SOLUTIONS MANUAL
TU
Music in Theory and Practice: Volume 2
VI
Bruce Benward and Marilyn Saker
──────────────────────────────────────────────────
A2
10th Edition
6_
AP
PR
OV
ED
??
,ST
TABLE OF CONTENTS
UV
Solutions Manual: Music in Theory and Practice, Volume 2, 10th Edition
By Bruce Benward and Marilyn Saker
Part C The Renaissance And Baroque Periods
IA
Chapter 18 Late Renaissance Polyphony
Chapter 19 Two-Voice Eighteenth Century Counterpoint
26
Chapter 20 The Fugue
Part D Chromatic Harmony
_A
Chapter 21 Borrowed Chords
Chapter 22 Neapolitan 6th Chords
Chapter 23 Augmented 6th Chords
PP
Part E The Classical Period
Chapter 24 Variation Technique
RO
Chapter 25 Sonata Form
Chapter 26 Rondo Forms
Part F Extended And Chromatic Harmony
VE
Chapter 27 9th, 11th, and 13th Chords
Chapter 28 Altered Dominants
Chapter 29 Chromatic Mediants
D?
Part G The Nineteenth And Twentieth Centuries
Chapter 34 The Romantic Period
?
Chapter 31 The Post-Romantic Style
Chapter 32 Impressionism and Related Styles
Chapter 33 The Early Twentieth Century
Chapter 34 Pitch-Class Set Theory
Chapter 35 Twelve-Tone Technique
1
,ST
W O R K B O O K SO L UTI O N S M A N U A L
UV
T O A CCO M P A N Y
IA
Music
26
_A
I N T H E O R Y A N D P R A C T IC E
PP
V ol u m e I I
RO
Tenth Edition
VE
Bruce Benward
Late of the University of Wisconsin–Madison
D?
Marilyn Saker
Eastern Michigan University
?
,ST
Supplements for Instructors
Manuals
UV
Instructor’s Manual to Accompany Music in Theory and Practice, Volumes I and II, Tenth Edition.
Workbook Solutions Manual to Accompany Music in Theory and Practice, Volumes I and II, Tenth Edition.
Audio Files & Finale® Assignment Templates
Audio files and Finale® assignment templates can be obtained from the Online Learning Center at www.mhhe.com/mtp10.
IA
Supplemental Worksheets
Supplemental worksheets and answer keys are included in the Instructor’s Manuals.
26
Bass Clef Pitches Triads (M, m, d, A)
Treble Clef Pitches Seventh Chords (Mm)
Major Scales Seventh Chords (dd)
Minor Scales (Natural Form) Seventh Chords (dm)
Minor Scales (Harmonic Form) Seventh Chords (MM)
_A
Minor Scales (Melodic Form) Seventh Chords
Major Key Signatures Roman Numerals
Minor Key Signatures Secondary Dominants & Leading Tones
Intervals (m2, M2, m3) Common Chords
Intervals (M3, P4, A4) Borrowed Chords
PP
Intervals (d5, P5, m6) Neapolitan 6th Chords
Intervals (M6, m7, M7) Augmented 6th Chords
Roman Numerals 9th, 11th, and 13th Chords
Triads (Diminished & Augmented) Altered Dominants
RO
Triads (Minor & Major) Chromatic Mediants
Quizzes
Quizzes and answer keys are included in the Instructor’s Manuals.
Note Identification Dominant 7th Chord
Octave Identification Diminished-minor 7th Chord
VE
Rhythm and Meter Diminished-diminished 7th Chord
Small Intervals Leading-tone 7th Chords
Major Scales Nondominant 7th Chords
Minor Scales Secondary Dominant Triads
D?
Key Signatures Secondary Dominant 7th Chords
Intervals Secondary Leading-tone Triads
Transposition Secondary Leading-tone 7th Chords
Triads Secondary Dominant and Leading-tone Chords
Cadences Common Chord
?
Nonharmonic Tones Borrowed Chords
Melodic Organization Neapolitan 6th and Augmented 6th Chords
Textural Reduction Chromatic Chords
Mode Identification Extended Chords
Second-Inversion Triads Altered Dominants
Voice Leading Chromatic Mediants
Harmonization Set Theory
Major-minor 7th Chord Matrix
ii
TU
Music in Theory and Practice: Volume 2
VI
Bruce Benward and Marilyn Saker
──────────────────────────────────────────────────
A2
10th Edition
6_
AP
PR
OV
ED
??
