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Lecture Notes Media history (LJX006P05)

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The document titled "Media History - Lecture Notes" serves as a comprehensive resource for students enrolled in the Bachelor of Media Studies at Rijks Universiteit Groningen. It provides a structured overview of key themes, interpretations, and narratives that delineate the intricate relationship between media and societal evolution that are given in the lectures of this course.

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Uploaded on
April 23, 2025
Number of pages
30
Written in
2024/2025
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Class notes
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Stacey copeland, susan aasman and frank harbers
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Media History - Lectures


Lecture week 1: Introduction to Media History​ 2
Lecture Week 2: The development of the elite press and its role in democratic society
(1800-1900)​ 5
Lecture Week 3: Developed understanding of news and newspapers​
throughout the 19th century​ 8
Lecture Week 4: Audiovisual Revolution Part 1​ 11
Lecture Week 5: Audiovisual revolution 2: sound, radio, television​ 15
Lecture Week 6: The early history of the web​ 19

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Lecture week 1: Introduction to Media History


Why Study Media History?

1. Importance of Media History

●​ Understanding and Prediction: Studying media history helps us understand why the
media industry operates as it does today and predicts future trends.
●​ John Updike’s Perspective: “We forget most of our past but embody all of it” (Updike,
1995). Historical context shapes present media forms.
●​ Case Example:
○​ The New York Times: The online version retains much of the traditional layout
and characteristics of the print version, demonstrating continuity in design and
content focus over time.
●​ Media Evolution: New media forms often build on old ones, reflecting a conservative
tendency in media development.




2. Evolution vs. Revolution in Media

●​ Revolutionary Logic: Often used in media discourse, but Kortti warns against
over-reliance on this view.
●​ Evolutionary Perspective: Media developments should be seen as part of an
evolutionary continuum rather than sudden, revolutionary shifts.


Media History as a Field

●​ A New Discipline: Media history is a relatively recent field of study.
●​ Challenges:
○​ Often focuses narrowly on individual media (medium-centricity).
○​ Risks technological determinism: overemphasis on technologies, inventors,
and their "revolutionary" impact.
○​ Neglects broader social and cultural connections.


Pragmatics of the Course

●​ Course Materials:
○​ Media in History by Kortti is the main textbook.
○​ Knowledge clips provide background information.
●​ Learning Outcomes:

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○​ Focus on broader media historical developments, their impact, and contexts (not
dates/facts).
○​ Aim to understand:
■​ Level 1: Characteristics and differences with previous periods (what
happened).
■​ Level 2: Historical context and reasons (why it happened).
■​ Level 3: Impact of these developments (impact).
●​ Assessments:
○​ Essay-based exam.
○​ Group assignment: Create a knowledge clip to bring media history alive (use
artifacts, follow guidelines).


Media and Society: A British Example

●​ James Curran’s Perspective: Explores media's role in shaping British society
(1700–2000).




Problems in Media History

1.​ Medium-Centricity:
○​ Focuses on specific media (e.g., newspapers, radio) rather than broader societal
impacts.
2.​ Technological Determinism:
○​ Overemphasizes technologies and individuals (e.g., inventors), neglecting
societal and cultural interplay.
3.​ Narrative Limitations:
○​ Narratives often focus on one perspective, ignoring others.


Narratives in Media History

1.​ Liberal Narrative: Media’s role in struggles for independence, free speech, and
freedom.
2.​ Feminist Narrative: Media’s role in women’s emancipation.
3.​ Populist Narrative: Tension between elite and popular, commercialized culture.
4.​ Libertarian Narrative: Focuses on individual freedoms.
5.​ Anthropological Narrative: Media’s role in human development.
6.​ Radical Narrative: Media’s role in systemic challenges and change.
7.​ Environmental Narrative: Media’s relationship with environmental issues.
8.​ Geographical Narrative: Focus on regional differences in media history.

Note: Each narrative has its limitations; they highlight specific aspects but may overlook others.
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