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ENG1501 Assignment 1 (DETAILED ANSWERS) 2025 - DISTINCTION GUARANTEED

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ENG1501 Assignment 1 (DETAILED ANSWERS) 2025 - DISTINCTION GUARANTEED - DISTINCTION GUARANTEED - DISTINCTION GUARANTEED Answers, guidelines, workings and references ,. Section A: Reflective essay: Poetry (Unit 2) Now that you have worked through Unit 2 (Poetry) in the study guide, write a reflective essay of 250-350 words in which you reflect on the exercises provided as part of this unit. In your answer, respond to the following: • Did you complete your activity journal? If not, why? • Which of the activities did you find manageable, and what do they have in common? • Which of the activities did you find challenging, and why? • Which aspect of this unit did you find the least enjoyable or difficult to understand? Please be as specific as possible (quote from the section and provide page references). Section A: 10 marks We use the following as a rubric for marking the reflexive essay: Level Mark Range Descriptor Good 6-10 demonstration of engagement with the Study Guide using the given prompts Adequate 5 • generic response that skims the surface • poorly structured essay • response that is not always clear Inadequate 0-4 • AI-generated response • sourced response • unconvincing reflection Section B: Short questions Read the poem ‘they call you mister steve biko now you’re dead’ by Shabbir Banoobhai (page 227 in The New Century of South African Poetry, available as an e-reserve on the library website) before answering the questions that follow. Downloaded by Dudley Naicker () lOMoARcPSD| You must answer in full sentences, and you should support your answers by quoting from the poem. Note: You will notice that each question includes a mark allocation. This is to indicate how much you should write to support your answer. One mark represents one main point or reason. If a question counts four marks, that means that you will need to supply four points or reasons. Remember that you can use an example from a poem only once; you cannot use the same example for each of your answers. 1. Consider the first stanza of the poem. 1.1 Comment on what the diction suggests about how Steve Biko was treated while he was alive. (2 marks) 1.2 Who is the “they” referred to here? (1 mark) 1.3 Who was Steve Biko, and why should he be remembered? (If you do not know and need to refer to online sources for this information, remember to reference your sources correctly!) (2 marks) 2. Refer to the title of the poem. 2.1 The title is repeated throughout. What is the effect of this in terms of the content and form of the poem? (2 marks) 2.2 In the title, the poet refers to Steve Biko as ‘mister’. How does this influence the reader’s perception of him? Consider instances when the title: “mister” is normally used. (2 marks) 3. Explore the use of irony in the poem. In your answer, consider the treatment of Steve Biko before and after his death. (3 marks) 4. How does the poet use imagery and symbolism to convey the idea of remembrance and legacy in the poem? (4 marks) 5. How does the poet create rhythm in the poem? (2 marks) 6. Refer to stanza 3. Lines 11-12 state that “the best advocate in the land/ was your voice”. Why is this ironic? (1 mark) 7. Identify the tone of the poem. Remember to justify your answer by referring to two examples. (4 marks) 8. This poem is an example of protest poetry. South Africa has a rich history of this type of poetry. Do you think this poem is effective as a protest poem? Explain. (2 marks)

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ENG1501
Assignment 1 2025
Unique #:

Due Date: 23 April 2025

Detailed solutions, explanations, workings
and references.

+27 81 278 3372

, SECTION A: REFLECTIVE ESSAY: POETRY (UNIT 2)

(4 ANSWERS PROVIDED)

Throughout Unit 2 on Poetry, I found both moments of success and challenges
that shaped my understanding of the subject matter. Reflecting on the activities
provided, I realize that engaging deeply with the poetic texts has transformed my
approach to literature.

I completed my activity journal in which I recorded my thoughts on each exercise.
I found this particularly useful when analyzing specific poetic devices. For
instance, when examining the poem ‗Whales‘ by Kelwyn Sole (p. 469), I noted
down how the word ―lugubriousness‖ slowed the pace and deepened the
mournful tone, urging me to reflect on why such adjectives were chosen.
Recording these reflections helped me identify patterns in diction and imagery,
and it also boosted my confidence in interpreting complex texts.

Among the activities, I found that tasks involving close reading and identifying
literary devices were the most manageable. These exercises shared a common
feature: they required careful attention to detail and a methodical approach in
breaking down the poem‘s language. I particularly enjoyed the process of
underlining all instances of personification, as described in the tutorial letter (e.g.,
the description of the whales as embodying both grandeur and decay). This
systematic process allowed me to see the structure behind the seemingly
abstract writing.

However, I found the activity that required reconciling my personal interpretation
with the ―official‖ interpretation provided in the study guide quite challenging.
While I understood the intended meaning behind words such as ―daintiness‖
juxtaposed with ―huge‖ (p. 469), I struggled to merge my intuition with the
expected analytical framework. The dissonance between my spontaneous
response to the imagery and the structured analysis demanded by the unit was a
hurdle that took considerable self-reflection to overcome.

The aspect I found least enjoyable was deciphering the subtle differences
between tone and mood in some poems. The instructional excerpt on pages 21–




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