,ST
TABLE OF CONTENTS
UV
Solutions Manual: Music in Theory and Practice, Volume 2, 10th Edition
By Bruce Benward and Marilyn Saker
Part C The Renaissance And Baroque Periods
IA
Chapter 18 Late Renaissance Polyphony
Chapter 19 Two-Voice Eighteenth Century Counterpoint
26
Chapter 20 The Fugue
Part D Chromatic Harmony
_A
Chapter 21 Borrowed Chords
Chapter 22 Neapolitan 6th Chords
Chapter 23 Augmented 6th Chords
PP
Part E The Classical Period
Chapter 24 Variation Technique
RO
Chapter 25 Sonata Form
Chapter 26 Rondo Forms
Part F Extended And Chromatic Harmony
VE
Chapter 27 9th, 11th, and 13th Chords
Chapter 28 Altered Dominants
Chapter 29 Chromatic Mediants
D?
Part G The Nineteenth And Twentieth Centuries
Chapter 34 The Romantic Period
?
Chapter 31 The Post-Romantic Style
Chapter 32 Impressionism and Related Styles
Chapter 33 The Early Twentieth Century
Chapter 34 Pitch-Class Set Theory
Chapter 35 Twelve-Tone Technique
1
,ST
W O R K B O O K SO L UTI O N S M A N U A L
UV
T O A CCO M P A N Y
IA
Music
26
_A
I N T H E O R Y A N D P R A C T IC E
PP
V ol u m e I I
RO
Tenth Edition
VE
Bruce Benward
Late of the University of Wisconsin–Madison
D?
Marilyn Saker
Eastern Michigan University
?
,ST
Supplements for Instructors
Manuals
UV
Instructor’s Manual to Accompany Music in Theory and Practice, Volumes I and II, Tenth Edition.
Workbook Solutions Manual to Accompany Music in Theory and Practice, Volumes I and II, Tenth Edition.
Audio Files & Finale® Assignment Templates
Audio files and Finale® assignment templates can be obtained from the Online Learning Center at www.mhhe.com/mtp10.
IA
Supplemental Worksheets
Supplemental worksheets and answer keys are included in the Instructor’s Manuals.
26
Bass Clef Pitches Triads (M, m, d, A)
Treble Clef Pitches Seventh Chords (Mm)
Major Scales Seventh Chords (dd)
Minor Scales (Natural Form) Seventh Chords (dm)
Minor Scales (Harmonic Form) Seventh Chords (MM)
_A
Minor Scales (Melodic Form) Seventh Chords
Major Key Signatures Roman Numerals
Minor Key Signatures Secondary Dominants & Leading Tones
Intervals (m2, M2, m3) Common Chords
Intervals (M3, P4, A4) Borrowed Chords
PP
Intervals (d5, P5, m6) Neapolitan 6th Chords
Intervals (M6, m7, M7) Augmented 6th Chords
Roman Numerals 9th, 11th, and 13th Chords
Triads (Diminished & Augmented) Altered Dominants
RO
Triads (Minor & Major) Chromatic Mediants
Quizzes
Quizzes and answer keys are included in the Instructor’s Manuals.
Note Identification Dominant 7th Chord
Octave Identification Diminished-minor 7th Chord
VE
Rhythm and Meter Diminished-diminished 7th Chord
Small Intervals Leading-tone 7th Chords
Major Scales Nondominant 7th Chords
Minor Scales Secondary Dominant Triads
D?
Key Signatures Secondary Dominant 7th Chords
Intervals Secondary Leading-tone Triads
Transposition Secondary Leading-tone 7th Chords
Triads Secondary Dominant and Leading-tone Chords
Cadences Common Chord
?
Nonharmonic Tones Borrowed Chords
Melodic Organization Neapolitan 6th and Augmented 6th Chords
Textural Reduction Chromatic Chords
Mode Identification Extended Chords
Second-Inversion Triads Altered Dominants
Voice Leading Chromatic Mediants
Harmonization Set Theory
Major-minor 7th Chord Matrix
ii
