Architectuurgeschiedenis I
Voorlopers in het boek
1 Griekse Architectuur
1.1 Inleiding
1.2 Griekse Tempel
1.3 Archaïsche Periode (600 v.C – 400 v.C.)
1.3.1 De Dorische Orde
1.3.2 Dorische Tempels
1.4 Klassieke Periode (480 v.C. – 400 v.C.)
1.4.1 The Parthenon op de Acropolis
1.4.2 De Ionische Orde
1.4.3 Ionische Tempels
1.5 Hellenistische Periode (400 v.C. – opkomst van Rome)
1.5.1 Korinthische Orde
1.5.2 Het Monument
1.5.3 Burgerlijke Architectuur
1.5.4 Het Theater
1.5.5 Stadsplanning
2 Romeinse Architectuur
2.1 Romeinse prehistorie: de Etrusken
2.2 Romeinse beschaving
2.2.1 Inleiding
2.2.2 Bouwmaterialen en doelen
2.2.3 De Structurele Revolutie
2.2.4 Aquaducten, Bruggen, Riolen & opslagplaatsen
2.2.5 Theaters, Arena's, Circussen
2.2.6 Thermen
2.2.7 Tempels
2.2.8 Basilica's
2.2.9 Het forum & het politieke leven
2.2.10 Huizen & Villa's
2.2.11 Graven
, Oefencolleges 2.2.6.4 Duomo, campanile e battistero, Pisa
1 Early Christian and Byzantine Architecture 2.2.7 High Romanesque in Normandy and England
2.2.7.1 Durham Cathedral
1.1 Early Christian Architecture (300 – ...) 2.2.7.2 Rib vaulting
1.1.1 Intro
3 Gothic Architecture
1.1.1 Program; first churches: function and form
1.1.1.1 The basilica, Rome 3.1 A new experience: Amiens vs Romanesque
1.1.1.1.1 S. Giovanni in Laterano
1.1.1.1.2 S. Pietro 3.2 The Meaning of Gothic
1.1.1.2 Centralized plan martyria 3.2.1 The term ‘Gothic’
1.1.1.2.1 model: Holy Sepulchre 3.2.2 The approaches of modern architectural history: the structural, the visual, and the symbolic
1.1.1.2.2 S. Costanza 3.2.2.1 The rib vault
1.1.1.3 Milano 3.2.2.2 The flying buttress
1.1.1.3.1 S. Lorenzo 3.2.2.3 The pointed arch
1.1.1.4 Ravenna
1.1.1.4.1 Mausoleo di Galla Placidia 3.3 Gothic in France
1.1.1.4.2 (Movie) 3.3.1 The First Early Gothic Style (1140 – ...)
1.1.1.4.3 Sant’Apollinare in Classe 3.3.1.1 Abbey church of Saint-Denis (Paris), ambulatory
3.3.2 The Second Early Gothic Style (1150 – 1190)
1.2 Byzantine Architecture (520 – ...) 3.3.2.1 Noyon, nave: the triforium (vs. Sens)
1.2.1 Intro 3.3.2.2 Soissons, south transept: skeletal structure
1.2.1.1 From Early Christian basilica to domed, central plan 3.3.2.3 Notre Dame de Paris, plan, nave
1.2.1.2 Difference Early Christian and Byzantine
3.3.3 High Gothic: Chartres (1190 – 1220)
1.2.1 Plan, dome, light 3.3.3.1 A new monumentality
1.2.1.1 Hagia Sophia Changes in vaults, piers, walls, lighting, structure
1.2.1.2 comparison with Pantheon
1.2.2 Other Justinianic structures 3.3.4 High Gothic after Chartres (1210 – ...)
1.2.2.1 S. Vitale, Ravenna 3.3.4.1 Reims : the elegant version of Chartres?
1.2.3 (Romanesque-Byzantine) 3.3.4.2 Amiens: rising up!
