The University of York (UOY) • Film and Television Production
Latest uploads for Film and Television Production at The University of York (UOY). Looking for Film and Television Production notes at The University of York (UOY)? We have lots of notes, study guides and study notes available for Film and Television Production at The University of York (UOY).
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Courses Film and Television Production at The University of York (UOY)
Notes available for the following courses of Film and Television Production at The University of York (UOY)
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Cinema History 3
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Genre 1
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Non-Fiction 2
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Story 9
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TV History 3
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Writing For Film and Television 3
Latest notes & summaries The University of York (UOY) • Film and Television Production
Notes on a lecture examining time in film. It covers issues such as the distinction between Non-Linear and Linear Time and how that is indicated and realised in film, as well as the implications on storytelling for each decision.
- Book
- Class notes
- • 2 pages's •
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The University of York•Story
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Alternative Scriptwriting • Ken Dancyger, Jeff Rush• ISBN 9780240522463
Preview 1 out of 2 pages
Notes on a lecture examining time in film. It covers issues such as the distinction between Non-Linear and Linear Time and how that is indicated and realised in film, as well as the implications on storytelling for each decision.
Notes taken when examining Olympia (1938) through the lens of documentary film theory.
- Summary
- • 1 pages's •
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The University of York•Non-Fiction
Preview 1 out of 1 pages
Notes taken when examining Olympia (1938) through the lens of documentary film theory.
Summarising the first twenty pages of Hiltunen's interpretation of Aristotle's story theory. It unpacks much of Aristotle's terminology; what he means by fear, catharsis, pity, tragedy and plot. All of this helps in understanding Aristotle's points concerning how stories are told.
- Book
- Summary
- • 4 pages's •
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The University of York•Story
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Aristotle in Hollywood • A. Hiltunen, Ari Hiltunen• ISBN 9781841508238
Preview 1 out of 4 pages
Summarising the first twenty pages of Hiltunen's interpretation of Aristotle's story theory. It unpacks much of Aristotle's terminology; what he means by fear, catharsis, pity, tragedy and plot. All of this helps in understanding Aristotle's points concerning how stories are told.
An essay discussing the ways in which Dreams of a Life (2011) reinvents and explores the documentary format - in particular focusing on the interaction between post-modernism and the documentary genre. It covers the fundamental question of how a genre focused on telling the truth can operate withing a framework and a subject that are, by definition, unknowable.
- Book
- Essay
- • 8 pages's •
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The University of York•Non-Fiction
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The Postmodern Condition • Jean-François Lyotard• ISBN 9780719014505
Preview 1 out of 8 pages
An essay discussing the ways in which Dreams of a Life (2011) reinvents and explores the documentary format - in particular focusing on the interaction between post-modernism and the documentary genre. It covers the fundamental question of how a genre focused on telling the truth can operate withing a framework and a subject that are, by definition, unknowable.
A formative assignment analysing Blade Runner (1982) and discussing its relationship to the concepts of protagonist and antagonist.
- Essay
- • 9 pages's •
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The University of York•Cinema History
Preview 1 out of 9 pages
A formative assignment analysing Blade Runner (1982) and discussing its relationship to the concepts of protagonist and antagonist.
A three page summary of Hockrow's interpretation of Aristotle's and Freytag's thoughts on story structure. It details the beats of three-act structures. It also lists the multiple forms of conflict within a story; e.g. social conflict, personal conflict etc.
- Book
- Summary
- • 4 pages's •
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The University of York•Story
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Storytelling Techniques For Digital Filmmakers • Ross Hockrow• ISBN 9781608955862
Preview 1 out of 4 pages
A three page summary of Hockrow's interpretation of Aristotle's and Freytag's thoughts on story structure. It details the beats of three-act structures. It also lists the multiple forms of conflict within a story; e.g. social conflict, personal conflict etc.
Notes on the introductory lecture for Cinema History and Analysis. Gives an outline for the evolution of and analytic elements of Film.
- Class notes
- • 12 pages's •
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The University of York•Cinema History
Preview 1 out of 12 pages
Notes on the introductory lecture for Cinema History and Analysis. Gives an outline for the evolution of and analytic elements of Film.
This essay challenges the notion that non-linear storytelling inherently frustrates the quality of storytelling. It uses Rashomon (1950) as an example of how using non-linear storytelling can create a clearer narrative and maintains causality despite being shown out of order. It also analyses how the film depicts different states of time as well as differing states of reality and fiction.
- Book
- Essay
- • 8 pages's •
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The University of York•Story
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Alternative Scriptwriting • Ken Dancyger, Jeff Rush• ISBN 9780240522463
Preview 1 out of 8 pages
This essay challenges the notion that non-linear storytelling inherently frustrates the quality of storytelling. It uses Rashomon (1950) as an example of how using non-linear storytelling can create a clearer narrative and maintains causality despite being shown out of order. It also analyses how the film depicts different states of time as well as differing states of reality and fiction.
Notes on Chapter 3 of Hatcher's book. It covers Hatcher's definition of 'reality' within a story; the merging of space, time and causality.
- Book
- Summary
- • 2 pages's •
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The University of York•Story
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The Art and Craft of Playwriting • Jeffery Hatcher• ISBN 9781884910463
Preview 1 out of 2 pages
Notes on Chapter 3 of Hatcher's book. It covers Hatcher's definition of 'reality' within a story; the merging of space, time and causality.
An essay discussing The Babadook (1982) and how it conforms to and subverts to trends within the horror genre - in particular the sub-genre of possession films. It also discusses women in film and the ways in which female characters are represented in the horror genre.
- Essay
- • 15 pages's •
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The University of York•Genre
Preview 1 out of 15 pages
An essay discussing The Babadook (1982) and how it conforms to and subverts to trends within the horror genre - in particular the sub-genre of possession films. It also discusses women in film and the ways in which female characters are represented in the horror genre.