Videotechnieken 2
Inhoudsopgave
Les 1: Herhaling......................................................................................................................................................... 3
Kaders ............................................................................................................................................................................ 3
Perspectieven................................................................................................................................................................. 3
Camerabewegingen ....................................................................................................................................................... 3
Diepte creëren door ....................................................................................................................................................... 3
Plannen .......................................................................................................................................................................... 3
Gulden snede ................................................................................................................................................................. 3
Audio.............................................................................................................................................................................. 4
Perche ....................................................................................................................................................................... 4
Decoupage ..................................................................................................................................................................... 4
Manuele settings ........................................................................................................................................................... 4
Hoofdruimte .................................................................................................................................................................. 4
Optische as .................................................................................................................................................................... 4
Belichting ....................................................................................................................................................................... 5
Teams ............................................................................................................................................................................ 5
Les 2: Screenwriting & scenario ................................................................................................................................. 6
Begrippen ...................................................................................................................................................................... 6
Story structure - storytelling .......................................................................................................................................... 7
Basis storytelling ............................................................................................................................................................ 8
Les 3: Brandstory telling ............................................................................................................................................ 9
Les 4: De impact van het beeld, geluid & montage .................................................................................................. 11
De impact van het beeld .............................................................................................................................................. 11
Frame sizes .................................................................................................................................................................. 11
Shots ............................................................................................................................................................................ 11
Handheld/tripod .......................................................................................................................................................... 11
De impact van het geluid ............................................................................................................................................. 11
Mood suggestions........................................................................................................................................................ 11
Music ........................................................................................................................................................................... 11
Continuïteit .................................................................................................................................................................. 11
De impact van montage .......................................................................................................................................... 12
De geschiedenis van montage ..................................................................................................................................... 12
Het Kuleshov effect ...................................................................................................................................................... 12
Les 5: Het montage plan .......................................................................................................................................... 13
1
, Montage technieken L-cut en J-cut .............................................................................................................................. 13
Cut in actie ................................................................................................................................................................... 13
Jumpcuts ...................................................................................................................................................................... 13
Cut away ...................................................................................................................................................................... 13
Cross cut ...................................................................................................................................................................... 13
Timing .......................................................................................................................................................................... 14
Les 6: Regie ............................................................................................................................................................. 15
Regie ............................................................................................................................................................................ 15
Fictie vs docu ........................................................................................................................................................... 15
Merken ........................................................................................................................................................................ 15
Docu 2020 .................................................................................................................................................................... 15
Is dit ook uw zorg? ....................................................................................................................................................... 15
Film stijlen.................................................................................................................................................................... 15
Dramatisch conflict ...................................................................................................................................................... 16
Licht ............................................................................................................................................................................. 16
Akoestiek ..................................................................................................................................................................... 16
Locatie ......................................................................................................................................................................... 16
Les 7: Productie ....................................................................................................................................................... 17
Regisseur ..................................................................................................................................................................... 17
Producer ...................................................................................................................................................................... 17
Productie...................................................................................................................................................................... 17
Job roles .................................................................................................................................................................. 17
Total production process ........................................................................................................................................ 18
Budget ......................................................................................................................................................................... 20
Extra tip ....................................................................................................................................................................... 20
Les 8: Filmgeschiedenis ........................................................................................................................................... 21
Lumière ........................................................................................................................................................................ 21
Meliès .......................................................................................................................................................................... 21
Stomme films ............................................................................................................................................................... 21
Geluid / kleur ............................................................................................................................................................... 21
Animatie ...................................................................................................................................................................... 21
Hollywood .................................................................................................................................................................... 21
Academy Awards ......................................................................................................................................................... 21
Televisie ....................................................................................................................................................................... 22
SFX / VFX ...................................................................................................................................................................... 22
The seven ages of film ................................................................................................................................................. 22
Genres.......................................................................................................................................................................... 22
2
, Les 1: Herhaling
Kaders
o Medium shot/borst shot: basis kader met belangrijkste personage
o Ruim shot (establishing shot): geeft veel informatie over locatie
o Close-up: geeft (subtiele) emotie goed weer
o Extreme close-up: enkel in bepaalde situaties (traumatiseren)
o Over the shoulder shot: geeft meer betrekking, subjectiever shot (maar 1 van gesprekpartners in
beeld)
o Fly on the wall: toont alle gesprekspartners
→ Moet binnen de stijl passen
à Oppassen voor jumpcuts/springers
Perspectieven
o Kikvorsperspectief: held, van laag filmen
o Vogelperspectief: klein/loser
Camerabewegingen
o Pan – Tilt: beweging van het hoofd
o Lift-up /-down: omhoog en omlaag
o Tracking
Diepte creëren door
o Symmetrie en lijnen in architectuur en natuur
o Beweging in de achtergrond
Plannen
Gulden snede
Grid die over beeld gezet wordt en werkt met sterke punten. De punten waar lijnen samenkomen zijn
visueel straffe punten. Daar zet je best de geïnterviewde.
