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ENG2611 Assignment 3 (COMPLETE ANSWERS) 2025 - DUE August 2025

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ENG2611
Assignment 3
(COMPLETE
ANSWERS) 2025 -
DUE August 2025
FOR MORE INFORNMATION CONTACT:




100% TRUSTED WORKINGS, EXPLANATIONS & SOLUTIONS

,ENG2611 Assignment 3 (COMPLETE
ANSWERS) 2025 - DUE August 2025
Write an essay in which you discuss the following: Select
ONE South African literary work that addresses themes of
diversity, such as race, culture, or language, from the
suggested texts: Cry, the Beloved Country by Alan Paton
OR Tsotsi by Athol Fugard. Identify a specific theme
related to diversity within the chosen text, such as
cultural identity, social justice, or language barriers.
Analyse the linguistic, literary, visual, and structural
features in the text, explaining how these elements
contribute to the development of the theme and influence
its meaning and purpose. Finally, reflect on how this
theme deepens your understanding of diversity in South
Africa, sharing your personal insights.Refer to at least
THREE academic sources to write your essay. Include a
reference list of all the sources you have referred to at
the end of your essay. Your discussion should include the
following: ENG2611/03/2025 An introductory paragraph in
which you outline the topic and your understanding of the
question. Four body paragraphs in which you: 1) Discuss
themes of diversity, such as race, culture, or language.

Got it — I’ll draft you a full, academically supported essay based on Cry, the
Beloved Country by Alan Paton, focusing on racial inequality as a theme of
diversity.
It will follow your ENG2611/03/2025 structure, use at least three academic
sources, and integrate linguistic, literary, visual, and structural features into the
analysis.



Essay: Racial Inequality in Cry, the Beloved Country by Alan Paton

, Introduction

Alan Paton’s Cry, the Beloved Country (1948) is one of South Africa’s most
significant literary works, exploring the deep racial, cultural, and social divisions
of the pre-apartheid era. The novel presents a poignant narrative of a rural Zulu
priest, Stephen Kumalo, whose journey to Johannesburg exposes the moral and
social decay brought about by systemic injustice. The chosen theme for analysis is
racial inequality, a central thread that not only drives the novel’s plot but also
reflects the historical realities of segregation and economic disparity in South
Africa. By examining the linguistic choices, literary techniques, visual imagery,
and structural design of the text, this essay will show how Paton develops the
theme and how it shapes the novel’s meaning and purpose. Ultimately, this theme
enriches our understanding of diversity in South Africa by exposing the complexity
of racial relations and the urgent need for reconciliation.



Body Paragraph 1: Theme of Diversity – Racial Inequality

Racial inequality in Cry, the Beloved Country is depicted through the contrast
between the rural and urban environments, and between white privilege and black
marginalisation. Kumalo’s rural village of Ndotsheni is portrayed as impoverished
yet morally intact, while Johannesburg is depicted as morally fragmented and
racially segregated. Paton uses this contrast to illustrate how migration,
industrialisation, and discriminatory laws have worsened black South Africans’
socio-economic position. The novel reflects the real-life effects of the 1913 and
1936 Land Acts, which restricted black land ownership and forced many into urban
labour exploitation (Msimang, 2015). Through Kumalo’s encounters with corrupt
authorities, impoverished youth, and racially divided communities, Paton
underscores the systemic barriers that perpetuate inequality. This thematic focus
connects directly to the broader concept of diversity by revealing how power
imbalances shape social interaction and cultural survival.



Body Paragraph 2: Linguistic Features and Their Role

Paton’s linguistic style blends biblical cadences with simple, direct language,
creating a tone of moral urgency. The repetition of phrases such as “Cry, the
beloved country” functions like a lament, reinforcing the emotional weight of
racial injustice. His use of code-switching between English and Zulu terms adds

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