingebiel, R., and Rammer, C. (2013): Resource allocation strategy for innovation portfolio management, Strategic Management Journal, 35(2): 246-268 - Bradonjic, P., Franke, N., and Lüthje, C. (2019). Decision-makers’ Underestimation of User Innovation. Research Policy, 48 (6), . - Grimpe, C., and Kaiser, H. (2010) Balancing Internal and External Knowledge Acquisition: The Gains and Pains from R&D Outsourcing. Journal of Management Studies, 47 (8): . - Zahra, S., and George, G. (2002) Absorptive Capacity: A Review, Reconceptualization, and Extension. Academy of Management Review, 17 (2): 185-203. - Krychowski, C., and Quelin, B. (2010) Real Options and Strategic Investment Decisions: Can They Be of Use to Scholars? Academy of Management Perspectives, 24 (2): 65-78. - Milliken, F. (1987) Three Types of Perceived Uncertainty about the Environment: State, Effect, and Response Uncertainty. Academy of Management Review, 12 (1): 133-143. - Schoemaker, P. (1993) Multiple Scenario Development: Its Conceptual and Behavioral Foundation. Strategic Management Journal, 14 (3): 193-213. - Almeida, P., and Phene, A. (2004) Subsidiaries and Knowledge Creation: The Influence of the MNC and Host Country Innovation. Strategic Management Journal, 25 (8/9): 847-864. - Berry, H. (2018). The Influence of Multiple Knowledge Networks on Innovation in Foreign Operations. Organization Science, 29(5), 855-872. - Sofka, W., Shehu, E., and de Faria, P. (2014) Multinational Subsidiary Knowledge Protection - Do Mandates and Clusters Matter? Research Policy, 43(8): . - Liebeskind, (1996): Knowledge, strategy, and the theory of the firm. Strategic Management Journal, 17: 93-109. - Lam, A. (2010) 'Innovative organizations: structure, learning and adaptation', Innovation Perspectives for the 21st Century, Madrid: BBVA, Spain, pp.163-175. - Bos, B., Faems, D., and Noseleit, F. (2017): Alliance concentration in MNCs: Examining alliance portfolios, firm structure, and firm performance. Strategic Management Journal, DOI: 10.1002/smj.2652.

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Subido en
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Lecture 2: CREATIVITY

1) Defining Creativity
Why is creativity important?
● motivates idea generation (necessary but not sufficient criterion for innovation)
● Results in product differentiation
● valuable/rare/ imperfectly imitable and nonsubstitutable strategic resource (VRIN resource)

VRIN- difficult to imitate/ tacit knowledge/ hidden in the organization

Myths about creativity
- Pre-ordained skill (you born with it)/ Impossible to learn/ teach/ belongs to art not business

Creativity should be produced in all the departments | Stretch & provide a challenge to people enhances
creativity - it's a skills that you can train/ but it's also a trait | Everywhere in the business you need it

- Money is a Creativity motivator | Time pressure fuels creativity | Fear forces breakthroughs |
Competition beats collaboration | A streamlines organization is a creative organization

W/ money the quality of the ideas might decrease- they come with vary ideas but not the most quality/ fruitful
ones - bonuses are not good for creativity | Time- distraction from fighting the clock might affect creativity |
People sad/down VS joy/love - who experience joy & love the day before the creativity is higher & vice versa-
positive feelings fuel creativity | Sometimes competition works but in most cases competition within the firm
doesn’t help creativity - often it is necessary to collaborate to fuel creativity - sometimes they do a
competition & then collaboration phase to enhance creativity | Downsizing personal affect negatively
creativity - if you do so communicate as soon as possible/ even after the fired people left the organizations
the effects of a decrease on creativity were still visible


Why is creativity difficult to do?
- Defy the status quo=it’s challenging/ vulnerable position/ social pressure/ risk (it's not a natural state
to be creative)
Root causes of not being creative: Fear of change / more work / failure / criticism / rejection / losing control

Creativity definition:
Mental process involving the generation of new ideas/ concepts, or new associations between existing ideas/
concepts- reconnecting smh we know with smh we might not understand yet
Creative output perspective: not the ideas that remain in the brain but the news we made explicit!!!