Belangrijk! Persoon links kadreren en interviewer rechts naast camera plaasten → naar interviewer kijken
3
Inhoudsopgave
Les 1: Herhaling......................................................................................................................................................... 3
Kaders ............................................................................................................................................................................ 3
Perspectieven................................................................................................................................................................. 3
Camerabewegingen ....................................................................................................................................................... 3
Diepte creëren door ....................................................................................................................................................... 3
Plannen .......................................................................................................................................................................... 3
Gulden snede ................................................................................................................................................................. 3
Audio.............................................................................................................................................................................. 4
Perche ....................................................................................................................................................................... 4
Decoupage ..................................................................................................................................................................... 4
Manuele settings ........................................................................................................................................................... 4
Hoofdruimte .................................................................................................................................................................. 4
Optische as .................................................................................................................................................................... 4
Belichting ....................................................................................................................................................................... 5
Teams ............................................................................................................................................................................ 5
Les 2: Screenwriting & scenario ................................................................................................................................. 6
Begrippen ...................................................................................................................................................................... 6
Story structure - storytelling .......................................................................................................................................... 7
Basis storytelling ............................................................................................................................................................ 8
Les 3: Brandstory telling ............................................................................................................................................ 9
Les 4: De impact van het beeld, geluid & montage .................................................................................................. 11
De impact van het beeld .............................................................................................................................................. 11
Frame sizes .................................................................................................................................................................. 11
Shots ............................................................................................................................................................................ 11
Handheld/tripod .......................................................................................................................................................... 11
De impact van het geluid ............................................................................................................................................. 11
Mood suggestions........................................................................................................................................................ 11
Music ........................................................................................................................................................................... 11
Continuïteit .................................................................................................................................................................. 11
De impact van montage .......................................................................................................................................... 12
De geschiedenis van montage ..................................................................................................................................... 12
Het Kuleshov effect ...................................................................................................................................................... 12
Les 5: Het montage plan .......................................................................................................................................... 13
1
, Montage technieken L-cut en J-cut .............................................................................................................................. 13
Cut in actie ................................................................................................................................................................... 13
Jumpcuts ...................................................................................................................................................................... 13
Cut away ...................................................................................................................................................................... 13
Cross cut ...................................................................................................................................................................... 13
Timing .......................................................................................................................................................................... 14
Les 6: Regie ............................................................................................................................................................. 15
Regie ............................................................................................................................................................................ 15
Fictie vs docu ........................................................................................................................................................... 15
Merken ........................................................................................................................................................................ 15
Docu 2020 .................................................................................................................................................................... 15
Is dit ook uw zorg? ....................................................................................................................................................... 15
Film stijlen.................................................................................................................................................................... 15
Dramatisch conflict ...................................................................................................................................................... 16
Licht ............................................................................................................................................................................. 16
Akoestiek ..................................................................................................................................................................... 16
Locatie ......................................................................................................................................................................... 16
Les 7: Productie ....................................................................................................................................................... 17
Regisseur ..................................................................................................................................................................... 17
Producer ...................................................................................................................................................................... 17
Productie...................................................................................................................................................................... 17
Job roles .................................................................................................................................................................. 17
Total production process ........................................................................................................................................ 18
Budget ......................................................................................................................................................................... 20
Extra tip ....................................................................................................................................................................... 20
Les 8: Filmgeschiedenis ........................................................................................................................................... 21
Lumière ........................................................................................................................................................................ 21
Meliès .......................................................................................................................................................................... 21
Stomme films ............................................................................................................................................................... 21
Geluid / kleur ............................................................................................................................................................... 21
Animatie ...................................................................................................................................................................... 21
Hollywood .................................................................................................................................................................... 21
Academy Awards ......................................................................................................................................................... 21
Televisie ....................................................................................................................................................................... 22
SFX / VFX ...................................................................................................................................................................... 22
The seven ages of film ................................................................................................................................................. 22
Genres.......................................................................................................................................................................... 22
2
, Les 1: Herhaling
Kaders
o Medium shot/borst shot: basis kader met belangrijkste personage
o Ruim shot (establishing shot): geeft veel informatie over locatie
o Close-up: geeft (subtiele) emotie goed weer
o Extreme close-up: enkel in bepaalde situaties (traumatiseren)
o Over the shoulder shot: geeft meer betrekking, subjectiever shot (maar 1 van gesprekpartners in
beeld)
o Fly on the wall: toont alle gesprekspartners
→ Moet binnen de stijl passen
à Oppassen voor jumpcuts/springers
Perspectieven
o Kikvorsperspectief: held, van laag filmen
o Vogelperspectief: klein/loser
Camerabewegingen
o Pan – Tilt: beweging van het hoofd
o Lift-up /-down: omhoog en omlaag
o Tracking
Diepte creëren door
o Symmetrie en lijnen in architectuur en natuur
o Beweging in de achtergrond
Plannen
Gulden snede
Grid die over beeld gezet wordt en werkt met sterke punten. De punten waar lijnen samenkomen zijn
visueel straffe punten. Daar zet je best de geïnterviewde.
Belangrijk! Persoon links kadreren en interviewer rechts naast camera plaasten → naar interviewer kijken
3
