Mexican Indigenous and Colonial Music
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Bernal Diaz - ANSWER ✅✅✅✅- Early conquistador around 1492
- Vivid accounts of music played and sung by Aztecs during their ritual sacrifices of
Spanish prisoners of war
- Tend to have a negative connotation attached with them. Witnessed lot of his
comrades sacrificed to these forms of music
- Aztec War Drum (tlalpanhuehuetl)
- Instruments made of animal and human bone (chicahuaztli & omichicahuaztli)
- Conch shell (tecciztli& tepuzquuiztli) & flutes (tlapitzalli)
- Other instruments not easily defined
Aztec Renaissance - ANSWER ✅✅✅✅- Spanish taguth indigenous people forms of
music that were sacred to European culture, and the indigenous performers even
became skilled enough to sin, copy, mimic, or even make their own forms of
Renaissance-style church music
- They participated in European church-style choirs
- Resulted in blend of indigenous and European cultures
- Indigenous people using European Renaissance musical systems
Carlos Chavez - ANSWER ✅✅✅✅- Spoke for a more contemporary generation and
said that Mexicans must be able to "reconstruct musically the atmosphere of primitive
purity" because the musical culture and history of the indigenous cinstitutes the most
important stage in the history of Mexican music
- He worked at National University of Mexico (gave lectures, idk)
- Argued that pre-Hispanic music expre4ssed what is profoundest and deepest in the
mexican soul
Stevenson's Three Research Methods - ANSWER ✅✅✅✅- Robert Stevenson three
methods for studying pre-Columbian and colonial music
1. archaeological evidence (instruments found in excavations)
2. iconographic evidence (images in codices and murals)
3. written accounts by Spanish chroniclers and missionaries