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An Analysis of Marilyn Chin’s "How I Got That Name"

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Divided into four stanzas, Marilyn Chin’s poem “How I Got That Name” is the story of a Chinese-American woman named Marilyn Mei Ling Chin. Narrated in first person, each of its four stanzas focuses on a different part of the narrator’s journey into assimilation in the American society and her connection to her Chinese roots. The first stanza narrates her father’s ordeal as he makes his way into America and how within that journey her name was born. The second stanza explores her struggles as a minority in America and her daily life dealing with stereotypes such as the ‘model minority’ (used to describe the Chinese minority in the United States, mostly to justify the failings of state to serve all of society equally). The third stanza is a reflection of the narrator’s connection with her roots and ancestors. She imagines her own death and proceeds to wonder how she would be remembered, in the last stanza, figuratively completing the circle of her life; her birth to a father obsessed with an American blonde, her struggles of identity in a society that sees her as a tool and her after life and impact on those who she’ll leave behind. In her diverse tone and informal but seamless flow, Marilyn Chin portrays the difficulties and struggles of an American of Chinese roots who tries to assimilate to one without losing the other.

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Uploaded on
April 28, 2021
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Written in
2019/2020
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Grade
A

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An Analysis of Marilyn Chin’s How I Got That Name


Divided into four stanzas, Marilyn Chin’s poem “How I Got That Name” is the story of a

Chinese-American woman named Marilyn Mei Ling Chin. Narrated in first person, each of its

four stanzas focuses on a different part of the narrator’s journey into assimilation in the

American society and her connection to her Chinese roots. The first stanza narrates her father’s

ordeal as he makes his way into America and how within that journey her name was born. The

second stanza explores her struggles as a minority in America and her daily life dealing with

stereotypes such as the ‘model minority’ (used to describe the Chinese minority in the United

States, mostly to justify the failings of state to serve all of society equally). The third stanza is a

reflection of the narrator’s connection with her roots and ancestors. She imagines her own death

and proceeds to wonder how she would be remembered, in the last stanza, figuratively

completing the circle of her life; her birth to a father obsessed with an American blonde, her

struggles of identity in a society that sees her as a tool and her after life and impact on those who

she’ll leave behind. In her diverse tone and informal but seamless flow, Marilyn Chin portrays

the difficulties and struggles of an American of Chinese roots who tries to assimilate to one

without losing the other.
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