1.2.3.1 S. Marco, Venezia 3.3.5 The High Gothic Exterior: Facades, Towers, Flying Buttresses
3.3.5.1 Laon: the façade, towers and (unbuilt) spires
2 Pre-Romanesque and Romanesque Architecture
3.3.5.2 Notre-Dame de Paris vs Laon
2.1 Carolingian Pre-Romanesque (800-1000) 3.3.5.3 The Reims façade: synthesis; sculpture
2.1.1 Introduction 3.3.5.4 Beauvais: the buttress as visual spectacle
2.1.1.1 Pfalz Kapel (Palatine Chapel), Aachen 3.3.6 Gothic Structural Design Methods: The Workshops
↔ comparison S. Vitale
2.1.1.2 The ideal Caroligian monastery: Sankt Gallen 3.3.7 The Rayonnant Syle (1230 – ...)
From the corridor crypt to radiating chapels 3.3.7.1 Saint-Denis, light and line: tracery
3.3.7.2 Saint-Urbain, Troyes: the glass wall
2.2 Romanesque (1000- 1200) 3.3.7.3 Sainte-Chapelle, Paris: a reliquary on the scale of a building
2.2.1 Introduction
3.4 Gothic in England
2.2.2 Early Romanesque: Germany, Belgium, Normandy 3.4.1 Introduction
2.2.2.1 Sankt Michael, Hildesheim 3.4.1.1 The three phases of English Gothic
2.2.2.2 The articulation of the nave wall: Speyer Cathedral 3.4.1.2 Basic differences in planning compared to French Gothic
2.2.2.3 Mont Saint-Michel 3.4.1.3 Canterbury Cathedral, Gothic building phase
2.2.3 Early Vaulted Romanesque in Burgundy 3.4.2 Early English Gothic (1170 – ...)
2.2.3.1 Stone vaulting: St.-Philibert, Tournus 3.4.2.1 Canterbury, Trinity Chapel
The ambulatory 3.4.2.2 Salisbury
2.2.4 High Romanesque in France 3.4.2.3 Lincoln: Crazy Vaults
2.2.4.1 The pelgrimage routes 3.4.2.4 Exeter: Tierceron Vaults
2.2.4.2 St.-Sernin, Toulouse 3.4.3 The Decorated (or Curvilinear) Style: freedom and fluidity (1330 – ...)
2.2.5 Regional Romanesque: Sicily 3.4.3.1 Fantastic tracery patterns
2.2.5.1 An eclectic Romanesque: 3.4.3.2 Wells: vault, triforium, strainer arches and Chapter House
Duomo, Cefalu 3.4.3.3 Ely: crossing, Lady Chapel
San Cataldo, Palermo 3.4.4 The Perpendicular Style: the antithesis (1330 – ...)
Duomo, Monreale 3.4.4.1 Gloucester: choir; fan vault
2.2.6 Regional Romanesque: Northern Italy 3.4.4.2 King’s College Chapel, Cambridge
2.2.6.1 Sant’Ambrogio, Milano
2.2.6.2 Lombard screen facade: S. Michele, Pavia
2.2.6.3 Tuscan ‘proto-Renaissance’: San Miniato al Monte and Battistero, Firen
Voorlopers in het boek
1 Griekse Architectuur
1.1 Inleiding
1.2 Griekse Tempel
1.3 Archaïsche Periode (600 v.C – 400 v.C.)
1.3.1 De Dorische Orde
1.3.2 Dorische Tempels
1.4 Klassieke Periode (480 v.C. – 400 v.C.)
1.4.1 The Parthenon op de Acropolis
1.4.2 De Ionische Orde
1.4.3 Ionische Tempels
1.5 Hellenistische Periode (400 v.C. – opkomst van Rome)
1.5.1 Korinthische Orde
1.5.2 Het Monument
1.5.3 Burgerlijke Architectuur
1.5.4 Het Theater
1.5.5 Stadsplanning
2 Romeinse Architectuur
2.1 Romeinse prehistorie: de Etrusken
2.2 Romeinse beschaving
2.2.1 Inleiding
2.2.2 Bouwmaterialen en doelen
2.2.3 De Structurele Revolutie
2.2.4 Aquaducten, Bruggen, Riolen & opslagplaatsen
2.2.5 Theaters, Arena's, Circussen
2.2.6 Thermen
2.2.7 Tempels
2.2.8 Basilica's
2.2.9 Het forum & het politieke leven
2.2.10 Huizen & Villa's
2.2.11 Graven
, Oefencolleges 2.2.6.4 Duomo, campanile e battistero, Pisa
1 Early Christian and Byzantine Architecture 2.2.7 High Romanesque in Normandy and England
2.2.7.1 Durham Cathedral
1.1 Early Christian Architecture (300 – ...) 2.2.7.2 Rib vaulting
1.1.1 Intro
3 Gothic Architecture
1.1.1 Program; first churches: function and form
1.1.1.1 The basilica, Rome 3.1 A new experience: Amiens vs Romanesque
1.1.1.1.1 S. Giovanni in Laterano
1.1.1.1.2 S. Pietro 3.2 The Meaning of Gothic
1.1.1.2 Centralized plan martyria 3.2.1 The term ‘Gothic’
1.1.1.2.1 model: Holy Sepulchre 3.2.2 The approaches of modern architectural history: the structural, the visual, and the symbolic
1.1.1.2.2 S. Costanza 3.2.2.1 The rib vault
1.1.1.3 Milano 3.2.2.2 The flying buttress
1.1.1.3.1 S. Lorenzo 3.2.2.3 The pointed arch
1.1.1.4 Ravenna
1.1.1.4.1 Mausoleo di Galla Placidia 3.3 Gothic in France
1.1.1.4.2 (Movie) 3.3.1 The First Early Gothic Style (1140 – ...)
