MUS 5302 Analytical Techniques Review Terms
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period (Rothstein)
larger phrase that contains at least two smaller phrases (does not need to end with a
half cadence)
antecedent (Rothstein)
first part of a period that always features a half cadence as its goal (allows for
interruption)
consequent (Rothstein)
second part of a period that always feature either a full cadence in same key (regular
consequent) or a half/full cadence in a different key (modulating consequent)
parallel (Rothstein)
when the period's antecedent and consequent beginning in similar ways
fore-phrase (Rothstein)
first part of a period that does not end with a half cadence
after-phrase (Rothstein)
comes after a fore-phrase, basically a consequent that does not have an antecedent
preceding or strict cadential rules
subphrase (Rothstein/Krebs)
distinct portion of a phrase, usually not terminated by cadence (phrase within a phrase;
smallest level)
prefix (Rothstein/Krebs)
phrase expansion that comes before the phrase
small = less than a phrase in length and is usually accompanimental figure that sets the
stage
large = introduction (a phrase length or larger) think Classical symphony introductions
suffix (Rothstein/Krebs)
phrase expansion that comes after the phrase (most popular type) extend basic
phrase's closing harmony; very common in sonata form as the closing theme after the
EEC/ESC
small = elongates or stretches out the harmony maybe embellishing it in some way
large = coda; codetta can be large but can also be small depending on length
overlap (Rothstein/Krebs)
when one note or chord is common to two overlapping phrases or subphrases;
subphrase level is much more common
hypermeter (Rothstein/Krebs)