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Creative Writing – Story Arc Summary

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This is a brief summary of the different stages of a story arc, including explanations and examples of the initial exposition, rising action, climax, falling action, and final resolution. A simple image is also included to help visualisation of the process. This summary can be used to bolster your understanding of story arcs and plot, and improve your own creative story writing – this could apply to flash fiction and short stories, or to longer pieces of writing, including novels.

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Uploaded on
March 14, 2023
File latest updated on
March 14, 2023
Number of pages
3
Written in
2022/2023
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Creative Writing
Story Arc


Generally, stories have a similar overall plot, which can be represented by a story arc.

Whether your story is plot driven (focusing on what happens and the choices characters must
make), or character driven (focusing on character development – how characters arrive at a
particular choice), story arcs will usually be similar.




Climax


Falling Action

Rising Action
Resolution


Exposition




Exposition (hopefully clever exposition)
This is information that gives the reader background about the characters and the present
situation. This often features heavily at the beginning of a story because the reader needs some
context to follow what is happening.
Exposition can be literally given to the reader, in the form of narration (writers often
try to avoid this, instead in favour of presenting the reader with specific scenes to give them
exposition through dialogue or characters’ responses to specific stimuli – this is fine, and often
effective, but has perhaps arisen because through the influences of film and TV, which can
show so much visual information in a specific scene, so there is still something to be said for
simple story narration).


Rising Action
This is what happens in your story – when and how things start to go wrong/become difficult
for the characters, leading, of course, towards the climax.
We must ask ourselves, why am I telling the reader this story about these characters in
the first place? Why not tell the reader about three days earlier in these characters’ lives? Three
months? Three years? Something must have interrupted the stasis (the equilibrium) of these
characters’ lives to make this story interesting enough to tell.


This is the intellectual property of Ross Turner Academics
© Ross Turner 2023 | www.rossturneracademics.com

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Ross Turner Academics

Ross works as a creative and critical writer, editor, and private tutor. He is currently completing his practice-led creative writing PhD at York St John University, with a focus on short story cycles. Previously, he attended the University of Gloucestershire, and achieved his BA (Hons) in Creative Writing, for which he was awarded the Francis Close Hall Creative Writing Prize for the highest dissertation mark, and his MA in Creative and Critical Writing, for which he was awarded a postgraduate bursary from the UoG Annual Fund for Excellence, and the Tutors’ Prize for outstanding academic achievement, achieving the highest aggregate mark on the course. Ross continues to publish creative, critical, and academic work. He was the founder and editor-in-chief of Superlative – The Literary Journal, which published quality, innovative work by emerging short story writers, in order to promote new, developing authors and the art of the short story to readers worldwide. He is a professional member of the National Association of Writers in Education (NAWE), where he attends regular writing conferences and has access to the latest writing in education materials. He enjoys educating, guest lectures on creative writing courses at colleges and universities, and has numerous education and training qualifications.

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