Praxis Art Content Knowledge Latest Update 100% Correct

Praxis Art Content Knowledge Latest Update 100% Correct Alla prima A painting technique used by the impressionists where a work was usually completed in one sitting with opaque layers of paint. Many impressionist works were painted directly from nature. (see Monet) Analogous colors Related colors that lie adjacent on the color wheel such as blue, blue- violet, and violet. share the same primary color. Binder An ingredient in paint which allows it to bind to a surface. A drying oil, such as linseed, for oil paint. In acrylic paints, this is acrylic polymer emulsion. Blending The process of mixing adjacent colors to eliminate abrupt divisions and create a smooth gradation from one color to the next. Chiaroscuro An Italian term meaning, "light-dark", refers to substantial changes of light in a painting that contribute to creating dramatic mood in a work. became popular in the baroque period. (see Carravaggio) Complement and Complementary Color In color, any hue that is directly opposite on the color wheel. Dabbing A painting technique used by impressionist painters where short strokes of paint are applied to the surface. was done in layers and contributed to the flickering effect of impressionist works. (see Pisarro) Fresco a type of mural painting done on fresh lime plaster. Pigments are absorbed into the moist wall and become integrated into the surface. (see the Sistine Chapel ceiling) Gesso Originally used in fresco painting, referred to various mixtures of coarse and smooth plasters that were applied in layers in preparation for painting. Glazing Is the process of layering thin transparencies of paint. create luminous effects because light can pass through them and reflect back from the surface of the painting. Ground The initial layer or surface of the painting which serves as a barrier between the canvas and the paint. Impasto a thick application of paint. Rembrandt used this for highlights in a painting. Intensity is created by the density of pigment in a particular paint. also known as saturated colors. Local color The "actual" naturalistic color of an object -- as opposed to subjective color which is exaggerated or invented. Matte A dull surface as opposed to a shiny surface. Opaque An application of media that completely covers, for example, any underneath drawing or color. The opposite of transparent, Pulling A painting technique whereby paint is removed by a rag or brush to expose areas beneath the outermost layer of paint. also used to create marks on a surface. Shade Colors which have been darkened by adding