WILLEM VAN HAECHT 1628
- - Collection of paintings
Gallery of Cornelis van der Geest - Collecting = breeding
ground of art
KAZIMIR MALEVICH 1915
- - technically not
Black Square complex
- no expensive materials
JAN & HUBERT VAN EYCK 1432/35
- - technical
Ghent Altarpiece perfection
- attention to detail
Truth to nature
- Mimesis
GIOTTO 1290/95
- - anatomy
Crucifixion - human emotion
- Attention to naturalist
detail
GIOTTO 1305/10
- - 39 scenes in circular
The Scrovegni Frescoes narrative
- Old testament
- New testament
LORENZO GHILBERTI 1429/47
- - Bas-relief
Gates Of Paradise - classical architecture
- anatomy
- emphasis on spatial
realism
MASSACIO 1427
- - one of first to apply
The Trinity perspective theory
- Illusionistic chapel
- creation of depth
- triangular composition
LEONARDO DA VINCI 1503/06
- - aerial perspective
Mona Lisa - depicts how we see the
world
, MASSACIO 1424
- - central figure =
The Tribute Money perspective centre
- Aerial perspective
BENOZZO GOZZOLI 1459
- - east wall of Chapel of
Journet of the Magi to Betlehem Palazzo Medici Riccardi
- combines biblical
narrative with Medici
portraits into idiosyncratic iconography
PLAUTILLA NELLI 1568
- - first known biblical painting by woman
The Last Supper - for refectory of monastery
- Rediscovered 1990s
SOFONISBA ANGUISSOLA 1555
- - her sisters playing
The Game of Chess chess
- signed on edge of
board
LAVINIA FONTANA 1613
- - first female nude
Minerva Dressing painted by woman
SANDRO BOTTICELLI 1482
- - commissioned by
Birth of Venus Medici
- classical
mythology
- rare female nude
- stylized beauty> realism
- inspired by Homerus Hymn
, DONATELLO 1440
- - first freestanding nude since antiquity
David - commissioned by
Cosimo de’ Medici
- sensual, youthful
sculpture
- classical
contrapposto
Allegory for Florence’s
resilience
MICHELANGELO 1501
- - Monumental marble
David nudde
- Contrapposto
- Intenden for public
- emphasis on rational
control over physical power
PERUGINO 1481
-
Christ Delivering keys to St. Peter
MICHELANGELO BUANARROTI 1496
- - First work of Michelangelo
Bacchus in Rome
- Commissioned Cardinal
Riario
- 1st full nude since
antiquity
- expressive facial features
MICHELANGELO BUONARROTI 1498
- - St. Peter’s Basilica
Pieta - balance of grief and
serentiy
- triangular composition
- idealization and
naturalism
- contrasts emotion with compositional
stability
MICHELANGELO BUONARROTI 1508
- - Sistine chapel
The Creation of Adam - Pope Julius II
- Fresco
- Towards Mannerism
- - Collection of paintings
Gallery of Cornelis van der Geest - Collecting = breeding
ground of art
KAZIMIR MALEVICH 1915
- - technically not
Black Square complex
- no expensive materials
JAN & HUBERT VAN EYCK 1432/35
- - technical
Ghent Altarpiece perfection
- attention to detail
Truth to nature
- Mimesis
GIOTTO 1290/95
- - anatomy
Crucifixion - human emotion
- Attention to naturalist
detail
GIOTTO 1305/10
- - 39 scenes in circular
The Scrovegni Frescoes narrative
- Old testament
- New testament
LORENZO GHILBERTI 1429/47
- - Bas-relief
Gates Of Paradise - classical architecture
- anatomy
- emphasis on spatial
realism
MASSACIO 1427
- - one of first to apply
The Trinity perspective theory
- Illusionistic chapel
- creation of depth
- triangular composition
LEONARDO DA VINCI 1503/06
- - aerial perspective
Mona Lisa - depicts how we see the
world
, MASSACIO 1424
- - central figure =
The Tribute Money perspective centre
- Aerial perspective
BENOZZO GOZZOLI 1459
- - east wall of Chapel of
Journet of the Magi to Betlehem Palazzo Medici Riccardi
- combines biblical
narrative with Medici
portraits into idiosyncratic iconography
PLAUTILLA NELLI 1568
- - first known biblical painting by woman
The Last Supper - for refectory of monastery
- Rediscovered 1990s
SOFONISBA ANGUISSOLA 1555
- - her sisters playing
The Game of Chess chess
- signed on edge of
board
LAVINIA FONTANA 1613
- - first female nude
Minerva Dressing painted by woman
SANDRO BOTTICELLI 1482
- - commissioned by
Birth of Venus Medici
- classical
mythology
- rare female nude
- stylized beauty> realism
- inspired by Homerus Hymn
, DONATELLO 1440
- - first freestanding nude since antiquity
David - commissioned by
Cosimo de’ Medici
- sensual, youthful
sculpture
- classical
contrapposto
Allegory for Florence’s
resilience
MICHELANGELO 1501
- - Monumental marble
David nudde
- Contrapposto
- Intenden for public
- emphasis on rational
control over physical power
PERUGINO 1481
-
Christ Delivering keys to St. Peter
MICHELANGELO BUANARROTI 1496
- - First work of Michelangelo
Bacchus in Rome
- Commissioned Cardinal
Riario
- 1st full nude since
antiquity
- expressive facial features
MICHELANGELO BUONARROTI 1498
- - St. Peter’s Basilica
Pieta - balance of grief and
serentiy
- triangular composition
- idealization and
naturalism
- contrasts emotion with compositional
stability
MICHELANGELO BUONARROTI 1508
- - Sistine chapel
The Creation of Adam - Pope Julius II
- Fresco
- Towards Mannerism