1.1.1.4.3 Sant’Apollinare in Classe 3.3.1.1 Abbey church of Saint-Denis (Paris), ambulatory
3.3.2 The Second Early Gothic Style (1150 – 1190)
1.2 Byzantine Architecture (520 – ...) 3.3.2.1 Noyon, nave: the triforium (vs. Sens)
1.2.1 Intro 3.3.2.2 Soissons, south transept: skeletal structure
1.2.1.1 From Early Christian basilica to domed, central plan 3.3.2.3 Notre Dame de Paris, plan, nave
1.2.1.2 Difference Early Christian and Byzantine
3.3.3 High Gothic: Chartres (1190 – 1220)
1.2.1 Plan, dome, light 3.3.3.1 A new monumentality
1.2.1.1 Hagia Sophia Changes in vaults, piers, walls, lighting, structure
1.2.1.2 comparison with Pantheon
1.2.2 Other Justinianic structures 3.3.4 High Gothic after Chartres (1210 – ...)
1.2.2.1 S. Vitale, Ravenna 3.3.4.1 Reims : the elegant version of Chartres?
1.2.3 (Romanesque-Byzantine) 3.3.4.2 Amiens: rising up!
1.2.3.1 S. Marco, Venezia 3.3.5 The High Gothic Exterior: Facades, Towers, Flying Buttresses
3.3.5.1 Laon: the façade, towers and (unbuilt) spires
2 Pre-Romanesque and Romanesque Architecture
3.3.5.2 Notre-Dame de Paris vs Laon
2.1 Carolingian Pre-Romanesque (800-1000) 3.3.5.3 The Reims façade: synthesis; sculpture
2.1.1 Introduction 3.3.5.4 Beauvais: the buttress as visual spectacle
2.1.1.1 Pfalz Kapel (Palatine Chapel), Aachen 3.3.6 Gothic Structural Design Methods: The Workshops
↔ comparison S. Vitale
2.1.1.2 The ideal Caroligian monastery: Sankt Gallen 3.3.7 The Rayonnant Syle (1230 – ...)
From the corridor crypt to radiating chapels 3.3.7.1 Saint-Denis, light and line: tracery
3.3.7.2 Saint-Urbain, Troyes: the glass wall
2.2 Romanesque (1000- 1200) 3.3.7.3 Sainte-Chapelle, Paris: a reliquary on the scale of a building
2.2.1 Introduction
3.4 Gothic in England
2.2.2 Early Romanesque: Germany, Belgium, Normandy 3.4.1 Introduction
2.2.2.1 Sankt Michael, Hildesheim 3.4.1.1 The three phases of English Gothic
2.2.2.2 The articulation of the nave wall: Speyer Cathedral 3.4.1.2 Basic differences in planning compared to French Gothic
2.2.2.3 Mont Saint-Michel 3.4.1.3 Canterbury Cathedral, Gothic building phase
2.2.3 Early Vaulted Romanesque in Burgundy 3.4.2 Early English Gothic (1170 – ...)
2.2.3.1 Stone vaulting: St.-Philibert, Tournus 3.4.2.1 Canterbury, Trinity Chapel
The ambulatory 3.4.2.2 Salisbury
2.2.4 High Romanesque in France 3.4.2.3 Lincoln: Crazy Vaults
2.2.4.1 The pelgrimage routes 3.4.2.4 Exeter: Tierceron Vaults
2.2.4.2 St.-Sernin, Toulouse 3.4.3 The Decorated (or Curvilinear) Style: freedom and fluidity (1330 – ...)
2.2.5 Regional Romanesque: Sicily 3.4.3.1 Fantastic tracery patterns
2.2.5.1 An eclectic Romanesque: 3.4.3.2 Wells: vault, triforium, strainer arches and Chapter House
Duomo, Cefalu 3.4.3.3 Ely: crossing, Lady Chapel
San Cataldo, Palermo 3.4.4 The Perpendicular Style: the antithesis (1330 – ...)
Duomo, Monreale 3.4.4.1 Gloucester: choir; fan vault
2.2.6 Regional Romanesque: Northern Italy 3.4.4.2 King’s College Chapel, Cambridge
2.2.6.1 Sant’Ambrogio, Milano
2.2.6.2 Lombard screen facade: S. Michele, Pavia
2.2.6.3 Tuscan ‘proto-Renaissance’: San Miniato al Monte and Battistero, Firen