Multiple levels:
1. Creative process - e.g task that can be creative
2. Creative product - e.g more novel/ meaningful product → the extent to which the new product differs
from the competing alternatives and are meaningful to customers
3. Organizational creativity - combines the product/ context/ people (more abstract/ high level- its based
on the previous levels) → the extent to which firms create valuable, new products, services,ideas.



1

,What makes a creative idea? CRITERION/ NECESSARY DIMENSIONS




Smh can be uncreative at the start but turn out to be creative (e.g radio- its not useful since they had
cablephones but then they understood their purpose latter on)

Divergent (a) & Convergent thinking (b)
(a) - Thinking inn many dif. Ways (brainstorming) - Usually creativity is more associated with the
divergent stage- without it convergent thinking can’t be done (using imagination)/ability to think many
original, diverse ideas and elaborate them.
(b) - Ability to select or recombine existent ideas from the divergent state into (a) new creative idea(s) -
less associated with creativity (usic logic)

Creativity VS Innovation
Creativity: production of a novel idea
Innovation: successful implementation of creative ideas by an organization- leds to commercialization if
profit is intended)

2) Phases of Idea Generation

4 Phases of Idea Journey/ Idea Generation Perry-Smith & Mannucci (2017) - review of the literature w/
mixed findings

- 1st stage: IDEA GENERATION: generating different Creative ideas and selecting the most promising.
It’s related with divergent and convergent thinking | NEED: Cognitive flexibility
- 2nd stage: IDEA ELABORATION: evaluating the novels idea potential and further clarifying and
developing | NEED: Emotional Support (+ constructive feedback) in order to reduce uncertainty
- 3rd stage: IDEA CHAMPIONING: promoting novel idea & get the green light so that people allocate
resources and political cover to implement it - make the idea accepted in the organization | NEED:
Influence & legitimacy in order to be successful
- 4th stage: IDEA IMPLEMENTATION: is broken into 2 sub-phases: Production and Impact.
Production: converting idea into tangible outcome. Impact: diffusion & adoption of the innovation |
NEED: Shared vision with the entire organization & understanding (so they fully understand it)

2 Perspectives of how to look at Creativity:
A) Tie Strength- relational (Grannovetter)


2

,B) Network Structure- structural (Burt)

A) Tie strength: It refers to the tie strength/ thickness of the tie.

Strong ties (e.g family & friends)- more close people

Weak ties (e.g acquaintances, co-workers, social media influencers)- more distant people

FINDING → The weak ties/ distant ties were the ones leading up to the best recommendations for a job
(novel/ non redundant information)
For a job you should not rely on the close ties because they have the same information as me

B) Network structure: It refers to the position within the network/ individuals in networks that bridge sub-
groups have access to diverse knowledge & more power (~knowledge advantage)

FINDING → The people on the position A have a sort of a brokery role- they can (dis)connect the parts
(linking bridge) & they can overcome the structural hole (missing information from one side to the other side/
gap on two individuals who have complementary knowledge). But A knows both- so it can leverage from it/
use it in its advantage - A attains power by SPANNING HOLE.

Structural closure: dense Networks like B have a fewer structural holes→create cohesion in the social norms




How A) & B) stimulate creativity?




3

, - Coleman says that the strong ties are also important, specially when the status-quo is being defied,
strong ties are important to provide support.

BOTH views agree that access to nonredundant info facilitates recombination and creativity!!! - Leveraging
the network position leads to a better outcome.


CONNECTION TO THE ARTICLE:
- Perry-Smith, J. E. and Mannucci, P. V. (2017) From Creativity to Innovation: The Social Network
Drivers of the Four Phases of the Idea Journey. Academy of Management Review, 42 (1): 53–
79.

To come up with these ideas in the 2 initial stages the minds of the individuals are needed (tie strength) |
Then its needed to implement the acceptance within the firm, so its more about the network (network
structure)




- Paradoxes:




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